Feb. 23, 2026
22326-Syndicated-WrenValentino
Dragon's Realm Comic Con's Anthony Rivera Joins Mark and Hassan as a guest in the studio, We play part of the Designated Radio play adaptation, and Jenny Feldy interviews Filmmaker and Author Wren Valentino.
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The following is brought to you
in part by MFC Studios.
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The views of the shows host and
guests do not necessarily
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00:00:07,200 --> 00:00:11,560
reflect those of the management,
owners or staff of this radio
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station.
And now it came from the radio.
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Yappa toy and welcome once again
to It came from the radio, the
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00:00:43,160 --> 00:00:44,600
official show, The Big Apple
Con.
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This is your host, Mark Torres,
speaking with me on the phone.
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We have Mr. Hassan Godwin.
Yay.
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Always happy to be here, right?
Always, every day, you know.
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Thrilled Little little fun fact
for you, Hassan.
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Technically, this is our first
show of the new year.
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So we are now at 24 years.
We've been doing this show The
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dead silence.
All right, well.
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Congratulations I guess for
being old, but OK.
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But Speaking of someone who's
not, as though we have a special
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guest in the studio right now,
we have the Dragon Realms comic
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cons Anthony Rivera.
Say hi, Anthony.
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How you doing guys?
Thanks for having me.
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So as I mentioned, we're going
to be talking with Anthony in
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just a few moments.
But before we do any of that, we
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have to take away with the non
news.
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It's more facade.
The nun users brought to you in
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part buddy.
Fine folks at Sci-fi dot radio,
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that is sci-fi.
Or your Wi-Fi.
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I suppose the fine folks at the
Big Apple Corner, which we are
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the official radio show of
celebrating over 26789 years of
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complexness and pop culture
stuff.
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For more information go to
www.bigapplecc.com.
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Then that's connecting the
schedule all the way in November
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00:02:03,280 --> 00:02:06,880
of this year 21st tickets are
not on sale right now.
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00:02:07,360 --> 00:02:09,800
Also want to give our shout outs
from our patreons of which there
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are Danny Grillo award-winning
director Jared Burrell Newsday
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famous resident media shadow
rabbit art Jasmine Ray, the
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hurricane Emily Portez.
You want to have your own little
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00:02:17,720 --> 00:02:21,000
shout out go to our website
www.thecamefromrail.com.
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The little button on there types
you right to our Patreon page.
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Also on the IT came from the
radio website is my book
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designated a book about two
warring alien races fighting
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over a new discovered power
source.
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The war finds its way to planet
Earth and as a result, some
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humans gain abilities.
Issue when?
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It's on sale right now and issue
2 is coming out this year.
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And finally, I want to mention
that on Wednesday, March 11th at
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the East Meadow Public Library,
we're going to have our 102nd
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live show with a guest author,
the Mel Elliot Hubbard, and
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she'll be rattling off a copy of
her book.
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And we'll be also giving away 2
free tickets to the Long Island
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Trading Card Game show, the big
one in Nassau Coliseum.
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More information go to
www.eastmeadow.info.
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Nothing.
As I thought you usually say
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something.
Nicely done.
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Thanks.
Great.
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So that's that's it for all the
house cleaners.
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We're going to take a quick
break and we'll be right back
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with more.
It came from the radio.
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Hi, you've heard my voice.
Open and close the show now we
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And you're listening to it came
from the radio.
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Stick around.
My neural net processor is
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linked to sci-fi dot radio.
It's sci-fi for my Wi-Fi.
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The more I listen, the more I
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This is Olivia Hack, the voice
of.
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Tyree from Avatar the Last
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to it came from the radio.
Step into the fantastic world of
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cool kids, comics and toys at
2055 Hempstead Turnpike, East
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Meadow, NY.
Discover Comic Con.
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Exclusives, the latest Funko
Pops and a treasure trove of new
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and vintage toys and comics.
Whether you're a collector or a
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something to spark your
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imagination over here.
Visit Cool Kids.
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Comics and toys today, Which
event should begin?
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Huh.
Hi, this is Tammy Stronak, best
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known for playing The Childlike
Empress and The Never Ending
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Story and upcoming Man and witch
fantasy film you are listening
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to.
It came from the radio.
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00:05:15,800 --> 00:05:20,520
Comic Books for Kids is the
largest charity in the US for
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comic books, toys and pop
culture items to children in
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hospitals and cancer centers.
Donations of toys, books, action
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figures, Funko Pops, or anything
pop culture related can be made
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to this organization.
Find them at cb4k.org.
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Everybody, this is Todd
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Spawn comic series, and if
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you're listening to the right
spot.
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Class players, exhibitors and
celebrities.
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Oh my standby.
Connecticut Dragon's Run Comic
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Con is coming March 21st, 22nd
at the Danbury Sports Dome
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located at 25 Shelter Rock Lane.
It will be Danbury's only
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premier comic convention.
This event is your one stop shop
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for everything pop culture.
Featuring celebrity meet and
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greets, exhibitors selling the
coolest products, various
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discussion panels, a gaming area
and of course cosplay contest.
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Tickets will be sold at the door
or get them
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onlineviaticketspice.com Went
for Tickets are on our Facebook
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and Instagram pages.
Visit drcomiccon.com for more.
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This is Gina shock tremor of the
Go Go's and you are listening to
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it.
Came from the.
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Radio.
Now back to our show.
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And welcome back to It Came from
the Radio D, officially Big
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Apple Con.
This is your host, Martore.
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Speaking with me on the phone is
El Grandito Hassan Godwin.
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Hola.
And we have our special guest
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we're going to be talking to
with them about in the studio,
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we have Master Anthony Rivera
from the Dragons Realm Comic
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Con.
So Anthony, I love to ask all
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this the the same question to
all convention organizers.
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Why would you want to make a
convention?
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Because as we've known, Hassan
and I and everybody on the show,
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how long we've been on the air,
comic book conventions are crazy
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to put together and they're
insane.
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And you must be insane to do it.
So why are you doing it?
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Well first and foremost I'm a
pop culture nerd so it just
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basically came together that
after doing toy and collector
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shows in my home area to put on
a Comic Con because there's just
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so much fun.
I've been attending con since
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2011.
Pre COVID I was doing about 18
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cons a year and they're just so
much fun and the fact that I was
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able to do my own toy show gave
me the experience to put on a
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full Comic Con this year.
So not crazy, just experience.
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A little bit of both actually,
because I'm starting to see how
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overwhelming it is to put on a
show.
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But I also have the patience for
it, which is which is good.
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When you decide what was the
deciding factor, what was the
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catalyst per SE like, OK, this
year I'm going to do it as
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opposed to five years from now
or five years ago?
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It was all about timing.
I wanted to take my time putting
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the right show together.
So, you know, like I said, I was
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attending Constance 2011, you
know, seeing how the format is,
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talking to different promoters.
And then when I started doing my
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own toy show about five years
ago, that gave me more
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experience.
And then I started working with
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the promoter of Saratoga Comic
Con and he gave me more insight
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on how to run shows.
During that time.
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I just said to myself, OK, I got
to do this, this, this and this.
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I got to promote this way and
this way.
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Though basically doing that
smaller show and working the
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bigger shows gave me the
experience to put on my own
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show.
And what is the most surprising
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thing about putting together a
show and the least surprising
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thing that you've done so far?
The most surprising thing is the
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creative freedom I have for the
show.
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I can do know how the show
however I want.
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I want to get the right
attractions.
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The least is the pressure of
putting the show on because you
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have to get the right supplies.
You have to have, you know, do
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the ass right, get to get the
right celebrities.
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It's a lot.
So Hassan, he used to work for
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Wizard and he used to work with
the wizard Khan, right, Hassan?
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I did.
You can tell by his enthusiasm,
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his memories of working for
Wizard back in the day.
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Do you have a question for
Anthony?
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It's just interesting to me that
it seems like the evolution of
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being a pop culture enthusiast
means that eventually you're
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going to put your own show on.
So where did the idea come from
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that you're they're going to be
able to, It's kind of an
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offshoot of the original
question of why, but where's the
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idea come from?
Like, what do you get out of
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being the person who runs the
show?
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It's all about being a good
event promoter.
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That's basically the bottom
line.
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I mean, obviously I kind of want
to get out of doing my day job
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and I want to put on a show with
that.
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People can say, hey, that con's
coming back, let's go back to
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it.
I want to show people that I can
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put on a good event for the
community.
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Does it come from like
experiencing, I'm sorry, Mark,
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does it come?
Does it come from like
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experiencing other shows and
then you deciding you could do a
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better job or, you know, or some
kind of, and I don't mean that
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in a negative way.
Do you see other shows and
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you're like, well, I could do
this.
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I could do this way better than
the way this is being done.
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It's more about attending
different shows and see how
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every show promoter does their
show differently, taking ideas
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from what they do and
incorporate them into what I'm
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going to do.
Every Comic Con has a basic
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structure.
You've got exhibitors, you've
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got panelists, you got
celebrities, but you also need
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something to, it's basically the
wow factor, like, oh, they're
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going to have this at the show
instead of that show.
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I mean, that's great.
Let's go to that show instead of
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that show.
So it's basically how to get
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people from their homes to your
show to have a good time.
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Do you find that now that you're
going to have your own
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convention, the big convention,
you're going to miss out because
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you're not going to be able to
enjoy the convention because
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you're going to be busy working
in a convention?
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So with running my toy collector
show that I do in Newburgh with
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a couple of friends of mine, my
friend Angelo and my friend
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Jimmy, they've been helping out
for the past five years with the
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local show.
And what I've seen is the
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business point of view from it
and the pop culture enthusiasts
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part of view of it.
Because, yeah, you have to load
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your vendors in, you have to set
them up, you have to make sure
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they're all happy.
But at the same time, you get to
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see the antennas having a good
time.
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00:10:47,880 --> 00:10:49,720
And that's basically that's what
it's all about.
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You want to make sure that your
patrons are enjoying the show,
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00:10:52,720 --> 00:10:55,720
they're getting their money's
worth, and overall that you're
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00:10:55,720 --> 00:10:57,400
happy as well.
So it's a combination of
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everything.
So what's the magic number?
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What is the the price point for
for the company to make money,
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00:11:03,960 --> 00:11:06,920
to make a profit and the people
to actually be able to go, to
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00:11:06,920 --> 00:11:08,280
afford to go and enjoy
themselves?
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00:11:08,280 --> 00:11:10,280
What's that price point?
Where you where'd you get that
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00:11:10,280 --> 00:11:11,520
number?
From so from what I've seen
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00:11:11,520 --> 00:11:14,320
attending conventions, most of
the bigger shows or established
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00:11:14,320 --> 00:11:17,000
shows or even medium shows, they
have a set price range.
225
00:11:17,200 --> 00:11:19,840
What I wanted to do was make my
prices a little cheaper.
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00:11:19,920 --> 00:11:22,800
This way one is more affordable.
I mean adult tickets are only
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00:11:22,800 --> 00:11:25,000
$20.00 for Saturday.
If you get a weekend pass that's
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00:11:25,000 --> 00:11:27,000
30.
So for for 30 bucks you get both
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00:11:27,000 --> 00:11:28,880
days.
So this way you they're not you
230
00:11:28,880 --> 00:11:30,000
know breaking their bank
accounts.
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00:11:30,000 --> 00:11:31,920
They can enjoy the show.
They can, you know, see all the
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cool stuff that's there, meet
their celebrities, and basically
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they're having fun without going
broke at the same time.
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00:11:37,680 --> 00:11:38,840
Hassan, you got a follow up
question?
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00:11:38,960 --> 00:11:41,320
How did this all start?
Like what was the what was the
236
00:11:41,440 --> 00:11:44,320
piece of pop culture that
launched you off into like being
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00:11:44,320 --> 00:11:47,160
the complete hobbyist to the
point where you actually wanted
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00:11:47,160 --> 00:11:49,680
to do your own show years later?
What was the?
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00:11:49,680 --> 00:11:53,560
Do you remember what it was?
You're talking over 30 years
240
00:11:53,560 --> 00:11:55,320
ago.
I mean, I still, I still
241
00:11:55,320 --> 00:11:58,200
remember doing martial arts in
my room watching Power Rangers.
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00:11:58,520 --> 00:12:00,200
That's how far back you're
talking right now.
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00:12:00,400 --> 00:12:03,160
Like the original?
To the right guy, then right
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00:12:03,160 --> 00:12:06,880
there across from you.
So basically when I started
245
00:12:06,880 --> 00:12:09,440
watching, you know, Power
Rangers as a kid, I grew up in
246
00:12:09,440 --> 00:12:10,880
the 90s, so I watched a lot of
that.
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00:12:10,880 --> 00:12:14,480
I watched, you know, Digimon,
Pokémon, Transformers, Ninja
248
00:12:14,480 --> 00:12:16,520
Turtles.
So over the years I became a
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00:12:16,520 --> 00:12:18,840
gamer as well.
So pop culture has been a part
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00:12:18,840 --> 00:12:22,120
of my life, you know, since I
was a kid all through school.
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00:12:22,560 --> 00:12:27,000
Now that I have, you know, adult
money, I can now I can now
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00:12:27,000 --> 00:12:29,520
afford some of the things I, I
enjoy as a kid more.
253
00:12:29,640 --> 00:12:31,440
Obviously I still have to be
responsible because I'm still
254
00:12:31,440 --> 00:12:33,200
enough to all.
But at the same time, it's just
255
00:12:33,200 --> 00:12:35,800
like, you see all the things you
wanted as a kid, now you can get
256
00:12:35,800 --> 00:12:38,400
them, but you're still going to,
you know, pay your rent and all
257
00:12:38,400 --> 00:12:39,360
that.
Yeah.
258
00:12:39,400 --> 00:12:42,720
So basically when I started
going to conventions in 2011, it
259
00:12:42,720 --> 00:12:46,800
just basically it was inevitable
that down the line from being a
260
00:12:46,800 --> 00:12:50,120
pop culture dork to attending
conventions to starting my own
261
00:12:50,120 --> 00:12:52,400
toy show to now hosting my own
convention.
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00:12:52,400 --> 00:12:55,200
So basically I'm kind of happy
where the path is leading to.
263
00:12:55,400 --> 00:12:59,360
Do you find that because there's
a large number of conventions
264
00:12:59,360 --> 00:13:02,600
that the competitors are your
enemy, or are they your friend?
265
00:13:02,640 --> 00:13:04,440
It really depends on on the
location.
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00:13:04,480 --> 00:13:07,640
Like I chose to stay out of New
Jersey because there's a lot of
267
00:13:07,640 --> 00:13:10,480
conventions and jerseys and toy
shows and not there's anything
268
00:13:10,480 --> 00:13:12,440
wrong with that.
But as a business point of view,
269
00:13:12,440 --> 00:13:14,240
you have to look at an area
that's OK.
270
00:13:14,240 --> 00:13:16,040
There's like 30 shows in a
month.
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00:13:16,240 --> 00:13:18,720
Yeah, I don't want to do a show
in them in that area.
272
00:13:18,720 --> 00:13:20,320
And then you have to be sure
that, you know, you're not
273
00:13:20,320 --> 00:13:24,280
stepping on another show's toes.
Like if you have a show on the
274
00:13:24,280 --> 00:13:26,800
same day as another show, that
kind of looks unprofessional.
275
00:13:26,920 --> 00:13:29,680
That's why I chose a weekend
that there was nothing really
276
00:13:29,680 --> 00:13:31,440
happening.
And so far it's working out
277
00:13:31,440 --> 00:13:34,280
great.
Do you remember when Wizard went
278
00:13:34,280 --> 00:13:37,360
up against New York Comic Con I.
Don't want to talk about it.
279
00:13:37,640 --> 00:13:40,120
So there's a lot of pain
involved.
280
00:13:40,360 --> 00:13:43,560
We missed out on that, actually.
Like they there was a chance
281
00:13:43,560 --> 00:13:46,440
that Wizard could have gotten
the New York Comic Con and we
282
00:13:46,440 --> 00:13:49,840
kind of missed that that window
by half a year.
283
00:13:50,200 --> 00:13:53,320
And I remember that sent shock
waves to the entire company.
284
00:13:53,320 --> 00:13:55,120
Like everybody was really mad
about it.
285
00:13:55,120 --> 00:13:57,440
So yeah, you got to take your
spots with that.
286
00:13:57,440 --> 00:14:00,680
There's like these convention
seasons and there's people who
287
00:14:00,680 --> 00:14:03,800
are really territorial and
whenever you get these, you
288
00:14:03,800 --> 00:14:06,480
know, when whenever you get
someone who might be slightly
289
00:14:06,480 --> 00:14:09,320
bigger than someone else and
wants to muscle people out of
290
00:14:09,320 --> 00:14:12,920
their position, it could be a
lot of business headaches that
291
00:14:12,920 --> 00:14:15,080
you don't really have the
bandwidth for.
292
00:14:15,080 --> 00:14:17,040
You know, you don't want to
have, you just want to be able
293
00:14:17,040 --> 00:14:19,520
to do a show.
So I completely respect that
294
00:14:19,760 --> 00:14:22,000
that position there.
That's the that's the cuteest be
295
00:14:22,000 --> 00:14:25,840
like, Oh yeah, that's awesome.
I mean he is right.
296
00:14:25,840 --> 00:14:28,760
It's also about, you know, there
are shows that, you know, I
297
00:14:28,760 --> 00:14:30,840
guess some of the smaller non
professional show.
298
00:14:30,840 --> 00:14:32,800
I can't say non professional.
There's no, I guess younger
299
00:14:32,800 --> 00:14:35,120
shows.
They don't really research the
300
00:14:35,120 --> 00:14:36,560
dates.
That's what you should do as as
301
00:14:36,560 --> 00:14:39,280
a event promoter.
Like, OK, so April, there's this
302
00:14:39,280 --> 00:14:41,600
show and that show that weekend.
Let's just try to avoid that.
303
00:14:41,680 --> 00:14:43,840
There's a local show in in
Beacon, NY.
304
00:14:43,920 --> 00:14:46,480
They're going to go up against
Garden State Comic Fest and New
305
00:14:46,480 --> 00:14:48,440
Jersey toy Con.
And I'm like, oh, that that
306
00:14:48,440 --> 00:14:51,080
that's going to be a tough day
for them because you've got two
307
00:14:51,080 --> 00:14:53,920
shows that aren't that far apart
from each other and you're a
308
00:14:53,920 --> 00:14:56,360
little show starting out.
So it's important that when
309
00:14:56,360 --> 00:14:59,480
you're picking your dates that
there's nothing happening around
310
00:14:59,480 --> 00:15:01,760
you.
Like the the weekend I chose,
311
00:15:02,360 --> 00:15:07,040
it's nowhere near Terrificon,
it's nowhere near Kineticon, and
312
00:15:07,040 --> 00:15:10,920
I'm basically out of their way.
So you said that you are a fan
313
00:15:10,920 --> 00:15:13,200
first in your mind because
that's what you started out and
314
00:15:13,200 --> 00:15:15,000
then you decided to take on the
business end.
315
00:15:15,400 --> 00:15:17,800
When you're making a convention,
is there a part of you that
316
00:15:17,800 --> 00:15:20,120
you're arguing with yourself
that the fan wants something but
317
00:15:20,120 --> 00:15:21,680
the business?
And it's like, no, we can't have
318
00:15:21,680 --> 00:15:23,760
that.
All the time, all the time.
319
00:15:23,760 --> 00:15:27,640
Like as a promoter, as a
promoter for my toy show, I see
320
00:15:27,640 --> 00:15:29,840
things that I want.
I'm like, I got to focus on the
321
00:15:29,840 --> 00:15:30,960
show.
I can't get that right now.
322
00:15:31,800 --> 00:15:34,720
So now that I'm doing a Comic
Con, it's going to be even even
323
00:15:34,720 --> 00:15:36,840
more tough because there's a lot
of cool vendors that are going
324
00:15:36,840 --> 00:15:39,160
there.
I got lightsaber guys, I've got
325
00:15:40,280 --> 00:15:43,680
toy collector guys, I've got, I
guess someone selling cannolis
326
00:15:43,800 --> 00:15:45,520
at the show.
There's a coffee vendor.
327
00:15:45,520 --> 00:15:48,160
There's a nice mixture of
vendors at the show.
328
00:15:48,160 --> 00:15:50,960
So it's not just one thing.
It's more of a pop culture show
329
00:15:50,960 --> 00:15:53,440
than a Comic Con, but it's going
to have that Comic Con feel
330
00:15:53,440 --> 00:15:55,200
because you have your
celebrities there, you have your
331
00:15:55,200 --> 00:15:57,000
panelists, you have your
attractions.
332
00:15:57,040 --> 00:16:00,280
And I think that's what's going
to bring people in and it's
333
00:16:00,280 --> 00:16:03,400
going to be tough because I have
to run the show, but it's also
334
00:16:03,400 --> 00:16:04,520
fun because I get to see the
show.
335
00:16:04,520 --> 00:16:07,000
One of the things that we've
talked about over the years
336
00:16:07,480 --> 00:16:11,400
during the show is that we see
that certain conventions lean a
337
00:16:11,400 --> 00:16:14,960
certain way and you don't know
it until you're actually there.
338
00:16:14,960 --> 00:16:17,440
Like some are very celebrity
heavy, some are very cosplay
339
00:16:17,440 --> 00:16:19,920
heavy from a very panel heavy,
some are very vendor heavy.
340
00:16:19,920 --> 00:16:23,360
Is your goal to try to make it
an overall thing or you're going
341
00:16:23,360 --> 00:16:26,080
to try to lean one or just see
what the what the people come in
342
00:16:26,080 --> 00:16:27,720
for and then you're going to
pivot to that?
343
00:16:27,720 --> 00:16:29,400
Well, so for the first show,
there's going to be a little
344
00:16:29,400 --> 00:16:32,640
trial there, trial and error.
So you want a nice diverse crowd
345
00:16:32,640 --> 00:16:35,080
of people to show up in a nice
diverse show.
346
00:16:35,120 --> 00:16:36,440
I don't want it to be a horror
con.
347
00:16:36,440 --> 00:16:38,600
I don't want it to be like a
pure superhero Comic Con.
348
00:16:38,600 --> 00:16:40,160
I want it to be as diverse as
possible.
349
00:16:40,160 --> 00:16:42,920
That's why I've got I got voice
actors, I've got TV actors.
350
00:16:42,920 --> 00:16:46,280
I have a nice, nice variety of
vendors that they don't sell
351
00:16:46,280 --> 00:16:48,440
just the same thing.
I got different panelists and
352
00:16:48,440 --> 00:16:50,320
different attractions.
So it's a good, it's a good
353
00:16:50,320 --> 00:16:52,920
mixture than your than your
traditional comic cons.
354
00:16:53,240 --> 00:16:55,880
Like, you go to New York Comic
Con, you see everything your
355
00:16:55,880 --> 00:16:58,400
Comic Con sold to to the brink
of just, you know, all different
356
00:16:58,400 --> 00:17:00,800
kind of vendors.
So I'm kind of trying to do that
357
00:17:00,840 --> 00:17:03,320
on a smaller scale.
So since you are a Power Ranger
358
00:17:03,320 --> 00:17:06,000
fan, was the first instinct to
get all the power Ranger actors
359
00:17:06,000 --> 00:17:07,280
and you know, screw everybody
else.
360
00:17:09,720 --> 00:17:11,680
When you're booking your
celebrities, it's all about, you
361
00:17:11,680 --> 00:17:14,319
know, their guarantees.
Obviously you want you know, big
362
00:17:14,319 --> 00:17:16,760
names to drill people in, but
you have to be sure that you can
363
00:17:16,760 --> 00:17:18,520
afford them.
For the most part, the Power
364
00:17:18,520 --> 00:17:20,720
Rangers are are pretty, they're
pretty stable with their
365
00:17:20,720 --> 00:17:23,240
guarantees.
But you know, first time show I
366
00:17:23,240 --> 00:17:25,280
want to get, you know, get
through it and see how I do.
367
00:17:25,560 --> 00:17:28,000
The celebrities they have have
no very decent guarantees.
368
00:17:28,000 --> 00:17:31,880
I'm happy with with who I got.
We just got Gary Littman, he was
369
00:17:31,880 --> 00:17:34,880
in Yu-gi-oh, he was in one
piece, a very good voice actor.
370
00:17:34,880 --> 00:17:37,200
We've announced I think about
six other ones.
371
00:17:37,200 --> 00:17:39,560
We have about 3 more to go and
they're all very nice.
372
00:17:39,840 --> 00:17:41,520
Son, you got a final question
for Anthony?
373
00:17:42,000 --> 00:17:44,080
Sure.
Do you, since you're, you're
374
00:17:44,400 --> 00:17:47,640
primarily a toy guy, right?
According to what you said, do
375
00:17:47,640 --> 00:17:50,480
you, do you trade since you
don't want to buy them because
376
00:17:50,480 --> 00:17:54,040
you're on a budget in, in the,
in the sense of running the show
377
00:17:54,040 --> 00:17:55,400
and you're trying to be
responsible?
378
00:17:55,680 --> 00:17:59,600
Do you trade toys for perks from
vendors at the show?
379
00:17:59,600 --> 00:18:01,240
Not really.
I'm more of a collector than a
380
00:18:01,240 --> 00:18:04,760
trader.
I mean, but if if you saw my if
381
00:18:04,760 --> 00:18:07,560
you saw my apartment, your jaw
would drop.
382
00:18:07,560 --> 00:18:10,360
I mean, my apartment is
basically a it's like a Holy
383
00:18:10,360 --> 00:18:11,680
Grail of pop culture items
there.
384
00:18:12,240 --> 00:18:15,640
So so the museum.
Basically, you're, you're not
385
00:18:15,640 --> 00:18:17,840
wrong.
I, I get shadow boxes, I I get
386
00:18:18,000 --> 00:18:19,520
all the kind of things for for
my stuff.
387
00:18:19,600 --> 00:18:22,240
So instead of selling tables,
Hassan is wants you to have
388
00:18:22,320 --> 00:18:25,000
people you just giving you
figures and toys and you get a
389
00:18:25,000 --> 00:18:26,160
table.
Instead, I think that's all
390
00:18:27,040 --> 00:18:28,440
right.
Oh, you're trying to bribe you
391
00:18:28,440 --> 00:18:29,520
with spots?
OK, Yeah.
392
00:18:29,640 --> 00:18:32,120
I wasn't saying that
specifically.
393
00:18:32,120 --> 00:18:35,400
I was just testing the waters.
Don't blow me up, Mark.
394
00:18:35,560 --> 00:18:38,160
I mean, if you have a couple of
90s Power morphers, we can start
395
00:18:38,160 --> 00:18:39,560
talking.
Hassan, do you have any?
396
00:18:40,280 --> 00:18:44,480
No, no, I, no, not power, no.
But we will.
397
00:18:44,480 --> 00:18:49,160
I will be in touch in the next
few weeks.
398
00:18:49,160 --> 00:18:53,520
Trust me, I'll see see what I
can arrange in the time that we
399
00:18:53,520 --> 00:18:54,800
have.
I'll be around.
400
00:18:55,200 --> 00:18:57,120
So it's social media time.
Where can people find out more
401
00:18:57,120 --> 00:19:01,200
about the convention, dates,
prices, all that fun stuff go?
402
00:19:01,200 --> 00:19:04,840
All right, so our main page is
Dragon from Comic Con on
403
00:19:04,840 --> 00:19:07,880
Facebook.
We also have at Dragon from CC
404
00:19:07,880 --> 00:19:10,120
on Instagram.
Those are the social many pages
405
00:19:10,120 --> 00:19:12,320
that we have.
If you want tickets, you can get
406
00:19:12,320 --> 00:19:14,280
them on.
The links are on both the social
407
00:19:14,280 --> 00:19:17,160
media sites as well as our
website, doctorcomiccon.com.
408
00:19:17,480 --> 00:19:21,040
Tickets start for adults 13 and
over at $20.
409
00:19:21,040 --> 00:19:24,800
Three day pass for adults is 30.
Children's tickets between 7:00
410
00:19:24,800 --> 00:19:28,120
and 12:00 or 15.
And we do have military and
411
00:19:28,120 --> 00:19:30,000
veteran discount tickets
available as well.
412
00:19:30,440 --> 00:19:33,120
Will there be a discount as
opposed to online as opposed to
413
00:19:33,120 --> 00:19:34,920
in person?
So if you buy them online, there
414
00:19:34,920 --> 00:19:37,520
was a $2.00 fee.
If you buy them at the door for
415
00:19:37,520 --> 00:19:39,280
the cash booth, there is no fee,
no.
416
00:19:39,640 --> 00:19:41,120
Yeah, people want to save $2.00
Go.
417
00:19:41,120 --> 00:19:44,680
Down there you go.
So why Dragons realm?
418
00:19:44,680 --> 00:19:46,840
Why not Anthony Riveras
convention?
419
00:19:47,560 --> 00:19:50,840
Well, Anthony Khan, why not?
You're kind, you do whatever you
420
00:19:50,840 --> 00:19:52,360
want.
That's true, that's true.
421
00:19:52,360 --> 00:19:56,360
But I don't want to see my name
in big green letters on a flyer.
422
00:19:56,360 --> 00:19:58,560
I figured everybody loves
Dragons.
423
00:19:59,040 --> 00:20:00,800
I mean, Dragons are, are, are
awesome.
424
00:20:00,800 --> 00:20:03,280
I mean, yeah, they're my my
first dragon favorite was
425
00:20:03,280 --> 00:20:05,720
Charizard from Pokémon.
And that's one of the biggest
426
00:20:05,720 --> 00:20:07,400
fan favors out there.
Even though they said he's
427
00:20:07,400 --> 00:20:08,880
overrated.
No, he's, he's really not.
428
00:20:08,880 --> 00:20:11,600
Charizard is the best.
And then just growing up, you
429
00:20:11,600 --> 00:20:12,720
know, Dragons are always my
thing.
430
00:20:12,800 --> 00:20:14,800
When I watched Yu-gi-oh, my
favorite was the Blue Eyes White
431
00:20:14,800 --> 00:20:17,040
Dragon.
And then so on and so forth.
432
00:20:17,040 --> 00:20:18,680
You know, I watch Game of
Thrones and they have a lot of
433
00:20:18,680 --> 00:20:20,920
Dragons.
I think Dragons bring people
434
00:20:20,920 --> 00:20:22,680
together.
And it's also, you know, it's a,
435
00:20:22,800 --> 00:20:24,600
it's a good theme.
So I think you should.
436
00:20:24,760 --> 00:20:26,960
I personally think you should be
the Anthony Con.
437
00:20:26,960 --> 00:20:28,720
Have your big picture with a
finger.
438
00:20:28,720 --> 00:20:31,200
Like, yeah, it's my convention.
Come on down.
439
00:20:31,280 --> 00:20:34,160
That way they'll know it's
associated with you as opposed
440
00:20:34,160 --> 00:20:36,560
to a mythological creature.
Hassan, do you agree with me on
441
00:20:36,560 --> 00:20:37,560
that?
I agree.
442
00:20:37,960 --> 00:20:43,880
Totally agree, but you know.
I actually thought about
443
00:20:43,880 --> 00:20:46,280
branding first.
Branding is very important.
444
00:20:46,400 --> 00:20:48,840
I think seeing myself doing
doing a weird pose on a flyer
445
00:20:48,840 --> 00:20:50,920
might turn people away, so I
stuck with the Dragons.
446
00:20:51,040 --> 00:20:53,240
I don't know.
See, you might not be old
447
00:20:53,240 --> 00:20:56,080
enough, but Hassan and I
remember Carvel, remember Fudgie
448
00:20:56,080 --> 00:20:59,320
the Whale, that the guy who
actually was the spokesperson
449
00:20:59,320 --> 00:21:02,560
for Carvel Ice Cream Place was
the guy who actually owned it.
450
00:21:02,840 --> 00:21:05,400
And he had this really gravelly
voice and he used to talk about
451
00:21:05,400 --> 00:21:07,120
his stuff.
And that's how you associated
452
00:21:07,120 --> 00:21:09,960
Carvel with the guy, remember?
That I don't think he wants to
453
00:21:09,960 --> 00:21:11,640
be associated with Fudgie the
whale.
454
00:21:12,000 --> 00:21:14,320
He's got.
He's got bigger goals.
455
00:21:14,320 --> 00:21:15,760
And Cookie.
Puss, cookie puss.
456
00:21:16,280 --> 00:21:18,280
Yeah.
Yeah, so.
457
00:21:19,080 --> 00:21:22,280
You're blowing us up, Mark,
giving us away.
458
00:21:24,480 --> 00:21:27,840
So final thoughts, what are your
what's the one thing you want to
459
00:21:27,840 --> 00:21:29,760
tell other people out there?
Should they make their own
460
00:21:29,760 --> 00:21:32,240
convention or just not make
their own convention and go to?
461
00:21:32,240 --> 00:21:35,080
Yours Oh, obviously go to my
convention, but if you're going
462
00:21:35,080 --> 00:21:37,280
to start your own, it's
basically just it's a lot of
463
00:21:37,600 --> 00:21:40,160
it's a lot of research and give
yourself plenty of time to
464
00:21:40,160 --> 00:21:41,920
promote your show at least a
year.
465
00:21:42,040 --> 00:21:44,880
A year is a good way to, you
know, get everything you need,
466
00:21:44,880 --> 00:21:48,280
prep for it, get your supplies.
It's it can be overwhelming
467
00:21:48,360 --> 00:21:49,640
because you have to work with
celebrities.
468
00:21:49,640 --> 00:21:51,240
You have to make sure you know
they make their guarantees.
469
00:21:51,240 --> 00:21:52,800
You have to fly them out.
You have to, you know, they
470
00:21:52,800 --> 00:21:55,320
have, they're all their
contracts and whatnot.
471
00:21:55,400 --> 00:21:57,800
It could be overwhelming if
you're not prepared for it, so
472
00:21:57,800 --> 00:22:01,040
prepare yourself for it.
So how long do you think that
473
00:22:01,040 --> 00:22:04,560
you, so you said about a year.
So when you do that right and
474
00:22:04,560 --> 00:22:07,320
you start with the contracts,
does that contract start at a
475
00:22:07,320 --> 00:22:08,560
year?
You just what's the first thing?
476
00:22:08,560 --> 00:22:10,040
Is the date venue?
What's the first thing you go?
477
00:22:10,040 --> 00:22:12,560
For first thing you got to go
for is the location.
478
00:22:12,640 --> 00:22:15,280
If you're going to plan out a
big show like that, it has to
479
00:22:15,280 --> 00:22:18,400
have the space, it has to have
the parking and it has to have
480
00:22:18,520 --> 00:22:22,160
the the capacity available.
Oh, is it free parking for your
481
00:22:22,160 --> 00:22:23,680
convention?
Yes, as of right now there is
482
00:22:23,720 --> 00:22:27,640
there is free parking the.
As for right now, wait a minute,
483
00:22:27,640 --> 00:22:28,960
wait a minute, What does that
mean?
484
00:22:28,960 --> 00:22:31,720
So, so the Danbury Sports Dome
is going to is that's where the
485
00:22:31,720 --> 00:22:34,400
events going to be.
It's over in Danbury, CT and
486
00:22:34,400 --> 00:22:36,480
they're going to rope off places
for event parking.
487
00:22:36,480 --> 00:22:39,520
So there's over almost 1000
parking spaces, so there's
488
00:22:39,520 --> 00:22:41,400
plenty of parking for everyone
to go to.
489
00:22:41,600 --> 00:22:42,960
OK.
So basically show up early.
490
00:22:43,320 --> 00:22:47,160
Yes, as early as you can.
Yes, the show starts at 10:00 on
491
00:22:47,160 --> 00:22:49,440
Saturday and ends 5:00 on
Sunday.
492
00:22:49,960 --> 00:22:53,560
So the Saturday hours are 10:00
AM to 7:00 PM and then Sunday is
493
00:22:53,560 --> 00:22:55,720
10:00 AM to 5:00 PM.
Hassan, you have any final
494
00:22:55,720 --> 00:22:57,760
thoughts?
I wish you the best of luck.
495
00:22:58,160 --> 00:23:02,200
I think this sounds fantastic.
I'm happy that there are more
496
00:23:02,200 --> 00:23:05,280
shows that are, you know, that
are becoming local and then that
497
00:23:05,280 --> 00:23:08,560
more people are being
entrepreneurial and following
498
00:23:08,560 --> 00:23:10,480
their, their pop culture
passions.
499
00:23:10,520 --> 00:23:13,360
I think we, you know, as much as
we have, I think we need a lot
500
00:23:13,360 --> 00:23:15,560
more of it.
So, you know, I wish you the
501
00:23:15,560 --> 00:23:18,520
best of luck and I I hope it
goes without a hitch and you get
502
00:23:18,520 --> 00:23:20,320
to keep doing it.
That's actually my goal.
503
00:23:20,320 --> 00:23:21,760
I mean, I wanted to do this
every year.
504
00:23:21,760 --> 00:23:23,440
I think the attractions that we
have are great.
505
00:23:23,440 --> 00:23:25,480
We're gonna raffle off a
Nintendo Switch too.
506
00:23:25,720 --> 00:23:27,880
We're gonna have the sword
thrown from the Game of Thrones
507
00:23:27,880 --> 00:23:29,200
there.
We have a match at the gallery
508
00:23:29,240 --> 00:23:30,920
tournament.
We have a Super Smash Brothers
509
00:23:31,000 --> 00:23:33,360
Ultimate Tournament.
One of my friends who's gonna
510
00:23:33,360 --> 00:23:36,160
bend there is gonna do the the
Mike Tyson Punch Out challenge.
511
00:23:36,880 --> 00:23:40,360
You know, 5 dollars, $5 per try.
If you win, you get the pot and
512
00:23:40,560 --> 00:23:43,200
that's sort of, oh, that's one
other thing.
513
00:23:43,320 --> 00:23:46,120
So many things I have to
remember well.
514
00:23:47,000 --> 00:23:48,800
Go check out the website, find
out more stuff.
515
00:23:49,400 --> 00:23:51,440
So yeah, my final thought is
thank you for coming down.
516
00:23:51,440 --> 00:23:54,760
Let's continue to set look for
you having you come back next
517
00:23:54,760 --> 00:23:58,000
year and for again.
So that is it for this week's
518
00:23:58,080 --> 00:24:00,520
segment.
Everybody listening to us on the
519
00:24:00,520 --> 00:24:01,600
air.
We'll see you next time.
520
00:24:01,600 --> 00:24:02,960
For everybody else, stay tuned
for more.
521
00:24:03,120 --> 00:24:07,000
It came from the radio.
Hey, this is Billy West from
522
00:24:07,000 --> 00:24:09,800
Show Business.
You're listening to It Came from
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the radio.
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We've got you covered.
Hi, I'm Olivia Yonkers from Star
538
00:24:48,280 --> 00:24:51,000
Trek Picard, and you're
listening to It Came from the
539
00:24:51,000 --> 00:24:54,520
Radio now.
Back to our show.
540
00:24:55,280 --> 00:24:59,320
And welcome back to It Came from
the radio, the official show,
541
00:24:59,320 --> 00:25:01,680
the Vega ABBA Khan.
This is your host Mark Torres
542
00:25:01,680 --> 00:25:04,280
speaking.
As mentioned earlier in this
543
00:25:04,280 --> 00:25:07,560
show, we have just passed our
24th anniversary.
544
00:25:08,120 --> 00:25:11,200
What some of you may not know is
that this very show was
545
00:25:11,200 --> 00:25:14,760
originally created out of my
desire to get my own combo
546
00:25:14,840 --> 00:25:18,480
published.
Set book designated Part 1 of A5
547
00:25:18,480 --> 00:25:22,360
issue series made its way to
print back in 2023.
548
00:25:22,840 --> 00:25:26,520
It was then adapted into a radio
play which was performed at New
549
00:25:26,520 --> 00:25:30,160
York Comic Con, presented by
Trauma Entertainment, the
550
00:25:30,160 --> 00:25:32,880
independent film company behind
The Toxic Avenger.
551
00:25:33,440 --> 00:25:35,440
This year, we hope to do the
same.
552
00:25:36,040 --> 00:25:40,440
Issue 2 is coming out in just a
few months, and to help promote
553
00:25:40,440 --> 00:25:44,000
that, I've decided to include
part of the virtual read of that
554
00:25:44,000 --> 00:25:47,880
issue in this week's show.
The entirety of the performance
555
00:25:47,880 --> 00:25:52,920
is on our YouTube page, but here
is part of Issue 1's performance
556
00:25:53,240 --> 00:25:58,320
of Designated Enjoy.
Designated issue one, Page 1.
557
00:25:58,560 --> 00:26:01,920
Establishing shots.
We visit the planet A7 in the
558
00:26:01,920 --> 00:26:05,720
Dura system, 2 moons over around
the planet, along with a green
559
00:26:05,720 --> 00:26:08,280
sun from space.
It seems like there's a serene
560
00:26:08,280 --> 00:26:11,280
body of life, but a raging
battle between the peaceful
561
00:26:11,280 --> 00:26:14,120
forelons and the warlike thrown
in, except torn apart.
562
00:26:14,880 --> 00:26:17,360
On the planet we visit an old
alien castle.
563
00:26:17,560 --> 00:26:19,840
From the looks of it, the
surrounding area has just seen a
564
00:26:19,840 --> 00:26:22,480
great battle.
Lots of destroyed ships, tanks
565
00:26:22,520 --> 00:26:24,360
and smoldering ash over the
area.
566
00:26:24,880 --> 00:26:27,600
The castle itself is born, but
has no battle damage.
567
00:26:29,200 --> 00:26:32,640
Inside the throw room, King
Tesson is standing on a throwing
568
00:26:32,640 --> 00:26:34,560
room's balcony, surveying the
damage.
569
00:26:34,720 --> 00:26:37,920
Although he may not look his
age, the king is over 400 years
570
00:26:38,000 --> 00:26:40,040
old.
The grand entrance doors to the
571
00:26:40,040 --> 00:26:43,200
room open as Futok, the King
Advisor rushes in.
572
00:26:44,000 --> 00:26:47,200
Your Majesty, I've just received
information that the Geronians
573
00:26:47,200 --> 00:26:51,600
are planning another attack.
Calm yourself, futok, we will
574
00:26:51,600 --> 00:26:53,480
repel this attack.
Just as we've done with all the
575
00:26:53,480 --> 00:26:56,080
others.
The reports say this attack will
576
00:26:56,080 --> 00:26:58,280
have the full force of the
entire army.
577
00:26:59,640 --> 00:27:00,960
Can we stand such?
An attack.
578
00:27:01,520 --> 00:27:03,760
There's more.
King Brigan himself will be
579
00:27:03,760 --> 00:27:06,240
heading the attack.
That's insane.
580
00:27:07,200 --> 00:27:10,240
Why would he?
The King walks past Futock
581
00:27:10,280 --> 00:27:15,760
towards the grand doors.
Sire, summon the designated,
582
00:27:16,720 --> 00:27:18,200
have them meet me.
In the power chamber.
583
00:27:19,200 --> 00:27:21,880
The king leaves Futock standing
in the throne room by himself.
584
00:27:24,520 --> 00:27:28,480
I fear the worst.
Inside the power chamber, which
585
00:27:28,480 --> 00:27:30,960
has three floors, a different
color light on each floor.
586
00:27:31,120 --> 00:27:34,480
There's a transport chamber and
a power core wall on scientists.
587
00:27:34,480 --> 00:27:37,400
The king and well armed elite
soldiers gather around a lighted
588
00:27:37,400 --> 00:27:40,800
chamber with three tubes in.
Five soldiers stand at attention
589
00:27:40,800 --> 00:27:42,440
behind the king and head
scientists.
590
00:27:42,760 --> 00:27:46,920
Futok is there too.
As you requested, sire, we've
591
00:27:46,920 --> 00:27:49,840
prepared to remove the star
fragments from the power core,
592
00:27:50,320 --> 00:27:52,840
but I must implore you to.
Remove it.
593
00:27:53,560 --> 00:27:57,360
But sire, removing our newest
and best power sources at a time
594
00:27:57,360 --> 00:27:59,880
like this is.
These.
595
00:27:59,880 --> 00:28:01,400
Fragments are not just a new
power.
596
00:28:01,400 --> 00:28:06,640
Source they are.
That much more, yes, but we have
597
00:28:06,840 --> 00:28:10,960
just only begun our research.
Taking away such a find is.
598
00:28:12,480 --> 00:28:14,080
Remove.
The fragments.
599
00:28:16,040 --> 00:28:20,240
The head scientist presses some
buttons on a nearby panel and
600
00:28:20,240 --> 00:28:22,080
then the tube starts to descend
into the ground and.
601
00:28:22,600 --> 00:28:24,200
This.
Scope surrounding the center
602
00:28:24,200 --> 00:28:27,520
tube, and when it clears we see
a metal staff that holds five
603
00:28:27,520 --> 00:28:30,280
star fragments in place.
They're about the size of
604
00:28:30,280 --> 00:28:31,960
diamonds you see on an expense
of the gate.
605
00:28:32,760 --> 00:28:35,600
The king, who is visibly upset,
turns towards the head
606
00:28:35,600 --> 00:28:42,880
scientist.
Cutting into the Forlan lab,
607
00:28:42,880 --> 00:28:46,360
we've seen a room full of
British Dronians standing over
608
00:28:46,440 --> 00:28:49,640
dead Forlan scientists and
transport portals behind them.
609
00:28:49,640 --> 00:28:52,320
In their circuit.
There was 1 remaining scientist
610
00:28:52,320 --> 00:28:55,160
and he gives King Brigand of the
Dronians the 6th fragment.
611
00:28:55,520 --> 00:28:57,360
The King has an overpowering
presence.
612
00:28:57,640 --> 00:29:00,840
The King gnosts one of his men,
who then kills the last Forlan
613
00:29:00,840 --> 00:29:03,880
scientist back into the power
chamber.
614
00:29:04,120 --> 00:29:07,360
King Tesson turns towards the
five members near him.
615
00:29:08,600 --> 00:29:12,600
You, my designated, are
entrusted with the safe keeping
616
00:29:12,600 --> 00:29:16,440
of these star fragments.
I fear that King Brigan has
617
00:29:16,440 --> 00:29:18,040
learned about our recent
discovery.
618
00:29:18,360 --> 00:29:20,000
And will stop it.
Nothing to acquire.
619
00:29:20,000 --> 00:29:21,880
It.
The leader of the chosen fuse
620
00:29:21,880 --> 00:29:25,320
steps forward.
Sir, we have yet to fail you,
621
00:29:25,760 --> 00:29:29,120
but even we can't withstand the
full force of the Geronian army.
622
00:29:29,480 --> 00:29:32,000
Your mission will take you far
away from the line of battle.
623
00:29:32,520 --> 00:29:35,160
I want you to take these
fragments and hide them so even
624
00:29:35,160 --> 00:29:39,480
I won't know their location.
Just then, the doors to the top
625
00:29:39,480 --> 00:29:43,240
floor of the chamber blast open.
The Geronians enter the chamber,
626
00:29:43,240 --> 00:29:45,120
and King Brick leaves them with
his hand.
627
00:29:45,120 --> 00:29:47,280
Is the 6th fragment glowing
frightly?
628
00:29:47,920 --> 00:29:51,080
Destroy the generators, kill
them all and bring me those
629
00:29:51,080 --> 00:29:54,080
fragments.
On the main floor, everybody's.
630
00:29:54,640 --> 00:29:58,760
Running everywhere, they must
have found a way to penetrate.
631
00:29:58,800 --> 00:30:02,640
Our shield, it doesn't take the
fragments frights in the metal
632
00:30:02,640 --> 00:30:04,760
staff.
Outdoors.
633
00:30:05,240 --> 00:30:06,680
Protect your fragments at all
costs.
634
00:30:08,000 --> 00:30:11,240
Who the holy?
King Brigant starts making his
635
00:30:11,240 --> 00:30:13,560
way to the main floor and
designated start to lead the
636
00:30:13,560 --> 00:30:14,680
chamber.
So Dronian.
637
00:30:14,680 --> 00:30:15,800
So there's flying the
generators.
638
00:30:17,360 --> 00:30:20,080
Their defenses have fallen.
Let the Florida begin.
639
00:30:21,160 --> 00:30:23,960
Portals are opening up all over
the entire chamber, letting him
640
00:30:23,960 --> 00:30:26,880
board, droning at the same time
the Air Force King Tesla
641
00:30:26,920 --> 00:30:28,560
arrived.
There's a lot of fighting and
642
00:30:28,600 --> 00:30:30,560
chilling the dead man and
leading to an unoccupied
643
00:30:30,920 --> 00:30:33,160
corridor.
King Brigant sees and leaves the
644
00:30:33,160 --> 00:30:36,440
chamber.
Natasha, blonde, mid 20s,
645
00:30:36,480 --> 00:30:39,160
physically fit, is right in the
middle of getting dressed for
646
00:30:39,160 --> 00:30:40,800
work.
In a rush because she's late.
647
00:30:41,160 --> 00:30:44,640
The clock reads 3:47 PM.
Her open purse is lying on the
648
00:30:44,640 --> 00:30:46,360
bed where a name tag rests on
top of it.
649
00:30:46,760 --> 00:30:49,720
Natasha pulls up her pants with
one hand and pulls her hand down
650
00:30:49,720 --> 00:30:51,120
with her turtling sweater with
the other.
651
00:30:51,360 --> 00:30:54,720
She's a hot nest.
Damn it, can't leave.
652
00:30:54,760 --> 00:30:58,120
I'm late again.
Now dressed, she grabs her name
653
00:30:58,120 --> 00:31:01,000
tag with Threes and Natasha from
her bed as well as her big bag
654
00:31:01,000 --> 00:31:03,960
which she grabs in the bottom.
All the stuff falls out of her
655
00:31:03,960 --> 00:31:05,920
bag.
Can't get a break.
656
00:31:06,360 --> 00:31:12,640
Something always slows me down.
I'm cursed, I know it.
657
00:31:13,240 --> 00:31:15,560
I get to work on time for once
in my life.
658
00:31:16,520 --> 00:31:19,280
Turning to the city street,
there are lots of cars and
659
00:31:19,320 --> 00:31:20,520
people going about their
business.
660
00:31:20,960 --> 00:31:23,520
The only building you can see
clearly is the hospital, the Ed
661
00:31:23,520 --> 00:31:26,120
Dials Center for help, which
takes up the whole block.
662
00:31:26,760 --> 00:31:29,800
Natasha and her convertible
rushing to make the green light.
663
00:31:30,000 --> 00:31:33,160
She is wearing her sunglasses.
There are three lanes on each
664
00:31:33,160 --> 00:31:35,440
side of the street.
Natasha is in the middle lane.
665
00:31:35,440 --> 00:31:38,920
A crowded city bus on the same
Rd. is in the far right lane
666
00:31:38,920 --> 00:31:41,760
close to the intersection.
Going up the cross street is a
667
00:31:41,760 --> 00:31:44,680
one way Rd. but people and cars
have made it 2 lanes.
668
00:31:44,960 --> 00:31:47,600
A red minivan is approaching the
intersection coming towards the
669
00:31:47,600 --> 00:31:50,080
news crew.
The reporter is standing right
670
00:31:50,080 --> 00:31:52,680
in front of the hospital, but
the camera guy is shooting her
671
00:31:52,680 --> 00:31:54,960
from an angle so that he can
just see a bit of the
672
00:31:54,960 --> 00:31:57,480
intersection.
They're doing a live shoot.
673
00:31:58,480 --> 00:32:01,080
In a few hours, Doctor
Precipicus, the newest
674
00:32:01,080 --> 00:32:03,640
neurosurgeon to emerge in his
field, will perform a new
675
00:32:03,640 --> 00:32:07,160
technique to remove the brain
tumor and Chris Hughes, a 12
676
00:32:07,160 --> 00:32:10,320
year old boy who may not see his
13th birthday if the tumor is
677
00:32:10,320 --> 00:32:13,200
not removed.
Inside the minivan we see Ed and
678
00:32:13,200 --> 00:32:15,440
Adam with their parents.
They're in the back.
679
00:32:15,880 --> 00:32:18,280
Ed is looking out the window,
which is closed and they're all
680
00:32:18,280 --> 00:32:20,320
addressed as going to a semi
formal affair.
681
00:32:21,360 --> 00:32:22,880
Hang on kids, we're almost
there.
682
00:32:23,680 --> 00:32:25,240
The gallery is just around the
corner.
683
00:32:26,040 --> 00:32:28,360
I can't wait for us to get a
close up view of that red
684
00:32:28,360 --> 00:32:30,760
diamond.
Everyone who has seen it up
685
00:32:30,760 --> 00:32:32,880
close says it almost pulses like
a heart.
686
00:32:33,080 --> 00:32:37,200
Look.
Just then, the sky turns black.
687
00:32:37,400 --> 00:32:40,000
Everyone in the area looks
towards the sky except Natasha,
688
00:32:40,000 --> 00:32:43,200
who only sees the light turn
yellow and guns it to make the
689
00:32:43,200 --> 00:32:44,560
light.
In the middle of the
690
00:32:44,560 --> 00:32:46,120
intersection, the portal opens
up.
691
00:32:46,440 --> 00:32:48,880
You can almost see the light
from the portal in the now
692
00:32:48,880 --> 00:32:51,960
blackened skies.
Natasha fears to the right to
693
00:32:51,960 --> 00:32:53,840
avoid the photo nearly hitting
the bus.
694
00:32:54,080 --> 00:32:56,840
She then fears to the left to
avoid the bus and then comes on
695
00:32:56,840 --> 00:33:00,400
to oncoming traffic, the bus
nearly hitting Natasha.
696
00:33:00,480 --> 00:33:03,320
The boys hold the cars waiting
at the red light with the clouds
697
00:33:03,320 --> 00:33:06,360
between, people walking by his
mountain and people waiting for
698
00:33:06,360 --> 00:33:08,480
the bus.
The people in the minivan see
699
00:33:08,480 --> 00:33:11,640
Natasha a little too late as
they hit her head on.
700
00:33:19,040 --> 00:33:21,840
Quite some time later, Natasha
lays in a hospital bed.
701
00:33:22,000 --> 00:33:23,600
She is moving her head
violently.
702
00:33:24,320 --> 00:33:28,640
No lookout.
Natasha wakes up to see Doctor
703
00:33:28,640 --> 00:33:31,440
Pacificus standing above her.
Relax.
704
00:33:31,720 --> 00:33:34,120
We thought we had lost you, but
you're fine now.
705
00:33:35,040 --> 00:33:37,520
Natasha, in a hospital gown and
wrapped in bandages, has tubes
706
00:33:37,520 --> 00:33:39,840
sticking inside her body, the
leg and armour broken.
707
00:33:39,960 --> 00:33:42,280
Her head is all bandaged up.
You can still see her face.
708
00:33:42,280 --> 00:33:43,520
What?
Happened.
709
00:33:44,640 --> 00:33:48,000
Where am I?
Who were involved in a massive
710
00:33:48,000 --> 00:33:51,080
collision outside the hospital.
I'm Doctor Pacificus.
711
00:33:51,400 --> 00:33:52,600
I've been taking care of you.
No.
712
00:33:54,160 --> 00:33:57,200
You mean an accident?
All I remember is this light.
713
00:33:57,480 --> 00:34:01,680
I tried to avoid it but.
Don't worry about that right
714
00:34:01,680 --> 00:34:03,680
now, just be grateful you
survive.
715
00:34:04,200 --> 00:34:08,480
There were a lot of people.
Involved to take how many died.
716
00:34:10,159 --> 00:34:12,760
Just consider yourself one of
the chosen.
717
00:34:12,760 --> 00:34:15,440
Few.
Leaving Natasha with that,
718
00:34:15,440 --> 00:34:17,159
Doctor Pacifica exits from the
room.
719
00:34:17,199 --> 00:34:19,600
Natasha sees Ed, the little boy
from the minivan.
720
00:34:19,600 --> 00:34:22,520
He waves and walks away.
Natasha thinks she's screaming
721
00:34:22,560 --> 00:34:27,080
and goes back to bed.
Sometime later at night, inside
722
00:34:27,080 --> 00:34:29,960
the hospital, Natasha is fully
healed and finally dressed.
723
00:34:30,000 --> 00:34:32,840
She's walking down a dimly lit,
deserted hospital corridor.
724
00:34:33,600 --> 00:34:38,560
Hello, where is everybody?
She tries all the doors, all
725
00:34:38,560 --> 00:34:40,400
locked.
We hear the voice of Ed.
726
00:34:41,320 --> 00:34:43,920
This way over here.
Hello.
727
00:34:44,560 --> 00:34:47,280
Who has said that?
One door opens.
728
00:34:48,040 --> 00:34:51,440
In here.
Natasha enters to see Ed and I'm
729
00:34:51,440 --> 00:34:54,000
unfamiliar Chris standing and
waiting for Natasha to enter.
730
00:34:54,520 --> 00:34:58,040
You.
I'm so sorry I killed you.
731
00:34:59,280 --> 00:35:03,240
Please stop haunting me.
You're silly.
732
00:35:03,840 --> 00:35:06,560
I'm not haunting you.
I just wanted to see you.
733
00:35:06,800 --> 00:35:11,280
And here you are, Huh?
Chris, what's up to Natasha?
734
00:35:12,880 --> 00:35:16,360
Look, I really can't explain it
myself, so someone asked me to.
735
00:35:17,440 --> 00:35:21,040
When you wake up, come.
To the cancer ward, room 530.
736
00:35:22,360 --> 00:35:25,280
Where you got?
Yes, wait.
737
00:35:26,200 --> 00:35:28,680
Natasha wakes up to find out
she's still in her hospital
738
00:35:28,680 --> 00:35:31,000
again and lying on the couch in
Doctor Rain's office.
739
00:35:31,200 --> 00:35:33,560
She only has a small scarf below
her hairline.
740
00:35:33,880 --> 00:35:35,920
The doctor is sitting on a stool
next to her.
741
00:35:36,680 --> 00:35:39,360
What did you learn?
Nothing.
742
00:35:39,360 --> 00:35:42,200
I have to admit, once you went
under hypnosis, you didn't
743
00:35:42,200 --> 00:35:45,640
respond to any of my questions.
It's possible you're.
744
00:35:45,640 --> 00:35:48,880
Still having stress related
issues surrounding the accident.
745
00:35:49,640 --> 00:35:51,840
Since you didn't have any
problems sleeping, I think
746
00:35:51,840 --> 00:35:54,520
you'll be fine.
I'll draw up the release papers
747
00:35:54,520 --> 00:35:57,840
in the morning.
Does the hospital have a cancer
748
00:35:57,840 --> 00:36:01,320
ward?
Yeah, it's on the 5th floor.
749
00:36:02,000 --> 00:36:06,200
Why do you ask?
No reason, just curious.
750
00:36:07,360 --> 00:36:10,040
Shifting gears, we go to a
Geronium battle cruiser orbiting
751
00:36:10,040 --> 00:36:12,000
the Earth.
A smaller ship is docking with
752
00:36:12,000 --> 00:36:14,040
it.
Inside the cruiser we have 5
753
00:36:14,040 --> 00:36:15,760
geroniums.
Each one is at a post on the
754
00:36:15,760 --> 00:36:18,360
ship's bridge.
Brunon, the second in command,
755
00:36:18,400 --> 00:36:24,680
is in charge of the bridge.
Rofon has returned raise Shields
756
00:36:24,680 --> 00:36:26,000
and reengage the cloaking
device.
757
00:36:27,360 --> 00:36:29,520
Rofon enters the bridge.
Brunon, Griezon.
758
00:36:30,040 --> 00:36:35,480
Report after three cycles, I
have confirmed the location of
759
00:36:35,480 --> 00:36:39,040
the star fragments.
We've had these confirmations
760
00:36:39,040 --> 00:36:41,440
before.
I don't want to contact King
761
00:36:41,440 --> 00:36:43,640
Bring In with another false
report.
762
00:36:46,480 --> 00:36:50,920
Trust me, Captain, this gem has
never glowed brighter.
763
00:36:51,480 --> 00:36:54,600
But if you are afraid, I will
retrieve the other fragments
764
00:36:54,600 --> 00:36:57,760
myself.
How quickly you forget.
765
00:36:57,840 --> 00:37:01,240
King Bring In wants that
pleasure all to himself and
766
00:37:01,240 --> 00:37:03,040
would surely kill you right
where you.
767
00:37:03,040 --> 00:37:05,400
Stand for even speaking such
treason.
768
00:37:06,280 --> 00:37:09,360
Why does our mighty king have to
come way out here?
769
00:37:10,160 --> 00:37:14,880
Perhaps the rumors are true.
If the rumors were true and
770
00:37:14,880 --> 00:37:16,680
these fragments were so
powerful.
771
00:37:17,200 --> 00:37:19,520
Brunam grabs Rofan's hand with
the gem in it.
772
00:37:20,400 --> 00:37:24,640
Then where is your power?
And there you have it, just a
773
00:37:24,640 --> 00:37:28,360
little bit of the performance.
As I mentioned, you can see the
774
00:37:28,360 --> 00:37:31,080
entirety of the performance on
our YouTube page.
775
00:37:31,480 --> 00:37:34,640
And with that, we're going to
take a quick break and be right
776
00:37:34,640 --> 00:37:37,040
back with more.
It came from the radio.
777
00:37:38,320 --> 00:37:40,000
This is Michael Bell, the voice
of.
778
00:37:40,080 --> 00:37:44,800
Duke from GI Joe and I am here
at Cradle Com and I am with it
779
00:37:44,800 --> 00:37:49,680
came from the radio.
Now back to our show.
780
00:37:50,400 --> 00:37:52,120
You're listening to what came
from the radio.
781
00:37:52,120 --> 00:37:54,000
You know, this is Jennifer Leis
Feldman.
782
00:37:54,000 --> 00:37:56,720
Sometimes I'm Doctor Feldy, but
Doctor Feldy is very busy right
783
00:37:56,720 --> 00:37:58,600
now with a patient doing lip
injections.
784
00:37:58,600 --> 00:38:01,680
So right now I'm here with Red
Valentino.
785
00:38:01,880 --> 00:38:04,120
Long intro warning.
He's done a lot.
786
00:38:04,200 --> 00:38:07,600
So I want to give you a little
little clues to what he's done
787
00:38:07,600 --> 00:38:09,800
so you're familiar with, you
know, what we're talking about
788
00:38:09,800 --> 00:38:11,120
today.
So he's an actor, an
789
00:38:11,120 --> 00:38:13,800
entrepreneur, film producer,
movie critic, workshop
790
00:38:13,800 --> 00:38:16,600
instructor and writer.
And I'm sure more things, you
791
00:38:16,600 --> 00:38:18,040
know, we're not just the work we
do.
792
00:38:18,040 --> 00:38:20,560
We are other things as well as
the best selling author, there
793
00:38:20,560 --> 00:38:24,240
are 21 novels.
Wren writes in multiple genres,
794
00:38:24,240 --> 00:38:27,960
primarily romance, thriller,
young adult horror and To date
795
00:38:27,960 --> 00:38:31,480
he's written more than 70 stage
plays that have been performed
796
00:38:31,480 --> 00:38:34,000
in 12 countries in three
languages.
797
00:38:34,000 --> 00:38:36,720
I barely speak English and I
forgot how to speak Spanish, so
798
00:38:36,720 --> 00:38:39,400
that's really impressive. 8 of
his original screenplays and
799
00:38:39,400 --> 00:38:43,000
seven of his stage plays have
been adapted for the screen.
800
00:38:43,080 --> 00:38:46,320
Wren is the CEO and owner of
Blue Dasher Production, and as a
801
00:38:46,320 --> 00:38:50,320
film officer, Wren has helped
bring more than 80 of the
802
00:38:50,400 --> 00:38:53,760
dependent movies to the screen,
including A Beast in the Manor,
803
00:38:54,080 --> 00:38:57,080
Dark Feast, Ever Actor, The
Farmhouse Murderers, Hollow
804
00:38:57,080 --> 00:39:01,400
Lake, I Feel Fine, Shredded, A
Soldier's Descent and More.
805
00:39:01,480 --> 00:39:05,080
As an actor, Wren has worked on
40 films.
806
00:39:05,080 --> 00:39:09,360
His credits include Omniverse,
Desert Friends, 2-4, Nights in
807
00:39:09,360 --> 00:39:12,840
Fear Forest, Friday the 13th,
Blood Loss, Gobble Foot.
808
00:39:12,880 --> 00:39:14,440
I got to see that one.
I'm in a movie.
809
00:39:14,440 --> 00:39:16,640
Omniville Turkey day, I don't
know if that's related.
810
00:39:16,880 --> 00:39:20,080
The last sleepover night of the
Strangers, Politics, The stage,
811
00:39:20,080 --> 00:39:22,920
shadows of the night, snow
falling on pumpkins, 2 truths
812
00:39:22,920 --> 00:39:27,160
and a lie, Venus die trap and
many more currently almost done.
813
00:39:27,240 --> 00:39:29,480
Well, actually, I cut it off.
So there's there's like two more
814
00:39:29,480 --> 00:39:30,880
pages, but we're going to have
to stop.
815
00:39:31,160 --> 00:39:35,960
Currently, Red plays fashionista
Velvet Vein on the popular web
816
00:39:35,960 --> 00:39:39,640
series Horror Hound Bites
Forever Entertainment.
817
00:39:39,640 --> 00:39:43,440
And Next up he'll be playing
newscaster Raiden Eisner and the
818
00:39:43,440 --> 00:39:47,960
slasher film Midnight Maniac
with horror icon Co star Felicia
819
00:39:47,960 --> 00:39:51,320
Rose, known for a sleepaway Cam,
best known for that and many
820
00:39:51,320 --> 00:39:54,320
other things.
And he's the best selling author
821
00:39:54,320 --> 00:39:56,680
of 21 novels.
I cut it off.
822
00:39:56,680 --> 00:39:59,840
There's way more.
So welcome, right, Valentino?
823
00:40:00,440 --> 00:40:02,480
My first question.
You're welcome.
824
00:40:02,960 --> 00:40:04,520
First question, Get right into
it.
825
00:40:04,520 --> 00:40:08,240
Why did you do all this work?
What's this massive stack of
826
00:40:08,240 --> 00:40:11,400
accomplishments all about?
Yeah, that's an excellent
827
00:40:11,400 --> 00:40:12,960
question.
Excellent question.
828
00:40:13,040 --> 00:40:15,960
It's, I'm sure it's a form of
insanity, but I'll answer it a
829
00:40:15,960 --> 00:40:18,040
little bit more in a literary
way.
830
00:40:18,040 --> 00:40:20,000
But it's really about
storytelling.
831
00:40:20,120 --> 00:40:23,760
It's really just about like
recognizing at a really young
832
00:40:23,760 --> 00:40:27,360
age that I loved stories and
reading and, and just the
833
00:40:27,360 --> 00:40:31,080
concept of a beginning in the
middle and an end of a story,
834
00:40:31,200 --> 00:40:32,680
maybe not necessarily in that
order.
835
00:40:33,160 --> 00:40:36,520
And just finding that within of
like that was my thing was just
836
00:40:36,520 --> 00:40:40,080
to be able to tell stories in
different ways, you know, with
837
00:40:40,080 --> 00:40:43,760
my face and body and voice as an
actor, with, you know, a script,
838
00:40:43,760 --> 00:40:46,240
as a writer, with novels, as a,
as a fiction writer.
839
00:40:46,240 --> 00:40:50,000
So just sort of really embracing
the life at a really young age.
840
00:40:50,000 --> 00:40:54,560
I had amazing teachers and
really wonderful librarians that
841
00:40:54,560 --> 00:40:58,560
put really important books in my
hand that transformed me and LED
842
00:40:58,560 --> 00:41:01,320
me onto that path, if you will.
I was really lucky.
843
00:41:01,320 --> 00:41:04,160
I, I published my first short
story when I was 15.
844
00:41:04,160 --> 00:41:07,320
I was, I was in high school and
just kind of went from there.
845
00:41:07,320 --> 00:41:09,760
And then all the other things
kind of think sometimes when
846
00:41:09,760 --> 00:41:13,920
we're open to the universe of it
sending things our way that the
847
00:41:13,920 --> 00:41:16,640
universe knows that we need
before we even do.
848
00:41:16,640 --> 00:41:19,440
Sometimes it just kind of opened
up those, those floodgates for
849
00:41:19,440 --> 00:41:22,720
me and, and allowing stuff to
come my way in terms of people,
850
00:41:22,720 --> 00:41:25,960
in terms of collaborations and
other artists and so forth.
851
00:41:25,960 --> 00:41:28,880
And just allowing that to happen
and thrive and flourish.
852
00:41:28,880 --> 00:41:31,440
And I think the driving force
because you would ask the
853
00:41:31,440 --> 00:41:33,600
question about like why, you
know, somebody asked me a
854
00:41:33,600 --> 00:41:38,120
question when I was when I was
in grad school as a studying my
855
00:41:38,120 --> 00:41:40,320
MFA and writing.
And somebody said, do you write
856
00:41:40,320 --> 00:41:42,920
for yourself or do you write for
your younger self?
857
00:41:43,480 --> 00:41:46,080
And it was such a like, it seems
like such a simple question, but
858
00:41:46,080 --> 00:41:48,600
it had never been asked before.
And I thought started to think I
859
00:41:48,600 --> 00:41:51,840
really looked to write the
stories that I needed and wanted
860
00:41:51,840 --> 00:41:54,320
when I was a younger person
trying to navigate the world.
861
00:41:54,400 --> 00:41:57,440
And so that kind of started to
fuel a little bit more of like a
862
00:41:57,640 --> 00:42:01,640
specific purpose of why.
Yeah, Speaking of the universe
863
00:42:01,640 --> 00:42:04,840
giving you what you need or
want, which I entertained that
864
00:42:04,840 --> 00:42:06,840
idea.
Another idea, I was just talking
865
00:42:06,840 --> 00:42:09,400
about this yesterday.
I've noticed I'm 41.
866
00:42:09,440 --> 00:42:14,560
There's a lot of people that saw
things in me and told me I was
867
00:42:14,560 --> 00:42:18,640
certain things or certain
characters like 5 years, 20
868
00:42:18,640 --> 00:42:21,520
years before I actually did it,
you know, say, oh, you're this,
869
00:42:21,520 --> 00:42:23,000
you're that.
I'm not going to get into it.
870
00:42:23,240 --> 00:42:26,640
You know it because it'll sound
conceited, but it's like, you
871
00:42:26,640 --> 00:42:29,120
know, that ended up happening.
And, you know, a lot of the
872
00:42:29,120 --> 00:42:31,400
times people tell you who you
are and they're totally wrong.
873
00:42:31,400 --> 00:42:34,120
And so you shouldn't really give
too much credence, You know,
874
00:42:34,120 --> 00:42:38,000
never get too high on your your
compliments and never get too
875
00:42:38,000 --> 00:42:40,840
low on your critiques.
It's it's a dance every single
876
00:42:40,840 --> 00:42:42,320
day.
But yeah, sometimes people will
877
00:42:42,320 --> 00:42:45,440
see things in you that you have
no idea you have this in you.
878
00:42:45,560 --> 00:42:47,720
And it's like, maybe you should
think about that.
879
00:42:47,720 --> 00:42:50,120
Maybe you should go down that
path that you never even
880
00:42:50,120 --> 00:42:52,160
consider.
Or maybe maybe God speaks
881
00:42:52,200 --> 00:42:53,960
through people.
I don't know, Maybe maybe
882
00:42:53,960 --> 00:42:57,080
there's like entities or gods or
speaking through other people to
883
00:42:57,080 --> 00:42:58,640
give you the info.
Yeah, absolutely.
884
00:42:58,640 --> 00:43:00,080
Yeah.
I think sometimes we're just the
885
00:43:00,080 --> 00:43:03,360
satellite and we have to be open
to those messages and then like
886
00:43:03,360 --> 00:43:05,800
sort of decipher them and like,
but the but you talked about
887
00:43:05,800 --> 00:43:09,600
timing is so important because
sometimes it's yeah, you take it
888
00:43:09,600 --> 00:43:12,720
in, but it's not, you know, and
sometimes you do, sometimes you
889
00:43:12,720 --> 00:43:14,040
don't that it's the right, right
time.
890
00:43:14,160 --> 00:43:16,280
But my problem is always like,
when is the right time?
891
00:43:16,720 --> 00:43:20,240
Like like recognizing that that
for myself, I'm like, oh, now's
892
00:43:20,240 --> 00:43:22,920
the time to Start learning
Italian or whatever it is that
893
00:43:22,920 --> 00:43:26,520
somebody right suggested.
I love that what you said about
894
00:43:26,520 --> 00:43:30,880
other people seeing things in
ourselves that we might not be
895
00:43:30,880 --> 00:43:33,280
seeing yet.
I really like that because that
896
00:43:33,280 --> 00:43:36,520
has certainly happened in my
life and and my creative journey
897
00:43:36,520 --> 00:43:38,480
for sure.
I mean, Speaking of you playing
898
00:43:38,720 --> 00:43:40,680
fashionista velvet vein, next
question.
899
00:43:40,680 --> 00:43:43,160
Maybe there's people that saw
you as a fashionista.
900
00:43:43,160 --> 00:43:45,920
Maybe you never saw yourself
like it and then a director saw
901
00:43:46,040 --> 00:43:49,040
you as in cast you it.
So you play fashionista Velvet
902
00:43:49,040 --> 00:43:51,760
Vein on the popular web series
Hard Sound Bites.
903
00:43:52,040 --> 00:43:54,280
How do you create your
character?
904
00:43:54,280 --> 00:43:56,720
Is there any people that you use
as reference or when you're
905
00:43:56,720 --> 00:43:59,960
speaking, are you ever thinking
of another actor, someone you
906
00:43:59,960 --> 00:44:01,800
know when you're delivering the
lines?
907
00:44:01,920 --> 00:44:03,520
Yeah, that those are great
questions.
908
00:44:03,520 --> 00:44:06,280
And I haven't got to talk about
how Horror hound bites quite
909
00:44:06,280 --> 00:44:09,800
yet, so I'm excited about that.
But Mandy Camino, I think it's
910
00:44:09,800 --> 00:44:12,600
how you say her last name.
She writes every episode of that
911
00:44:12,600 --> 00:44:16,040
show and she writes it's the
most delicious dialogue for me.
912
00:44:16,040 --> 00:44:19,440
Like we, we talked about the
character when the when we first
913
00:44:19,440 --> 00:44:21,120
started, they first started
producing the show.
914
00:44:21,280 --> 00:44:23,520
Her husband, Anthony, I think
it's the producer and director
915
00:44:23,520 --> 00:44:25,320
and they're together.
They're forever entertainment.
916
00:44:25,400 --> 00:44:28,040
So it's a husband and wife team,
which is really exciting to work
917
00:44:28,040 --> 00:44:31,520
with and they can put together
such an amazing cast, like a lot
918
00:44:31,520 --> 00:44:34,400
of our sort of voice actors.
And so we brought a lot of those
919
00:44:34,400 --> 00:44:38,920
sort of like fun nuances that we
had already in our in our
920
00:44:38,920 --> 00:44:42,240
vocabulary, in our delivery.
I just kind of heightened it up
921
00:44:42,240 --> 00:44:44,480
on camera in a really fun.
It's very funny.
922
00:44:44,480 --> 00:44:47,320
It's a very funny show.
But to answer your question, I I
923
00:44:47,360 --> 00:44:50,080
honestly, I went back to Joan
Rivers and fashion please and
924
00:44:50,080 --> 00:44:54,760
just how she was so biting and
so unfiltered in a really fun
925
00:44:54,760 --> 00:44:57,720
way and like sort of all
knowing, even though she herself
926
00:44:57,720 --> 00:45:01,360
wasn't like a super fashionista.
So and I'm playing a fashionista
927
00:45:01,360 --> 00:45:04,440
in the afterlife.
And so I feel like it's, it's
928
00:45:04,440 --> 00:45:07,240
such a fun spin and that
supernatural way of like, what
929
00:45:07,240 --> 00:45:10,920
was my career like before I was
when I was living my character
930
00:45:10,920 --> 00:45:14,080
versus now like perception.
You know, I have like every
931
00:45:14,080 --> 00:45:17,640
episode, I tell you, I get the
like the most fun things to say.
932
00:45:17,640 --> 00:45:20,320
And it's all because of Mandy,
who writes such great script,
933
00:45:20,360 --> 00:45:24,720
script, dialogue for all of us.
But I just really appreciate it
934
00:45:24,720 --> 00:45:27,760
so, so much and so much fun.
It's such a fun character
935
00:45:27,760 --> 00:45:29,160
because it's very larger than
life.
936
00:45:29,160 --> 00:45:30,880
It's very over the top.
It's very campy.
937
00:45:31,320 --> 00:45:34,320
It's all those things that that
and I have not done a lot of
938
00:45:34,440 --> 00:45:37,240
comedy in my life, which I love
comedy, right?
939
00:45:37,240 --> 00:45:38,520
And so I.
Usually do like.
940
00:45:38,520 --> 00:45:41,400
Classic Shakespeare like British
comedy.
941
00:45:41,600 --> 00:45:43,360
British comedy, but not American
comedy.
942
00:45:43,480 --> 00:45:48,720
So having that sort of like, you
know, really fun kind of
943
00:45:48,800 --> 00:45:51,840
autonomy to just run with it.
And Anthony and Mandy have been
944
00:45:51,840 --> 00:45:55,320
so great about just like letting
me stay in my lane and doing my
945
00:45:55,320 --> 00:45:57,800
thing and just giving them as
much as I can.
946
00:45:57,880 --> 00:46:01,480
Well, your character is in the
afterlife and there's conspiracy
947
00:46:01,480 --> 00:46:04,720
theory is that, you know, Joan
Rivers ran her mouth so much and
948
00:46:04,720 --> 00:46:06,440
then that's the reason why she
died.
949
00:46:06,440 --> 00:46:09,040
There's some people that think
that she was killed because she
950
00:46:09,040 --> 00:46:11,960
said certain things.
I'm not going to get into.
951
00:46:13,040 --> 00:46:16,720
It not a political show, but
there's just there's a character
952
00:46:16,720 --> 00:46:18,680
that people throw around the
name Big Mike.
953
00:46:18,720 --> 00:46:21,200
I'm not saying whether I
believe, but yeah, they're
954
00:46:21,200 --> 00:46:23,920
saying that Joan Rivers was
calling out, you know, some
955
00:46:23,920 --> 00:46:25,880
president's wife without some
stuff.
956
00:46:25,880 --> 00:46:28,560
Maybe that's why she's not here.
Do I know I'm not here?
957
00:46:28,560 --> 00:46:31,440
Yeah.
I, I, I was a big fan of hers.
958
00:46:31,600 --> 00:46:33,400
I still am.
But I never found like a
959
00:46:33,400 --> 00:46:36,240
connection in terms of like
performance or creativity.
960
00:46:36,240 --> 00:46:40,640
And so, like when I was sort of
searching for like the the core
961
00:46:40,640 --> 00:46:43,600
of velvet vein, I was like, this
is like a male version Joan
962
00:46:43,600 --> 00:46:45,840
Rivers.
And so I I that's what I went
963
00:46:45,840 --> 00:46:49,200
back to her and looked at her
her most mostly her stand up.
964
00:46:49,200 --> 00:46:53,080
So she had a really specific
delivery of how she hit the
965
00:46:53,080 --> 00:46:56,000
punchline.
And and so I definitely mirror
966
00:46:56,080 --> 00:46:58,360
was influenced greatly by that,
but who wouldn't be?
967
00:46:58,360 --> 00:47:00,240
I mean one of the greatest
comics that ever lived.
968
00:47:00,240 --> 00:47:03,200
Switching gears now, this is one
of my theories.
969
00:47:03,200 --> 00:47:06,400
I have a lot of theories and a
lot of rules in my life, so I've
970
00:47:06,400 --> 00:47:08,480
noticed this.
It's not a hard and fast rule,
971
00:47:08,480 --> 00:47:12,520
but there's not a truth to it.
I found like managing life and
972
00:47:12,520 --> 00:47:15,200
managing a film set requires
varied skill sets.
973
00:47:15,200 --> 00:47:18,080
You might have to know like how
to turn off the water, how to
974
00:47:18,400 --> 00:47:22,680
undo fire alarms, and also how
to put up a Christmas tree and
975
00:47:22,680 --> 00:47:24,440
wrap gifts that are behind me.
Those are fake gifts.
976
00:47:24,560 --> 00:47:26,360
But whatever.
You have to have varied skill
977
00:47:26,360 --> 00:47:29,680
sets and abilities and usually
stability.
978
00:47:29,960 --> 00:47:32,600
You got to be able to put out
fires metaphorically.
979
00:47:32,600 --> 00:47:34,840
And also sometimes the fires are
real.
980
00:47:34,840 --> 00:47:38,040
I have, you know, marks on my
carpet from real, real fires and
981
00:47:38,040 --> 00:47:40,160
photo shoots.
My theory is basically like if
982
00:47:40,160 --> 00:47:44,440
one person can manage their life
well, there's, there's a chance
983
00:47:44,440 --> 00:47:48,000
that they can also manage a film
production well, a chance.
984
00:47:48,320 --> 00:47:52,560
And if they can smoothly produce
multiple films, you know, I've
985
00:47:52,560 --> 00:47:55,600
observed many directors produce
multiple films, I've noticed
986
00:47:55,600 --> 00:47:59,720
that they also have that
capability to possibly manage
987
00:47:59,720 --> 00:48:02,400
their their real life because
you also you have to manage
988
00:48:02,400 --> 00:48:06,320
productive relationships on a
film set and in real life to be
989
00:48:06,320 --> 00:48:08,760
successful.
So any thoughts on that?
990
00:48:08,800 --> 00:48:11,400
Yeah, I think there's definitely
a correlation between the
991
00:48:11,400 --> 00:48:14,520
balance of life, work, life,
whatever we want to call that
992
00:48:14,520 --> 00:48:17,760
balance that we're navigating
constantly, especially as
993
00:48:17,760 --> 00:48:20,640
creative people where sometimes
the world around us is not so
994
00:48:20,640 --> 00:48:24,640
conducive to a creative life or
creativity kind of mindset.
995
00:48:24,640 --> 00:48:27,280
So I think managing all those
things, I think it was sort of
996
00:48:27,360 --> 00:48:30,000
air traffic controlling, plate
spinning, whatever metaphor you
997
00:48:30,000 --> 00:48:32,960
want to use in terms of having
multiple things happening the
998
00:48:32,960 --> 00:48:35,120
same time.
I think what I've gleaned the
999
00:48:35,120 --> 00:48:38,000
most from film production of
being a film producer is
1000
00:48:38,000 --> 00:48:42,480
anticipation is not to be idle,
is that is that you've got to be
1001
00:48:42,480 --> 00:48:45,440
thinking ahead that long term,
short term is obviously very
1002
00:48:45,440 --> 00:48:46,840
important.
Getting through the day right.
1003
00:48:46,840 --> 00:48:49,360
You, you have your shot list,
you have your storyboarding of
1004
00:48:49,360 --> 00:48:52,400
all your things, call times, all
that stuff, all that stuff sort
1005
00:48:52,400 --> 00:48:55,200
of happening.
And it's but what I love the
1006
00:48:55,200 --> 00:48:58,920
most about film work, which
really lends itself to my
1007
00:48:58,920 --> 00:49:01,720
background in theatre as well as
the collaborativeness that has
1008
00:49:01,720 --> 00:49:04,240
to happen.
Not one person can get a film
1009
00:49:04,240 --> 00:49:07,360
made right.
And so I feel like recognizing
1010
00:49:07,560 --> 00:49:10,960
how important each person is,
whether it's a production
1011
00:49:10,960 --> 00:49:13,840
assistant or whether it's an
executive producer, that that's
1012
00:49:13,840 --> 00:49:16,920
that person needs to be there in
order for that film to be
1013
00:49:16,920 --> 00:49:19,840
completed.
And whatever role they're
1014
00:49:19,840 --> 00:49:24,120
playing is significant in the
very in its own way and just
1015
00:49:24,120 --> 00:49:25,920
recognizing that.
But I really think about
1016
00:49:25,920 --> 00:49:28,960
troubleshooting ahead of time.
That anticipation I was talking
1017
00:49:28,960 --> 00:49:31,840
about is all about seeing
potential problems and having
1018
00:49:31,840 --> 00:49:36,400
that plan BCDEF everybody
letters you want in place so
1019
00:49:36,400 --> 00:49:39,440
that when you have to put those
contingency contingency plans
1020
00:49:39,440 --> 00:49:43,160
into action, you've got them
rolled up your sleeve, you know,
1021
00:49:43,680 --> 00:49:46,840
and to pull that out and, and
put it into action very quickly.
1022
00:49:47,080 --> 00:49:51,040
I think a good producer really
understands the director's
1023
00:49:51,040 --> 00:49:53,600
vision.
But really, again, film starts
1024
00:49:53,600 --> 00:49:55,840
with the script.
And as somebody who writes
1025
00:49:55,840 --> 00:49:59,760
scripts and as an actor, I I
feel like what I bring to that
1026
00:49:59,760 --> 00:50:03,480
process and what I learn every
time is about the processes of
1027
00:50:03,480 --> 00:50:05,400
all the artistic people that are
on the set.
1028
00:50:05,400 --> 00:50:07,320
Because I've been a director,
because I've been a writer,
1029
00:50:07,320 --> 00:50:09,760
because I've been an actor, I
can understand what the actors
1030
00:50:09,760 --> 00:50:13,800
creative process that they need
a minute to warm up, flip into
1031
00:50:13,800 --> 00:50:16,080
character, find that emotional
core that they need.
1032
00:50:16,080 --> 00:50:17,360
Well, even if it's comedy,
right?
1033
00:50:17,360 --> 00:50:21,000
Comedy is not easy to do, right?
And so there has to be an
1034
00:50:21,000 --> 00:50:22,680
element of truth in it for it to
land.
1035
00:50:22,680 --> 00:50:26,280
And so I feel like just knowing
that those those boundaries and
1036
00:50:26,280 --> 00:50:28,600
having that respect for
everyone's process is so
1037
00:50:28,600 --> 00:50:30,720
essential.
It's something I continue to
1038
00:50:30,720 --> 00:50:32,480
learn.
And then it informs me and my
1039
00:50:32,480 --> 00:50:36,520
processes and all those things
too by watching others and
1040
00:50:36,520 --> 00:50:39,000
learning and just being an
observer, really, right?
1041
00:50:39,080 --> 00:50:40,560
We're all really lifelong
learners.
1042
00:50:40,560 --> 00:50:42,240
What do you think about it in
some capacity?
1043
00:50:42,760 --> 00:50:47,440
Yeah to learn, but I often
reference along came Polly with
1044
00:50:47,440 --> 00:50:51,120
Ben Stiller he he's a risk
assessment analyst and I often
1045
00:50:51,200 --> 00:50:55,760
told myself that and I've even
been someone rudely because this
1046
00:50:55,760 --> 00:50:58,080
is someone who was disorganized
goes are you an attorney?
1047
00:50:58,240 --> 00:51:00,440
I mean the guys everything was
still falling apart on his
1048
00:51:00,440 --> 00:51:01,600
comedy thing.
It wasn't thinking.
1049
00:51:02,200 --> 00:51:04,760
I always think of you boop up.
What could go wrong?
1050
00:51:04,880 --> 00:51:08,400
What could mess up, You know, I,
I'm not the director on one film
1051
00:51:08,400 --> 00:51:11,800
set recently, but I checked the
weather and I saw like 36 hours
1052
00:51:11,800 --> 00:51:13,960
ahead of time so that we're
going to, I have a major
1053
00:51:13,960 --> 00:51:16,560
snowstorm.
And we did, I mean, the AD
1054
00:51:16,600 --> 00:51:19,160
couldn't even make it to set.
So I texted the director.
1055
00:51:19,160 --> 00:51:21,280
It's not my job.
I'm the makeup artist on this
1056
00:51:21,280 --> 00:51:23,040
one.
And I said, hey, you might want
1057
00:51:23,040 --> 00:51:25,760
to e-mail everybody and tell
everyone that there's snow.
1058
00:51:25,760 --> 00:51:28,200
So they leave like an hour
earlier because otherwise I'm
1059
00:51:28,200 --> 00:51:29,840
going to be the only one that
throws the snowstorm.
1060
00:51:29,840 --> 00:51:31,800
I'm taking precautions.
I'm going to be there on time.
1061
00:51:31,800 --> 00:51:33,600
Everyone's going to be late.
We're going to have snow day.
1062
00:51:33,600 --> 00:51:35,960
So it's like you as a director,
you got to be watching the
1063
00:51:35,960 --> 00:51:38,720
weather and telling everyone,
you know, how to get their car
1064
00:51:38,720 --> 00:51:39,200
out.
And it's.
1065
00:51:39,200 --> 00:51:41,240
Yeah.
Yeah, they had to change.
1066
00:51:41,240 --> 00:51:43,400
You got to change that shot list
really quick because if you're
1067
00:51:43,920 --> 00:51:46,960
interior scenes and your movies
in the middle of the summer.
1068
00:51:47,360 --> 00:51:51,000
Yes.
And also maybe if, you know, if
1069
00:51:51,440 --> 00:51:53,600
someone has a crappy car and you
know they're not going to make
1070
00:51:53,600 --> 00:51:56,240
it to set, OK, get a new makeup
art, get a new AD because you
1071
00:51:56,240 --> 00:51:58,280
know, they're not coming and
think ahead like that.
1072
00:51:58,280 --> 00:51:59,800
You got to be a psychic.
Yeah, anyway.
1073
00:51:59,800 --> 00:52:01,320
I know it's true.
It's true, yeah.
1074
00:52:01,680 --> 00:52:05,000
All right, let's see Sacrifices.
OK, let's switch totally.
1075
00:52:05,160 --> 00:52:09,080
Do you think Hollywood is dead,
or is Hollywood still the place
1076
00:52:09,080 --> 00:52:12,640
to be in your eyes when it comes
to film production and acting?
1077
00:52:13,520 --> 00:52:16,560
There's a renaissance.
I'm very optimistic, I think,
1078
00:52:16,800 --> 00:52:20,800
yes, I do think that element
knew it and know it are dead and
1079
00:52:20,800 --> 00:52:23,520
buried.
I'll just be truthfully honest.
1080
00:52:23,520 --> 00:52:26,080
I think the way that films get
made, the way that films get
1081
00:52:26,080 --> 00:52:29,360
distributed.
Same for television has changed.
1082
00:52:29,360 --> 00:52:31,200
I mean, just, you know, people
are not going to the movie
1083
00:52:31,200 --> 00:52:33,240
theatre as much as they used to.
I mean, there's just there's
1084
00:52:33,240 --> 00:52:35,720
numbers that show that, you
know, studies and so forth.
1085
00:52:36,200 --> 00:52:40,800
I think that there last year we
had an incredible year of film
1086
00:52:40,880 --> 00:52:44,200
Hamnet, I mean weapons, you
know, you, you name it, there
1087
00:52:44,200 --> 00:52:47,640
was some extraordinary films,
maybe not so much in terms of
1088
00:52:48,440 --> 00:52:52,160
originality necessarily, but
certainly in the, in the way of
1089
00:52:52,160 --> 00:52:54,880
delivery and, and, and the way
things stories were being
1090
00:52:54,880 --> 00:52:57,880
presented.
We were talking about movies a
1091
00:52:57,880 --> 00:53:01,640
lot, a lot last a lot more last
year than we had in quite some
1092
00:53:01,640 --> 00:53:03,400
time.
And I look at the independent
1093
00:53:03,400 --> 00:53:05,680
film makers, right?
I look at like Sofia Coppola
1094
00:53:05,680 --> 00:53:07,680
with the last show or Gia
Coppola, I'm sorry, with the
1095
00:53:07,680 --> 00:53:10,600
last showgirl, but Pamela
Anderson's a great example of
1096
00:53:10,600 --> 00:53:14,480
that of like those those very
small budgeted when I say a
1097
00:53:14,480 --> 00:53:17,280
small budget of like $1,000,000,
which is a lot of money for an
1098
00:53:17,280 --> 00:53:20,440
independent filmmaker, right?
But in terms of Hollywood
1099
00:53:20,440 --> 00:53:23,280
standards, small budget and
just, you know, having that
1100
00:53:23,280 --> 00:53:26,880
autonomy to tell those brave
stories about real people going
1101
00:53:26,880 --> 00:53:29,440
through extraordinary situations
and changing them forever.
1102
00:53:29,440 --> 00:53:31,880
And that's I feel like the
audience is starting to look
1103
00:53:31,880 --> 00:53:35,480
more for depth and versions of
themselves because the world is
1104
00:53:35,480 --> 00:53:38,080
changing so much and they're
trying to make sense of it.
1105
00:53:38,320 --> 00:53:40,360
So I think more and more people
are going to look to movies.
1106
00:53:40,360 --> 00:53:43,360
And I think that there are some
really exciting, clever film
1107
00:53:43,360 --> 00:53:45,080
makers.
Chloe Jiao, of course, is a
1108
00:53:45,080 --> 00:53:48,240
great example of that, that have
their finger on that pulse of
1109
00:53:48,240 --> 00:53:50,840
those changes that are happening
and they're going to bring that
1110
00:53:50,840 --> 00:53:53,080
renaissance into it.
I think it's going to be on the
1111
00:53:53,080 --> 00:53:55,760
backs of the independent film
makers that really make it a
1112
00:53:55,760 --> 00:53:58,280
difference in the change in the
next, you know, three to five
1113
00:53:58,280 --> 00:54:00,440
years.
But yeah, change is coming in a
1114
00:54:00,440 --> 00:54:03,640
really great, beautiful way.
You know, I think AI is a
1115
00:54:03,640 --> 00:54:07,040
consideration for everyone on
the story writers.
1116
00:54:07,320 --> 00:54:10,760
Everybody is thinking about that
and how that's that is impacting
1117
00:54:10,760 --> 00:54:12,760
and how it can embed.
I think that's something that
1118
00:54:12,760 --> 00:54:15,240
definitely will have to get
navigated or thought about
1119
00:54:15,240 --> 00:54:17,320
during that that renaissance for
sure.
1120
00:54:17,320 --> 00:54:20,160
But yeah, I think I think
really, you know, looking at
1121
00:54:20,160 --> 00:54:22,640
some of the films that are that
are heading our way very soon
1122
00:54:22,640 --> 00:54:24,800
are just very, very exciting.
And the film makers that are
1123
00:54:24,800 --> 00:54:27,120
making them.
We're getting a lot more global
1124
00:54:27,120 --> 00:54:29,920
cinema like it was just an
accident is a is an
1125
00:54:29,920 --> 00:54:34,360
extraordinarily fantastic film
by an Iranian director that was
1126
00:54:34,360 --> 00:54:36,520
made in collaboration with
France.
1127
00:54:37,240 --> 00:54:39,960
If anybody hasn't seen that's
just a very brave important
1128
00:54:39,960 --> 00:54:42,520
film.
But I believe that the global
1129
00:54:42,520 --> 00:54:45,760
cinema, international cinema is
going to start to tell stories
1130
00:54:45,800 --> 00:54:48,360
more mainstream more and get
more mainstream attention
1131
00:54:48,400 --> 00:54:51,960
because they can take a little
bit more chances sometimes in
1132
00:54:51,960 --> 00:54:55,240
the sort of the more formulaic
that we have to do sometimes in
1133
00:54:55,240 --> 00:54:57,400
the American Film.
So that was a long answer.
1134
00:54:59,120 --> 00:55:01,520
I wish this was a longer format
because I was just thinking,
1135
00:55:01,520 --> 00:55:03,120
God, I have three more questions
to ask you.
1136
00:55:03,120 --> 00:55:05,080
We're not going to get to, so I
hope you can come back on.
1137
00:55:05,080 --> 00:55:06,320
I can ask.
You more questions.
1138
00:55:06,320 --> 00:55:07,080
Thank you.
Yeah.
1139
00:55:07,280 --> 00:55:10,960
And I mean, you know, I just I
get updates on like marketing
1140
00:55:10,960 --> 00:55:14,000
and Hollywood and and and tech.
So one of the updates I got was
1141
00:55:14,000 --> 00:55:16,680
that Unilever that I think they
invested, I want to say it was
1142
00:55:16,680 --> 00:55:19,000
like 30 million.
It was a number really high in
1143
00:55:19,280 --> 00:55:22,640
UGC, the user generated content,
you know, the influencers for
1144
00:55:22,680 --> 00:55:26,080
people that don't know this.
And so instead of the TV
1145
00:55:26,080 --> 00:55:28,720
marketing, these big production
companies where you have, you
1146
00:55:28,720 --> 00:55:31,360
know, all these crazy cameras
and huge budgets to make the
1147
00:55:31,360 --> 00:55:34,280
commercial, they're really going
towards the independent creator
1148
00:55:34,280 --> 00:55:36,520
who just shoot stuff in their
living room at home.
1149
00:55:36,520 --> 00:55:39,160
And that's what they're putting
their money into right now.
1150
00:55:39,160 --> 00:55:41,480
That's so we're going to see
people that you've never seen
1151
00:55:41,480 --> 00:55:43,840
before.
You know, maybe people like me,
1152
00:55:43,840 --> 00:55:45,280
I don't know, I'm sick of
commercial stuff.
1153
00:55:45,280 --> 00:55:49,040
It's kind of soul sucking, but
you know, influencer types, you
1154
00:55:49,040 --> 00:55:51,880
like to do this stuff, I guess,
you know, make a couple $100
1155
00:55:51,880 --> 00:55:54,680
cause the rates are getting
lower and they're all over the
1156
00:55:54,680 --> 00:55:57,200
board, but they're, they're kind
of low because it's, these
1157
00:55:57,200 --> 00:55:59,520
people are becoming a dime a
dozen cranking out
1158
00:55:59,600 --> 00:56:02,200
advertisements.
But anyway, I'm gonna have you
1159
00:56:02,200 --> 00:56:05,120
one more question.
This is have to be like a, a one
1160
00:56:05,120 --> 00:56:07,680
minute answer.
Even though I'd love to have you
1161
00:56:07,680 --> 00:56:11,120
here for like 3 days straight
and give you a bunch of coffee
1162
00:56:11,120 --> 00:56:13,240
and we, we don't even sleep.
I'm just gonna interview for
1163
00:56:13,240 --> 00:56:14,640
three days straight.
How, how's that?
1164
00:56:15,960 --> 00:56:18,920
It'll be it'll be a
methamphetamine fueled
1165
00:56:18,920 --> 00:56:20,760
interview. 3 days.
I'm just kidding.
1166
00:56:21,280 --> 00:56:23,360
No, don't do math.
Don't do math anyway.
1167
00:56:23,400 --> 00:56:25,520
I'm doing a movie about that so
math is in my mind.
1168
00:56:25,520 --> 00:56:25,920
I've.
Never.
1169
00:56:25,960 --> 00:56:27,760
I've written about it, so I feel
ya.
1170
00:56:27,760 --> 00:56:29,440
I gotcha.
Don't do it, don't do it.
1171
00:56:29,680 --> 00:56:33,680
So now, if you could tell your
younger teenage self one thing,
1172
00:56:33,800 --> 00:56:35,360
what advice would you give
yourself?
1173
00:56:35,600 --> 00:56:39,160
To absolutely that you know
what's best for you better than
1174
00:56:39,160 --> 00:56:43,160
anyone would be the number one
thing to turn off that inner
1175
00:56:43,160 --> 00:56:46,360
critic that you do not suck,
that you are really good at what
1176
00:56:46,360 --> 00:56:48,160
you do.
Believe in yourself.
1177
00:56:48,160 --> 00:56:51,120
I think it's all it would all be
about like empowering anything I
1178
00:56:51,120 --> 00:56:53,800
would say to my younger self
would be about you got this, you
1179
00:56:53,800 --> 00:56:57,600
know, do this and just remember
to be very gracious to anyone
1180
00:56:57,600 --> 00:56:59,920
and everyone who's helping you
along the way.
1181
00:57:00,040 --> 00:57:04,400
I felt that I was, you know,
when I was moving into different
1182
00:57:04,400 --> 00:57:06,760
levels.
But I think he we can never in
1183
00:57:06,760 --> 00:57:10,240
this day and age, continue to
practice grace and gratitude in
1184
00:57:10,280 --> 00:57:12,680
all forms, every chance we get.
Definitely.
1185
00:57:12,680 --> 00:57:14,720
I had my friend who flew in last
night.
1186
00:57:14,800 --> 00:57:18,760
You brought him into my dad's
dental office like 9:13 PM,
1187
00:57:19,000 --> 00:57:21,560
Who's counting, you know, for
surprise dental visit.
1188
00:57:21,560 --> 00:57:23,680
Because I appreciate him as a
friend that I want to make sure,
1189
00:57:23,680 --> 00:57:26,400
Steve, they're taken care of.
That's, that's being thankful,
1190
00:57:26,400 --> 00:57:28,400
you know, that's really honoring
friends, you know?
1191
00:57:28,400 --> 00:57:30,200
You're a good friend.
You're a really good friend.
1192
00:57:31,760 --> 00:57:34,760
Many people, yeah, I know I've
gotten some good Yelp reviews on
1193
00:57:34,760 --> 00:57:36,240
that.
You know, I, I like in other
1194
00:57:36,240 --> 00:57:37,920
areas, so I can be confident in
this.
1195
00:57:37,920 --> 00:57:40,680
I just don't ask me anything
about finance or plumbing.
1196
00:57:40,680 --> 00:57:42,640
You know.
So anyway, we're at the end of
1197
00:57:42,640 --> 00:57:45,280
the interview, you want to give
your socials and website where
1198
00:57:45,280 --> 00:57:48,280
people can find you.
Yeah, I'm at redvalentino.com.
1199
00:57:48,280 --> 00:57:51,120
All my socials are at Red
Valentino, you know I please
1200
00:57:51,120 --> 00:57:53,640
reach out if I can help or
promote or support in any way.
1201
00:57:53,640 --> 00:57:57,080
I'm always happy to.
And that's Wren.
1202
00:57:57,120 --> 00:58:01,440
So that concludes our interview.
And now back to the studio with
1203
00:58:01,440 --> 00:58:05,200
Mark Torres for War.
It came from the radio.
1204
00:58:08,840 --> 00:58:13,400
You had any honor you would
listen to sci-fi dot radio the
1205
00:58:13,400 --> 00:58:23,480
sci-fi for your Wi-Fi Kaplan.
Now back to our show.
1206
00:58:23,960 --> 00:58:25,840
So that about does it for this
week and it came from the radio.
1207
00:58:25,840 --> 00:58:27,800
Join us right here any week on
this radio station.
1208
00:58:27,800 --> 00:58:31,200
If you miss any part of the
show, tough go to our newly
1209
00:58:31,200 --> 00:58:34,040
revised website
www.itcamefromradio.com.
1210
00:58:34,280 --> 00:58:35,760
The archives will be up in a
week or so.
1211
00:58:35,800 --> 00:58:40,200
Check us out on such places as
BTD dot radio, sci-fi dot radio.
1212
00:58:40,440 --> 00:58:43,800
Check us out on our places such
as Facebook, Instagram, YouTube
1213
00:58:43,800 --> 00:58:46,120
page, Twitter.
And always follow the cost
1214
00:58:46,120 --> 00:58:47,600
benefit ratio.
If the benefits out with the
1215
00:58:47,600 --> 00:58:49,000
cost, do it.
If the cost that way the
1216
00:58:49,000 --> 00:58:52,320
benefits don't do it or.
Just Google it came from the
1217
00:58:52,320 --> 00:58:55,160
radio.
And we'll see you next week.
1218
00:58:55,920 --> 00:58:59,720
You've Been listening to It Came
From the Radio with Mark Torres.
1219
00:59:00,040 --> 00:59:03,640
The views of the show's hosts
and guests did not necessarily
1220
00:59:03,640 --> 00:59:07,880
reflect that of the management,
owners or staff of the station.
1221
00:59:08,320 --> 00:59:11,680
We now return you to your
earthly scheduled broadcast.
00:00:00,040 --> 00:00:03,520
The following is brought to you
in part by MFC Studios.
2
00:00:03,800 --> 00:00:07,200
The views of the shows host and
guests do not necessarily
3
00:00:07,200 --> 00:00:11,560
reflect those of the management,
owners or staff of this radio
4
00:00:11,560 --> 00:00:14,840
station.
And now it came from the radio.
5
00:00:39,640 --> 00:00:43,120
Yappa toy and welcome once again
to It came from the radio, the
6
00:00:43,160 --> 00:00:44,600
official show, The Big Apple
Con.
7
00:00:44,600 --> 00:00:47,600
This is your host, Mark Torres,
speaking with me on the phone.
8
00:00:47,600 --> 00:00:50,240
We have Mr. Hassan Godwin.
Yay.
9
00:00:50,520 --> 00:00:54,560
Always happy to be here, right?
Always, every day, you know.
10
00:00:54,840 --> 00:00:57,080
Thrilled Little little fun fact
for you, Hassan.
11
00:00:57,640 --> 00:01:00,480
Technically, this is our first
show of the new year.
12
00:01:00,480 --> 00:01:05,040
So we are now at 24 years.
We've been doing this show The
13
00:01:05,040 --> 00:01:09,680
dead silence.
All right, well.
14
00:01:13,000 --> 00:01:17,720
Congratulations I guess for
being old, but OK.
15
00:01:19,160 --> 00:01:21,200
But Speaking of someone who's
not, as though we have a special
16
00:01:21,200 --> 00:01:24,760
guest in the studio right now,
we have the Dragon Realms comic
17
00:01:24,760 --> 00:01:26,840
cons Anthony Rivera.
Say hi, Anthony.
18
00:01:27,360 --> 00:01:28,800
How you doing guys?
Thanks for having me.
19
00:01:29,040 --> 00:01:31,800
So as I mentioned, we're going
to be talking with Anthony in
20
00:01:31,800 --> 00:01:34,200
just a few moments.
But before we do any of that, we
21
00:01:34,200 --> 00:01:35,720
have to take away with the non
news.
22
00:01:35,720 --> 00:01:45,160
It's more facade.
The nun users brought to you in
23
00:01:45,160 --> 00:01:47,320
part buddy.
Fine folks at Sci-fi dot radio,
24
00:01:47,320 --> 00:01:50,240
that is sci-fi.
Or your Wi-Fi.
25
00:01:50,360 --> 00:01:52,600
I suppose the fine folks at the
Big Apple Corner, which we are
26
00:01:52,600 --> 00:01:55,800
the official radio show of
celebrating over 26789 years of
27
00:01:55,800 --> 00:01:57,280
complexness and pop culture
stuff.
28
00:01:57,280 --> 00:02:00,520
For more information go to
www.bigapplecc.com.
29
00:02:00,680 --> 00:02:03,280
Then that's connecting the
schedule all the way in November
30
00:02:03,280 --> 00:02:06,880
of this year 21st tickets are
not on sale right now.
31
00:02:07,360 --> 00:02:09,800
Also want to give our shout outs
from our patreons of which there
32
00:02:09,800 --> 00:02:12,720
are Danny Grillo award-winning
director Jared Burrell Newsday
33
00:02:12,720 --> 00:02:15,360
famous resident media shadow
rabbit art Jasmine Ray, the
34
00:02:15,360 --> 00:02:17,720
hurricane Emily Portez.
You want to have your own little
35
00:02:17,720 --> 00:02:21,000
shout out go to our website
www.thecamefromrail.com.
36
00:02:21,000 --> 00:02:23,720
The little button on there types
you right to our Patreon page.
37
00:02:24,040 --> 00:02:26,520
Also on the IT came from the
radio website is my book
38
00:02:26,760 --> 00:02:29,320
designated a book about two
warring alien races fighting
39
00:02:29,320 --> 00:02:30,600
over a new discovered power
source.
40
00:02:30,840 --> 00:02:32,840
The war finds its way to planet
Earth and as a result, some
41
00:02:32,840 --> 00:02:34,200
humans gain abilities.
Issue when?
42
00:02:34,200 --> 00:02:37,120
It's on sale right now and issue
2 is coming out this year.
43
00:02:38,640 --> 00:02:44,240
And finally, I want to mention
that on Wednesday, March 11th at
44
00:02:44,240 --> 00:02:47,120
the East Meadow Public Library,
we're going to have our 102nd
45
00:02:47,200 --> 00:02:51,360
live show with a guest author,
the Mel Elliot Hubbard, and
46
00:02:51,360 --> 00:02:53,200
she'll be rattling off a copy of
her book.
47
00:02:53,200 --> 00:02:56,560
And we'll be also giving away 2
free tickets to the Long Island
48
00:02:56,560 --> 00:03:00,040
Trading Card Game show, the big
one in Nassau Coliseum.
49
00:03:00,040 --> 00:03:02,800
More information go to
www.eastmeadow.info.
50
00:03:03,320 --> 00:03:04,600
Nothing.
As I thought you usually say
51
00:03:04,600 --> 00:03:06,880
something.
Nicely done.
52
00:03:08,520 --> 00:03:09,160
Thanks.
Great.
53
00:03:10,040 --> 00:03:12,080
So that's that's it for all the
house cleaners.
54
00:03:12,080 --> 00:03:14,080
We're going to take a quick
break and we'll be right back
55
00:03:14,080 --> 00:03:15,400
with more.
It came from the radio.
56
00:03:15,640 --> 00:03:19,480
Hi, you've heard my voice.
Open and close the show now we
57
00:03:19,480 --> 00:03:22,600
want to hear your voice.
If you have a business or
58
00:03:22,600 --> 00:03:25,120
product, you can record a
commercial here.
59
00:03:25,640 --> 00:03:27,960
We offer 30 and 62nd.
Spots.
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For more information, contact
Mark at mfc_studios@hotmail.com
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BKG Productions LLC, your
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E-mail bkg.bobiz@gmail.com or go
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Search for BK Graves one and
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sparkle.
71
00:04:03,040 --> 00:04:06,360
This is Quentin Flynn, a popular
voice afternoon for Axel
72
00:04:06,680 --> 00:04:10,320
Cameroon and riding from the
Metal Gear series.
73
00:04:10,480 --> 00:04:13,320
And you're listening to it came
from the radio.
74
00:04:13,600 --> 00:04:17,399
Stick around.
My neural net processor is
75
00:04:17,399 --> 00:04:21,160
linked to sci-fi dot radio.
It's sci-fi for my Wi-Fi.
76
00:04:21,839 --> 00:04:24,000
The more I listen, the more I
learn.
77
00:04:28,680 --> 00:04:30,440
This is Olivia Hack, the voice
of.
78
00:04:30,480 --> 00:04:33,760
Tyree from Avatar the Last
Airbender and you're listening
79
00:04:33,760 --> 00:04:38,040
to it came from the radio.
Step into the fantastic world of
80
00:04:38,040 --> 00:04:42,200
cool kids, comics and toys at
2055 Hempstead Turnpike, East
81
00:04:42,200 --> 00:04:44,680
Meadow, NY.
Discover Comic Con.
82
00:04:44,680 --> 00:04:49,440
Exclusives, the latest Funko
Pops and a treasure trove of new
83
00:04:49,600 --> 00:04:53,480
and vintage toys and comics.
Whether you're a collector or a
84
00:04:53,480 --> 00:04:55,560
first time visitor, we got
something to spark your
85
00:04:55,560 --> 00:04:57,640
imagination over here.
Visit Cool Kids.
86
00:04:57,640 --> 00:05:00,320
Comics and toys today, Which
event should begin?
87
00:05:00,440 --> 00:05:04,360
Huh.
Hi, this is Tammy Stronak, best
88
00:05:04,360 --> 00:05:07,120
known for playing The Childlike
Empress and The Never Ending
89
00:05:07,120 --> 00:05:12,480
Story and upcoming Man and witch
fantasy film you are listening
90
00:05:12,480 --> 00:05:14,520
to.
It came from the radio.
91
00:05:15,800 --> 00:05:20,520
Comic Books for Kids is the
largest charity in the US for
92
00:05:20,520 --> 00:05:24,560
comic books, toys and pop
culture items to children in
93
00:05:24,560 --> 00:05:29,880
hospitals and cancer centers.
Donations of toys, books, action
94
00:05:29,880 --> 00:05:34,200
figures, Funko Pops, or anything
pop culture related can be made
95
00:05:34,200 --> 00:05:39,560
to this organization.
Find them at cb4k.org.
96
00:05:39,640 --> 00:05:42,320
Everybody, this is Todd
McFarlane of the record setting
97
00:05:42,320 --> 00:05:46,280
Spawn comic series, and if
you're looking for any kind of
98
00:05:46,280 --> 00:05:49,520
cool conversation about
creators, about entertainment,
99
00:05:49,520 --> 00:05:52,560
about all that good stuff, you
go to, it came from the radio,
100
00:05:52,560 --> 00:05:53,920
you're listening to the right
spot.
101
00:05:54,480 --> 00:05:56,160
Class players, exhibitors and
celebrities.
102
00:05:56,200 --> 00:05:58,960
Oh my standby.
Connecticut Dragon's Run Comic
103
00:05:58,960 --> 00:06:02,720
Con is coming March 21st, 22nd
at the Danbury Sports Dome
104
00:06:02,720 --> 00:06:06,720
located at 25 Shelter Rock Lane.
It will be Danbury's only
105
00:06:06,720 --> 00:06:09,920
premier comic convention.
This event is your one stop shop
106
00:06:09,920 --> 00:06:12,560
for everything pop culture.
Featuring celebrity meet and
107
00:06:12,560 --> 00:06:15,840
greets, exhibitors selling the
coolest products, various
108
00:06:15,840 --> 00:06:19,400
discussion panels, a gaming area
and of course cosplay contest.
109
00:06:19,800 --> 00:06:21,800
Tickets will be sold at the door
or get them
110
00:06:21,800 --> 00:06:26,080
onlineviaticketspice.com Went
for Tickets are on our Facebook
111
00:06:26,080 --> 00:06:29,520
and Instagram pages.
Visit drcomiccon.com for more.
112
00:06:30,000 --> 00:06:33,360
This is Gina shock tremor of the
Go Go's and you are listening to
113
00:06:33,640 --> 00:06:34,840
it.
Came from the.
114
00:06:34,840 --> 00:06:38,880
Radio.
Now back to our show.
115
00:06:39,320 --> 00:06:41,680
And welcome back to It Came from
the Radio D, officially Big
116
00:06:41,680 --> 00:06:43,240
Apple Con.
This is your host, Martore.
117
00:06:43,240 --> 00:06:46,480
Speaking with me on the phone is
El Grandito Hassan Godwin.
118
00:06:46,800 --> 00:06:49,680
Hola.
And we have our special guest
119
00:06:49,680 --> 00:06:51,920
we're going to be talking to
with them about in the studio,
120
00:06:51,920 --> 00:06:54,880
we have Master Anthony Rivera
from the Dragons Realm Comic
121
00:06:54,880 --> 00:06:57,000
Con.
So Anthony, I love to ask all
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this the the same question to
all convention organizers.
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Why would you want to make a
convention?
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Because as we've known, Hassan
and I and everybody on the show,
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how long we've been on the air,
comic book conventions are crazy
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to put together and they're
insane.
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And you must be insane to do it.
So why are you doing it?
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Well first and foremost I'm a
pop culture nerd so it just
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basically came together that
after doing toy and collector
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shows in my home area to put on
a Comic Con because there's just
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so much fun.
I've been attending con since
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2011.
Pre COVID I was doing about 18
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cons a year and they're just so
much fun and the fact that I was
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able to do my own toy show gave
me the experience to put on a
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full Comic Con this year.
So not crazy, just experience.
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A little bit of both actually,
because I'm starting to see how
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overwhelming it is to put on a
show.
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But I also have the patience for
it, which is which is good.
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When you decide what was the
deciding factor, what was the
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catalyst per SE like, OK, this
year I'm going to do it as
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opposed to five years from now
or five years ago?
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It was all about timing.
I wanted to take my time putting
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the right show together.
So, you know, like I said, I was
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attending Constance 2011, you
know, seeing how the format is,
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talking to different promoters.
And then when I started doing my
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own toy show about five years
ago, that gave me more
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experience.
And then I started working with
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the promoter of Saratoga Comic
Con and he gave me more insight
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on how to run shows.
During that time.
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I just said to myself, OK, I got
to do this, this, this and this.
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I got to promote this way and
this way.
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Though basically doing that
smaller show and working the
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bigger shows gave me the
experience to put on my own
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show.
And what is the most surprising
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thing about putting together a
show and the least surprising
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thing that you've done so far?
The most surprising thing is the
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00:08:31,960 --> 00:08:33,559
creative freedom I have for the
show.
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I can do know how the show
however I want.
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I want to get the right
attractions.
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The least is the pressure of
putting the show on because you
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have to get the right supplies.
You have to have, you know, do
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the ass right, get to get the
right celebrities.
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It's a lot.
So Hassan, he used to work for
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Wizard and he used to work with
the wizard Khan, right, Hassan?
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I did.
You can tell by his enthusiasm,
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his memories of working for
Wizard back in the day.
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Do you have a question for
Anthony?
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It's just interesting to me that
it seems like the evolution of
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being a pop culture enthusiast
means that eventually you're
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going to put your own show on.
So where did the idea come from
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that you're they're going to be
able to, It's kind of an
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offshoot of the original
question of why, but where's the
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00:09:14,960 --> 00:09:17,160
idea come from?
Like, what do you get out of
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being the person who runs the
show?
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It's all about being a good
event promoter.
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That's basically the bottom
line.
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00:09:22,520 --> 00:09:25,680
I mean, obviously I kind of want
to get out of doing my day job
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and I want to put on a show with
that.
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People can say, hey, that con's
coming back, let's go back to
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00:09:29,480 --> 00:09:30,560
it.
I want to show people that I can
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put on a good event for the
community.
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Does it come from like
experiencing, I'm sorry, Mark,
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does it come?
Does it come from like
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experiencing other shows and
then you deciding you could do a
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better job or, you know, or some
kind of, and I don't mean that
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00:09:43,880 --> 00:09:46,040
in a negative way.
Do you see other shows and
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you're like, well, I could do
this.
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00:09:47,360 --> 00:09:49,800
I could do this way better than
the way this is being done.
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00:09:49,880 --> 00:09:52,160
It's more about attending
different shows and see how
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every show promoter does their
show differently, taking ideas
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from what they do and
incorporate them into what I'm
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going to do.
Every Comic Con has a basic
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structure.
You've got exhibitors, you've
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00:10:01,720 --> 00:10:04,400
got panelists, you got
celebrities, but you also need
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00:10:04,400 --> 00:10:06,840
something to, it's basically the
wow factor, like, oh, they're
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00:10:06,840 --> 00:10:08,720
going to have this at the show
instead of that show.
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I mean, that's great.
Let's go to that show instead of
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that show.
So it's basically how to get
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people from their homes to your
show to have a good time.
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00:10:15,960 --> 00:10:19,440
Do you find that now that you're
going to have your own
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00:10:19,440 --> 00:10:22,000
convention, the big convention,
you're going to miss out because
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you're not going to be able to
enjoy the convention because
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00:10:24,360 --> 00:10:25,960
you're going to be busy working
in a convention?
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00:10:25,960 --> 00:10:28,520
So with running my toy collector
show that I do in Newburgh with
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00:10:28,520 --> 00:10:30,920
a couple of friends of mine, my
friend Angelo and my friend
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00:10:30,920 --> 00:10:33,560
Jimmy, they've been helping out
for the past five years with the
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local show.
And what I've seen is the
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business point of view from it
and the pop culture enthusiasts
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00:10:39,720 --> 00:10:41,800
part of view of it.
Because, yeah, you have to load
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your vendors in, you have to set
them up, you have to make sure
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00:10:44,720 --> 00:10:46,440
they're all happy.
But at the same time, you get to
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00:10:46,440 --> 00:10:47,880
see the antennas having a good
time.
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00:10:47,880 --> 00:10:49,720
And that's basically that's what
it's all about.
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00:10:49,720 --> 00:10:52,600
You want to make sure that your
patrons are enjoying the show,
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00:10:52,720 --> 00:10:55,720
they're getting their money's
worth, and overall that you're
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00:10:55,720 --> 00:10:57,400
happy as well.
So it's a combination of
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00:10:57,400 --> 00:10:59,200
everything.
So what's the magic number?
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What is the the price point for
for the company to make money,
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00:11:03,960 --> 00:11:06,920
to make a profit and the people
to actually be able to go, to
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00:11:06,920 --> 00:11:08,280
afford to go and enjoy
themselves?
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00:11:08,280 --> 00:11:10,280
What's that price point?
Where you where'd you get that
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00:11:10,280 --> 00:11:11,520
number?
From so from what I've seen
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attending conventions, most of
the bigger shows or established
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shows or even medium shows, they
have a set price range.
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What I wanted to do was make my
prices a little cheaper.
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This way one is more affordable.
I mean adult tickets are only
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00:11:22,800 --> 00:11:25,000
$20.00 for Saturday.
If you get a weekend pass that's
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30.
So for for 30 bucks you get both
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days.
So this way you they're not you
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know breaking their bank
accounts.
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They can enjoy the show.
They can, you know, see all the
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cool stuff that's there, meet
their celebrities, and basically
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they're having fun without going
broke at the same time.
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00:11:37,680 --> 00:11:38,840
Hassan, you got a follow up
question?
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00:11:38,960 --> 00:11:41,320
How did this all start?
Like what was the what was the
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00:11:41,440 --> 00:11:44,320
piece of pop culture that
launched you off into like being
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00:11:44,320 --> 00:11:47,160
the complete hobbyist to the
point where you actually wanted
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to do your own show years later?
What was the?
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00:11:49,680 --> 00:11:53,560
Do you remember what it was?
You're talking over 30 years
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ago.
I mean, I still, I still
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00:11:55,320 --> 00:11:58,200
remember doing martial arts in
my room watching Power Rangers.
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That's how far back you're
talking right now.
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00:12:00,400 --> 00:12:03,160
Like the original?
To the right guy, then right
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there across from you.
So basically when I started
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watching, you know, Power
Rangers as a kid, I grew up in
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the 90s, so I watched a lot of
that.
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I watched, you know, Digimon,
Pokémon, Transformers, Ninja
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00:12:14,480 --> 00:12:16,520
Turtles.
So over the years I became a
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gamer as well.
So pop culture has been a part
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of my life, you know, since I
was a kid all through school.
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Now that I have, you know, adult
money, I can now I can now
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afford some of the things I, I
enjoy as a kid more.
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Obviously I still have to be
responsible because I'm still
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enough to all.
But at the same time, it's just
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like, you see all the things you
wanted as a kid, now you can get
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them, but you're still going to,
you know, pay your rent and all
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that.
Yeah.
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So basically when I started
going to conventions in 2011, it
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just basically it was inevitable
that down the line from being a
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pop culture dork to attending
conventions to starting my own
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00:12:50,120 --> 00:12:52,400
toy show to now hosting my own
convention.
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So basically I'm kind of happy
where the path is leading to.
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00:12:55,400 --> 00:12:59,360
Do you find that because there's
a large number of conventions
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that the competitors are your
enemy, or are they your friend?
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00:13:02,640 --> 00:13:04,440
It really depends on on the
location.
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00:13:04,480 --> 00:13:07,640
Like I chose to stay out of New
Jersey because there's a lot of
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00:13:07,640 --> 00:13:10,480
conventions and jerseys and toy
shows and not there's anything
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00:13:10,480 --> 00:13:12,440
wrong with that.
But as a business point of view,
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you have to look at an area
that's OK.
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There's like 30 shows in a
month.
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00:13:16,240 --> 00:13:18,720
Yeah, I don't want to do a show
in them in that area.
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And then you have to be sure
that, you know, you're not
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stepping on another show's toes.
Like if you have a show on the
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same day as another show, that
kind of looks unprofessional.
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That's why I chose a weekend
that there was nothing really
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happening.
And so far it's working out
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great.
Do you remember when Wizard went
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00:13:34,280 --> 00:13:37,360
up against New York Comic Con I.
Don't want to talk about it.
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00:13:37,640 --> 00:13:40,120
So there's a lot of pain
involved.
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00:13:40,360 --> 00:13:43,560
We missed out on that, actually.
Like they there was a chance
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00:13:43,560 --> 00:13:46,440
that Wizard could have gotten
the New York Comic Con and we
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00:13:46,440 --> 00:13:49,840
kind of missed that that window
by half a year.
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00:13:50,200 --> 00:13:53,320
And I remember that sent shock
waves to the entire company.
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Like everybody was really mad
about it.
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00:13:55,120 --> 00:13:57,440
So yeah, you got to take your
spots with that.
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00:13:57,440 --> 00:14:00,680
There's like these convention
seasons and there's people who
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00:14:00,680 --> 00:14:03,800
are really territorial and
whenever you get these, you
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00:14:03,800 --> 00:14:06,480
know, when whenever you get
someone who might be slightly
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00:14:06,480 --> 00:14:09,320
bigger than someone else and
wants to muscle people out of
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00:14:09,320 --> 00:14:12,920
their position, it could be a
lot of business headaches that
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00:14:12,920 --> 00:14:15,080
you don't really have the
bandwidth for.
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00:14:15,080 --> 00:14:17,040
You know, you don't want to
have, you just want to be able
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00:14:17,040 --> 00:14:19,520
to do a show.
So I completely respect that
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00:14:19,760 --> 00:14:22,000
that position there.
That's the that's the cuteest be
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00:14:22,000 --> 00:14:25,840
like, Oh yeah, that's awesome.
I mean he is right.
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It's also about, you know, there
are shows that, you know, I
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00:14:28,760 --> 00:14:30,840
guess some of the smaller non
professional show.
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00:14:30,840 --> 00:14:32,800
I can't say non professional.
There's no, I guess younger
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00:14:32,800 --> 00:14:35,120
shows.
They don't really research the
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00:14:35,120 --> 00:14:36,560
dates.
That's what you should do as as
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00:14:36,560 --> 00:14:39,280
a event promoter.
Like, OK, so April, there's this
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00:14:39,280 --> 00:14:41,600
show and that show that weekend.
Let's just try to avoid that.
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00:14:41,680 --> 00:14:43,840
There's a local show in in
Beacon, NY.
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00:14:43,920 --> 00:14:46,480
They're going to go up against
Garden State Comic Fest and New
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00:14:46,480 --> 00:14:48,440
Jersey toy Con.
And I'm like, oh, that that
306
00:14:48,440 --> 00:14:51,080
that's going to be a tough day
for them because you've got two
307
00:14:51,080 --> 00:14:53,920
shows that aren't that far apart
from each other and you're a
308
00:14:53,920 --> 00:14:56,360
little show starting out.
So it's important that when
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00:14:56,360 --> 00:14:59,480
you're picking your dates that
there's nothing happening around
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00:14:59,480 --> 00:15:01,760
you.
Like the the weekend I chose,
311
00:15:02,360 --> 00:15:07,040
it's nowhere near Terrificon,
it's nowhere near Kineticon, and
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00:15:07,040 --> 00:15:10,920
I'm basically out of their way.
So you said that you are a fan
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00:15:10,920 --> 00:15:13,200
first in your mind because
that's what you started out and
314
00:15:13,200 --> 00:15:15,000
then you decided to take on the
business end.
315
00:15:15,400 --> 00:15:17,800
When you're making a convention,
is there a part of you that
316
00:15:17,800 --> 00:15:20,120
you're arguing with yourself
that the fan wants something but
317
00:15:20,120 --> 00:15:21,680
the business?
And it's like, no, we can't have
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00:15:21,680 --> 00:15:23,760
that.
All the time, all the time.
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00:15:23,760 --> 00:15:27,640
Like as a promoter, as a
promoter for my toy show, I see
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00:15:27,640 --> 00:15:29,840
things that I want.
I'm like, I got to focus on the
321
00:15:29,840 --> 00:15:30,960
show.
I can't get that right now.
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00:15:31,800 --> 00:15:34,720
So now that I'm doing a Comic
Con, it's going to be even even
323
00:15:34,720 --> 00:15:36,840
more tough because there's a lot
of cool vendors that are going
324
00:15:36,840 --> 00:15:39,160
there.
I got lightsaber guys, I've got
325
00:15:40,280 --> 00:15:43,680
toy collector guys, I've got, I
guess someone selling cannolis
326
00:15:43,800 --> 00:15:45,520
at the show.
There's a coffee vendor.
327
00:15:45,520 --> 00:15:48,160
There's a nice mixture of
vendors at the show.
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00:15:48,160 --> 00:15:50,960
So it's not just one thing.
It's more of a pop culture show
329
00:15:50,960 --> 00:15:53,440
than a Comic Con, but it's going
to have that Comic Con feel
330
00:15:53,440 --> 00:15:55,200
because you have your
celebrities there, you have your
331
00:15:55,200 --> 00:15:57,000
panelists, you have your
attractions.
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00:15:57,040 --> 00:16:00,280
And I think that's what's going
to bring people in and it's
333
00:16:00,280 --> 00:16:03,400
going to be tough because I have
to run the show, but it's also
334
00:16:03,400 --> 00:16:04,520
fun because I get to see the
show.
335
00:16:04,520 --> 00:16:07,000
One of the things that we've
talked about over the years
336
00:16:07,480 --> 00:16:11,400
during the show is that we see
that certain conventions lean a
337
00:16:11,400 --> 00:16:14,960
certain way and you don't know
it until you're actually there.
338
00:16:14,960 --> 00:16:17,440
Like some are very celebrity
heavy, some are very cosplay
339
00:16:17,440 --> 00:16:19,920
heavy from a very panel heavy,
some are very vendor heavy.
340
00:16:19,920 --> 00:16:23,360
Is your goal to try to make it
an overall thing or you're going
341
00:16:23,360 --> 00:16:26,080
to try to lean one or just see
what the what the people come in
342
00:16:26,080 --> 00:16:27,720
for and then you're going to
pivot to that?
343
00:16:27,720 --> 00:16:29,400
Well, so for the first show,
there's going to be a little
344
00:16:29,400 --> 00:16:32,640
trial there, trial and error.
So you want a nice diverse crowd
345
00:16:32,640 --> 00:16:35,080
of people to show up in a nice
diverse show.
346
00:16:35,120 --> 00:16:36,440
I don't want it to be a horror
con.
347
00:16:36,440 --> 00:16:38,600
I don't want it to be like a
pure superhero Comic Con.
348
00:16:38,600 --> 00:16:40,160
I want it to be as diverse as
possible.
349
00:16:40,160 --> 00:16:42,920
That's why I've got I got voice
actors, I've got TV actors.
350
00:16:42,920 --> 00:16:46,280
I have a nice, nice variety of
vendors that they don't sell
351
00:16:46,280 --> 00:16:48,440
just the same thing.
I got different panelists and
352
00:16:48,440 --> 00:16:50,320
different attractions.
So it's a good, it's a good
353
00:16:50,320 --> 00:16:52,920
mixture than your than your
traditional comic cons.
354
00:16:53,240 --> 00:16:55,880
Like, you go to New York Comic
Con, you see everything your
355
00:16:55,880 --> 00:16:58,400
Comic Con sold to to the brink
of just, you know, all different
356
00:16:58,400 --> 00:17:00,800
kind of vendors.
So I'm kind of trying to do that
357
00:17:00,840 --> 00:17:03,320
on a smaller scale.
So since you are a Power Ranger
358
00:17:03,320 --> 00:17:06,000
fan, was the first instinct to
get all the power Ranger actors
359
00:17:06,000 --> 00:17:07,280
and you know, screw everybody
else.
360
00:17:09,720 --> 00:17:11,680
When you're booking your
celebrities, it's all about, you
361
00:17:11,680 --> 00:17:14,319
know, their guarantees.
Obviously you want you know, big
362
00:17:14,319 --> 00:17:16,760
names to drill people in, but
you have to be sure that you can
363
00:17:16,760 --> 00:17:18,520
afford them.
For the most part, the Power
364
00:17:18,520 --> 00:17:20,720
Rangers are are pretty, they're
pretty stable with their
365
00:17:20,720 --> 00:17:23,240
guarantees.
But you know, first time show I
366
00:17:23,240 --> 00:17:25,280
want to get, you know, get
through it and see how I do.
367
00:17:25,560 --> 00:17:28,000
The celebrities they have have
no very decent guarantees.
368
00:17:28,000 --> 00:17:31,880
I'm happy with with who I got.
We just got Gary Littman, he was
369
00:17:31,880 --> 00:17:34,880
in Yu-gi-oh, he was in one
piece, a very good voice actor.
370
00:17:34,880 --> 00:17:37,200
We've announced I think about
six other ones.
371
00:17:37,200 --> 00:17:39,560
We have about 3 more to go and
they're all very nice.
372
00:17:39,840 --> 00:17:41,520
Son, you got a final question
for Anthony?
373
00:17:42,000 --> 00:17:44,080
Sure.
Do you, since you're, you're
374
00:17:44,400 --> 00:17:47,640
primarily a toy guy, right?
According to what you said, do
375
00:17:47,640 --> 00:17:50,480
you, do you trade since you
don't want to buy them because
376
00:17:50,480 --> 00:17:54,040
you're on a budget in, in the,
in the sense of running the show
377
00:17:54,040 --> 00:17:55,400
and you're trying to be
responsible?
378
00:17:55,680 --> 00:17:59,600
Do you trade toys for perks from
vendors at the show?
379
00:17:59,600 --> 00:18:01,240
Not really.
I'm more of a collector than a
380
00:18:01,240 --> 00:18:04,760
trader.
I mean, but if if you saw my if
381
00:18:04,760 --> 00:18:07,560
you saw my apartment, your jaw
would drop.
382
00:18:07,560 --> 00:18:10,360
I mean, my apartment is
basically a it's like a Holy
383
00:18:10,360 --> 00:18:11,680
Grail of pop culture items
there.
384
00:18:12,240 --> 00:18:15,640
So so the museum.
Basically, you're, you're not
385
00:18:15,640 --> 00:18:17,840
wrong.
I, I get shadow boxes, I I get
386
00:18:18,000 --> 00:18:19,520
all the kind of things for for
my stuff.
387
00:18:19,600 --> 00:18:22,240
So instead of selling tables,
Hassan is wants you to have
388
00:18:22,320 --> 00:18:25,000
people you just giving you
figures and toys and you get a
389
00:18:25,000 --> 00:18:26,160
table.
Instead, I think that's all
390
00:18:27,040 --> 00:18:28,440
right.
Oh, you're trying to bribe you
391
00:18:28,440 --> 00:18:29,520
with spots?
OK, Yeah.
392
00:18:29,640 --> 00:18:32,120
I wasn't saying that
specifically.
393
00:18:32,120 --> 00:18:35,400
I was just testing the waters.
Don't blow me up, Mark.
394
00:18:35,560 --> 00:18:38,160
I mean, if you have a couple of
90s Power morphers, we can start
395
00:18:38,160 --> 00:18:39,560
talking.
Hassan, do you have any?
396
00:18:40,280 --> 00:18:44,480
No, no, I, no, not power, no.
But we will.
397
00:18:44,480 --> 00:18:49,160
I will be in touch in the next
few weeks.
398
00:18:49,160 --> 00:18:53,520
Trust me, I'll see see what I
can arrange in the time that we
399
00:18:53,520 --> 00:18:54,800
have.
I'll be around.
400
00:18:55,200 --> 00:18:57,120
So it's social media time.
Where can people find out more
401
00:18:57,120 --> 00:19:01,200
about the convention, dates,
prices, all that fun stuff go?
402
00:19:01,200 --> 00:19:04,840
All right, so our main page is
Dragon from Comic Con on
403
00:19:04,840 --> 00:19:07,880
Facebook.
We also have at Dragon from CC
404
00:19:07,880 --> 00:19:10,120
on Instagram.
Those are the social many pages
405
00:19:10,120 --> 00:19:12,320
that we have.
If you want tickets, you can get
406
00:19:12,320 --> 00:19:14,280
them on.
The links are on both the social
407
00:19:14,280 --> 00:19:17,160
media sites as well as our
website, doctorcomiccon.com.
408
00:19:17,480 --> 00:19:21,040
Tickets start for adults 13 and
over at $20.
409
00:19:21,040 --> 00:19:24,800
Three day pass for adults is 30.
Children's tickets between 7:00
410
00:19:24,800 --> 00:19:28,120
and 12:00 or 15.
And we do have military and
411
00:19:28,120 --> 00:19:30,000
veteran discount tickets
available as well.
412
00:19:30,440 --> 00:19:33,120
Will there be a discount as
opposed to online as opposed to
413
00:19:33,120 --> 00:19:34,920
in person?
So if you buy them online, there
414
00:19:34,920 --> 00:19:37,520
was a $2.00 fee.
If you buy them at the door for
415
00:19:37,520 --> 00:19:39,280
the cash booth, there is no fee,
no.
416
00:19:39,640 --> 00:19:41,120
Yeah, people want to save $2.00
Go.
417
00:19:41,120 --> 00:19:44,680
Down there you go.
So why Dragons realm?
418
00:19:44,680 --> 00:19:46,840
Why not Anthony Riveras
convention?
419
00:19:47,560 --> 00:19:50,840
Well, Anthony Khan, why not?
You're kind, you do whatever you
420
00:19:50,840 --> 00:19:52,360
want.
That's true, that's true.
421
00:19:52,360 --> 00:19:56,360
But I don't want to see my name
in big green letters on a flyer.
422
00:19:56,360 --> 00:19:58,560
I figured everybody loves
Dragons.
423
00:19:59,040 --> 00:20:00,800
I mean, Dragons are, are, are
awesome.
424
00:20:00,800 --> 00:20:03,280
I mean, yeah, they're my my
first dragon favorite was
425
00:20:03,280 --> 00:20:05,720
Charizard from Pokémon.
And that's one of the biggest
426
00:20:05,720 --> 00:20:07,400
fan favors out there.
Even though they said he's
427
00:20:07,400 --> 00:20:08,880
overrated.
No, he's, he's really not.
428
00:20:08,880 --> 00:20:11,600
Charizard is the best.
And then just growing up, you
429
00:20:11,600 --> 00:20:12,720
know, Dragons are always my
thing.
430
00:20:12,800 --> 00:20:14,800
When I watched Yu-gi-oh, my
favorite was the Blue Eyes White
431
00:20:14,800 --> 00:20:17,040
Dragon.
And then so on and so forth.
432
00:20:17,040 --> 00:20:18,680
You know, I watch Game of
Thrones and they have a lot of
433
00:20:18,680 --> 00:20:20,920
Dragons.
I think Dragons bring people
434
00:20:20,920 --> 00:20:22,680
together.
And it's also, you know, it's a,
435
00:20:22,800 --> 00:20:24,600
it's a good theme.
So I think you should.
436
00:20:24,760 --> 00:20:26,960
I personally think you should be
the Anthony Con.
437
00:20:26,960 --> 00:20:28,720
Have your big picture with a
finger.
438
00:20:28,720 --> 00:20:31,200
Like, yeah, it's my convention.
Come on down.
439
00:20:31,280 --> 00:20:34,160
That way they'll know it's
associated with you as opposed
440
00:20:34,160 --> 00:20:36,560
to a mythological creature.
Hassan, do you agree with me on
441
00:20:36,560 --> 00:20:37,560
that?
I agree.
442
00:20:37,960 --> 00:20:43,880
Totally agree, but you know.
I actually thought about
443
00:20:43,880 --> 00:20:46,280
branding first.
Branding is very important.
444
00:20:46,400 --> 00:20:48,840
I think seeing myself doing
doing a weird pose on a flyer
445
00:20:48,840 --> 00:20:50,920
might turn people away, so I
stuck with the Dragons.
446
00:20:51,040 --> 00:20:53,240
I don't know.
See, you might not be old
447
00:20:53,240 --> 00:20:56,080
enough, but Hassan and I
remember Carvel, remember Fudgie
448
00:20:56,080 --> 00:20:59,320
the Whale, that the guy who
actually was the spokesperson
449
00:20:59,320 --> 00:21:02,560
for Carvel Ice Cream Place was
the guy who actually owned it.
450
00:21:02,840 --> 00:21:05,400
And he had this really gravelly
voice and he used to talk about
451
00:21:05,400 --> 00:21:07,120
his stuff.
And that's how you associated
452
00:21:07,120 --> 00:21:09,960
Carvel with the guy, remember?
That I don't think he wants to
453
00:21:09,960 --> 00:21:11,640
be associated with Fudgie the
whale.
454
00:21:12,000 --> 00:21:14,320
He's got.
He's got bigger goals.
455
00:21:14,320 --> 00:21:15,760
And Cookie.
Puss, cookie puss.
456
00:21:16,280 --> 00:21:18,280
Yeah.
Yeah, so.
457
00:21:19,080 --> 00:21:22,280
You're blowing us up, Mark,
giving us away.
458
00:21:24,480 --> 00:21:27,840
So final thoughts, what are your
what's the one thing you want to
459
00:21:27,840 --> 00:21:29,760
tell other people out there?
Should they make their own
460
00:21:29,760 --> 00:21:32,240
convention or just not make
their own convention and go to?
461
00:21:32,240 --> 00:21:35,080
Yours Oh, obviously go to my
convention, but if you're going
462
00:21:35,080 --> 00:21:37,280
to start your own, it's
basically just it's a lot of
463
00:21:37,600 --> 00:21:40,160
it's a lot of research and give
yourself plenty of time to
464
00:21:40,160 --> 00:21:41,920
promote your show at least a
year.
465
00:21:42,040 --> 00:21:44,880
A year is a good way to, you
know, get everything you need,
466
00:21:44,880 --> 00:21:48,280
prep for it, get your supplies.
It's it can be overwhelming
467
00:21:48,360 --> 00:21:49,640
because you have to work with
celebrities.
468
00:21:49,640 --> 00:21:51,240
You have to make sure you know
they make their guarantees.
469
00:21:51,240 --> 00:21:52,800
You have to fly them out.
You have to, you know, they
470
00:21:52,800 --> 00:21:55,320
have, they're all their
contracts and whatnot.
471
00:21:55,400 --> 00:21:57,800
It could be overwhelming if
you're not prepared for it, so
472
00:21:57,800 --> 00:22:01,040
prepare yourself for it.
So how long do you think that
473
00:22:01,040 --> 00:22:04,560
you, so you said about a year.
So when you do that right and
474
00:22:04,560 --> 00:22:07,320
you start with the contracts,
does that contract start at a
475
00:22:07,320 --> 00:22:08,560
year?
You just what's the first thing?
476
00:22:08,560 --> 00:22:10,040
Is the date venue?
What's the first thing you go?
477
00:22:10,040 --> 00:22:12,560
For first thing you got to go
for is the location.
478
00:22:12,640 --> 00:22:15,280
If you're going to plan out a
big show like that, it has to
479
00:22:15,280 --> 00:22:18,400
have the space, it has to have
the parking and it has to have
480
00:22:18,520 --> 00:22:22,160
the the capacity available.
Oh, is it free parking for your
481
00:22:22,160 --> 00:22:23,680
convention?
Yes, as of right now there is
482
00:22:23,720 --> 00:22:27,640
there is free parking the.
As for right now, wait a minute,
483
00:22:27,640 --> 00:22:28,960
wait a minute, What does that
mean?
484
00:22:28,960 --> 00:22:31,720
So, so the Danbury Sports Dome
is going to is that's where the
485
00:22:31,720 --> 00:22:34,400
events going to be.
It's over in Danbury, CT and
486
00:22:34,400 --> 00:22:36,480
they're going to rope off places
for event parking.
487
00:22:36,480 --> 00:22:39,520
So there's over almost 1000
parking spaces, so there's
488
00:22:39,520 --> 00:22:41,400
plenty of parking for everyone
to go to.
489
00:22:41,600 --> 00:22:42,960
OK.
So basically show up early.
490
00:22:43,320 --> 00:22:47,160
Yes, as early as you can.
Yes, the show starts at 10:00 on
491
00:22:47,160 --> 00:22:49,440
Saturday and ends 5:00 on
Sunday.
492
00:22:49,960 --> 00:22:53,560
So the Saturday hours are 10:00
AM to 7:00 PM and then Sunday is
493
00:22:53,560 --> 00:22:55,720
10:00 AM to 5:00 PM.
Hassan, you have any final
494
00:22:55,720 --> 00:22:57,760
thoughts?
I wish you the best of luck.
495
00:22:58,160 --> 00:23:02,200
I think this sounds fantastic.
I'm happy that there are more
496
00:23:02,200 --> 00:23:05,280
shows that are, you know, that
are becoming local and then that
497
00:23:05,280 --> 00:23:08,560
more people are being
entrepreneurial and following
498
00:23:08,560 --> 00:23:10,480
their, their pop culture
passions.
499
00:23:10,520 --> 00:23:13,360
I think we, you know, as much as
we have, I think we need a lot
500
00:23:13,360 --> 00:23:15,560
more of it.
So, you know, I wish you the
501
00:23:15,560 --> 00:23:18,520
best of luck and I I hope it
goes without a hitch and you get
502
00:23:18,520 --> 00:23:20,320
to keep doing it.
That's actually my goal.
503
00:23:20,320 --> 00:23:21,760
I mean, I wanted to do this
every year.
504
00:23:21,760 --> 00:23:23,440
I think the attractions that we
have are great.
505
00:23:23,440 --> 00:23:25,480
We're gonna raffle off a
Nintendo Switch too.
506
00:23:25,720 --> 00:23:27,880
We're gonna have the sword
thrown from the Game of Thrones
507
00:23:27,880 --> 00:23:29,200
there.
We have a match at the gallery
508
00:23:29,240 --> 00:23:30,920
tournament.
We have a Super Smash Brothers
509
00:23:31,000 --> 00:23:33,360
Ultimate Tournament.
One of my friends who's gonna
510
00:23:33,360 --> 00:23:36,160
bend there is gonna do the the
Mike Tyson Punch Out challenge.
511
00:23:36,880 --> 00:23:40,360
You know, 5 dollars, $5 per try.
If you win, you get the pot and
512
00:23:40,560 --> 00:23:43,200
that's sort of, oh, that's one
other thing.
513
00:23:43,320 --> 00:23:46,120
So many things I have to
remember well.
514
00:23:47,000 --> 00:23:48,800
Go check out the website, find
out more stuff.
515
00:23:49,400 --> 00:23:51,440
So yeah, my final thought is
thank you for coming down.
516
00:23:51,440 --> 00:23:54,760
Let's continue to set look for
you having you come back next
517
00:23:54,760 --> 00:23:58,000
year and for again.
So that is it for this week's
518
00:23:58,080 --> 00:24:00,520
segment.
Everybody listening to us on the
519
00:24:00,520 --> 00:24:01,600
air.
We'll see you next time.
520
00:24:01,600 --> 00:24:02,960
For everybody else, stay tuned
for more.
521
00:24:03,120 --> 00:24:07,000
It came from the radio.
Hey, this is Billy West from
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Show Business.
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the radio.
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We've got you covered.
Hi, I'm Olivia Yonkers from Star
538
00:24:48,280 --> 00:24:51,000
Trek Picard, and you're
listening to It Came from the
539
00:24:51,000 --> 00:24:54,520
Radio now.
Back to our show.
540
00:24:55,280 --> 00:24:59,320
And welcome back to It Came from
the radio, the official show,
541
00:24:59,320 --> 00:25:01,680
the Vega ABBA Khan.
This is your host Mark Torres
542
00:25:01,680 --> 00:25:04,280
speaking.
As mentioned earlier in this
543
00:25:04,280 --> 00:25:07,560
show, we have just passed our
24th anniversary.
544
00:25:08,120 --> 00:25:11,200
What some of you may not know is
that this very show was
545
00:25:11,200 --> 00:25:14,760
originally created out of my
desire to get my own combo
546
00:25:14,840 --> 00:25:18,480
published.
Set book designated Part 1 of A5
547
00:25:18,480 --> 00:25:22,360
issue series made its way to
print back in 2023.
548
00:25:22,840 --> 00:25:26,520
It was then adapted into a radio
play which was performed at New
549
00:25:26,520 --> 00:25:30,160
York Comic Con, presented by
Trauma Entertainment, the
550
00:25:30,160 --> 00:25:32,880
independent film company behind
The Toxic Avenger.
551
00:25:33,440 --> 00:25:35,440
This year, we hope to do the
same.
552
00:25:36,040 --> 00:25:40,440
Issue 2 is coming out in just a
few months, and to help promote
553
00:25:40,440 --> 00:25:44,000
that, I've decided to include
part of the virtual read of that
554
00:25:44,000 --> 00:25:47,880
issue in this week's show.
The entirety of the performance
555
00:25:47,880 --> 00:25:52,920
is on our YouTube page, but here
is part of Issue 1's performance
556
00:25:53,240 --> 00:25:58,320
of Designated Enjoy.
Designated issue one, Page 1.
557
00:25:58,560 --> 00:26:01,920
Establishing shots.
We visit the planet A7 in the
558
00:26:01,920 --> 00:26:05,720
Dura system, 2 moons over around
the planet, along with a green
559
00:26:05,720 --> 00:26:08,280
sun from space.
It seems like there's a serene
560
00:26:08,280 --> 00:26:11,280
body of life, but a raging
battle between the peaceful
561
00:26:11,280 --> 00:26:14,120
forelons and the warlike thrown
in, except torn apart.
562
00:26:14,880 --> 00:26:17,360
On the planet we visit an old
alien castle.
563
00:26:17,560 --> 00:26:19,840
From the looks of it, the
surrounding area has just seen a
564
00:26:19,840 --> 00:26:22,480
great battle.
Lots of destroyed ships, tanks
565
00:26:22,520 --> 00:26:24,360
and smoldering ash over the
area.
566
00:26:24,880 --> 00:26:27,600
The castle itself is born, but
has no battle damage.
567
00:26:29,200 --> 00:26:32,640
Inside the throw room, King
Tesson is standing on a throwing
568
00:26:32,640 --> 00:26:34,560
room's balcony, surveying the
damage.
569
00:26:34,720 --> 00:26:37,920
Although he may not look his
age, the king is over 400 years
570
00:26:38,000 --> 00:26:40,040
old.
The grand entrance doors to the
571
00:26:40,040 --> 00:26:43,200
room open as Futok, the King
Advisor rushes in.
572
00:26:44,000 --> 00:26:47,200
Your Majesty, I've just received
information that the Geronians
573
00:26:47,200 --> 00:26:51,600
are planning another attack.
Calm yourself, futok, we will
574
00:26:51,600 --> 00:26:53,480
repel this attack.
Just as we've done with all the
575
00:26:53,480 --> 00:26:56,080
others.
The reports say this attack will
576
00:26:56,080 --> 00:26:58,280
have the full force of the
entire army.
577
00:26:59,640 --> 00:27:00,960
Can we stand such?
An attack.
578
00:27:01,520 --> 00:27:03,760
There's more.
King Brigan himself will be
579
00:27:03,760 --> 00:27:06,240
heading the attack.
That's insane.
580
00:27:07,200 --> 00:27:10,240
Why would he?
The King walks past Futock
581
00:27:10,280 --> 00:27:15,760
towards the grand doors.
Sire, summon the designated,
582
00:27:16,720 --> 00:27:18,200
have them meet me.
In the power chamber.
583
00:27:19,200 --> 00:27:21,880
The king leaves Futock standing
in the throne room by himself.
584
00:27:24,520 --> 00:27:28,480
I fear the worst.
Inside the power chamber, which
585
00:27:28,480 --> 00:27:30,960
has three floors, a different
color light on each floor.
586
00:27:31,120 --> 00:27:34,480
There's a transport chamber and
a power core wall on scientists.
587
00:27:34,480 --> 00:27:37,400
The king and well armed elite
soldiers gather around a lighted
588
00:27:37,400 --> 00:27:40,800
chamber with three tubes in.
Five soldiers stand at attention
589
00:27:40,800 --> 00:27:42,440
behind the king and head
scientists.
590
00:27:42,760 --> 00:27:46,920
Futok is there too.
As you requested, sire, we've
591
00:27:46,920 --> 00:27:49,840
prepared to remove the star
fragments from the power core,
592
00:27:50,320 --> 00:27:52,840
but I must implore you to.
Remove it.
593
00:27:53,560 --> 00:27:57,360
But sire, removing our newest
and best power sources at a time
594
00:27:57,360 --> 00:27:59,880
like this is.
These.
595
00:27:59,880 --> 00:28:01,400
Fragments are not just a new
power.
596
00:28:01,400 --> 00:28:06,640
Source they are.
That much more, yes, but we have
597
00:28:06,840 --> 00:28:10,960
just only begun our research.
Taking away such a find is.
598
00:28:12,480 --> 00:28:14,080
Remove.
The fragments.
599
00:28:16,040 --> 00:28:20,240
The head scientist presses some
buttons on a nearby panel and
600
00:28:20,240 --> 00:28:22,080
then the tube starts to descend
into the ground and.
601
00:28:22,600 --> 00:28:24,200
This.
Scope surrounding the center
602
00:28:24,200 --> 00:28:27,520
tube, and when it clears we see
a metal staff that holds five
603
00:28:27,520 --> 00:28:30,280
star fragments in place.
They're about the size of
604
00:28:30,280 --> 00:28:31,960
diamonds you see on an expense
of the gate.
605
00:28:32,760 --> 00:28:35,600
The king, who is visibly upset,
turns towards the head
606
00:28:35,600 --> 00:28:42,880
scientist.
Cutting into the Forlan lab,
607
00:28:42,880 --> 00:28:46,360
we've seen a room full of
British Dronians standing over
608
00:28:46,440 --> 00:28:49,640
dead Forlan scientists and
transport portals behind them.
609
00:28:49,640 --> 00:28:52,320
In their circuit.
There was 1 remaining scientist
610
00:28:52,320 --> 00:28:55,160
and he gives King Brigand of the
Dronians the 6th fragment.
611
00:28:55,520 --> 00:28:57,360
The King has an overpowering
presence.
612
00:28:57,640 --> 00:29:00,840
The King gnosts one of his men,
who then kills the last Forlan
613
00:29:00,840 --> 00:29:03,880
scientist back into the power
chamber.
614
00:29:04,120 --> 00:29:07,360
King Tesson turns towards the
five members near him.
615
00:29:08,600 --> 00:29:12,600
You, my designated, are
entrusted with the safe keeping
616
00:29:12,600 --> 00:29:16,440
of these star fragments.
I fear that King Brigan has
617
00:29:16,440 --> 00:29:18,040
learned about our recent
discovery.
618
00:29:18,360 --> 00:29:20,000
And will stop it.
Nothing to acquire.
619
00:29:20,000 --> 00:29:21,880
It.
The leader of the chosen fuse
620
00:29:21,880 --> 00:29:25,320
steps forward.
Sir, we have yet to fail you,
621
00:29:25,760 --> 00:29:29,120
but even we can't withstand the
full force of the Geronian army.
622
00:29:29,480 --> 00:29:32,000
Your mission will take you far
away from the line of battle.
623
00:29:32,520 --> 00:29:35,160
I want you to take these
fragments and hide them so even
624
00:29:35,160 --> 00:29:39,480
I won't know their location.
Just then, the doors to the top
625
00:29:39,480 --> 00:29:43,240
floor of the chamber blast open.
The Geronians enter the chamber,
626
00:29:43,240 --> 00:29:45,120
and King Brick leaves them with
his hand.
627
00:29:45,120 --> 00:29:47,280
Is the 6th fragment glowing
frightly?
628
00:29:47,920 --> 00:29:51,080
Destroy the generators, kill
them all and bring me those
629
00:29:51,080 --> 00:29:54,080
fragments.
On the main floor, everybody's.
630
00:29:54,640 --> 00:29:58,760
Running everywhere, they must
have found a way to penetrate.
631
00:29:58,800 --> 00:30:02,640
Our shield, it doesn't take the
fragments frights in the metal
632
00:30:02,640 --> 00:30:04,760
staff.
Outdoors.
633
00:30:05,240 --> 00:30:06,680
Protect your fragments at all
costs.
634
00:30:08,000 --> 00:30:11,240
Who the holy?
King Brigant starts making his
635
00:30:11,240 --> 00:30:13,560
way to the main floor and
designated start to lead the
636
00:30:13,560 --> 00:30:14,680
chamber.
So Dronian.
637
00:30:14,680 --> 00:30:15,800
So there's flying the
generators.
638
00:30:17,360 --> 00:30:20,080
Their defenses have fallen.
Let the Florida begin.
639
00:30:21,160 --> 00:30:23,960
Portals are opening up all over
the entire chamber, letting him
640
00:30:23,960 --> 00:30:26,880
board, droning at the same time
the Air Force King Tesla
641
00:30:26,920 --> 00:30:28,560
arrived.
There's a lot of fighting and
642
00:30:28,600 --> 00:30:30,560
chilling the dead man and
leading to an unoccupied
643
00:30:30,920 --> 00:30:33,160
corridor.
King Brigant sees and leaves the
644
00:30:33,160 --> 00:30:36,440
chamber.
Natasha, blonde, mid 20s,
645
00:30:36,480 --> 00:30:39,160
physically fit, is right in the
middle of getting dressed for
646
00:30:39,160 --> 00:30:40,800
work.
In a rush because she's late.
647
00:30:41,160 --> 00:30:44,640
The clock reads 3:47 PM.
Her open purse is lying on the
648
00:30:44,640 --> 00:30:46,360
bed where a name tag rests on
top of it.
649
00:30:46,760 --> 00:30:49,720
Natasha pulls up her pants with
one hand and pulls her hand down
650
00:30:49,720 --> 00:30:51,120
with her turtling sweater with
the other.
651
00:30:51,360 --> 00:30:54,720
She's a hot nest.
Damn it, can't leave.
652
00:30:54,760 --> 00:30:58,120
I'm late again.
Now dressed, she grabs her name
653
00:30:58,120 --> 00:31:01,000
tag with Threes and Natasha from
her bed as well as her big bag
654
00:31:01,000 --> 00:31:03,960
which she grabs in the bottom.
All the stuff falls out of her
655
00:31:03,960 --> 00:31:05,920
bag.
Can't get a break.
656
00:31:06,360 --> 00:31:12,640
Something always slows me down.
I'm cursed, I know it.
657
00:31:13,240 --> 00:31:15,560
I get to work on time for once
in my life.
658
00:31:16,520 --> 00:31:19,280
Turning to the city street,
there are lots of cars and
659
00:31:19,320 --> 00:31:20,520
people going about their
business.
660
00:31:20,960 --> 00:31:23,520
The only building you can see
clearly is the hospital, the Ed
661
00:31:23,520 --> 00:31:26,120
Dials Center for help, which
takes up the whole block.
662
00:31:26,760 --> 00:31:29,800
Natasha and her convertible
rushing to make the green light.
663
00:31:30,000 --> 00:31:33,160
She is wearing her sunglasses.
There are three lanes on each
664
00:31:33,160 --> 00:31:35,440
side of the street.
Natasha is in the middle lane.
665
00:31:35,440 --> 00:31:38,920
A crowded city bus on the same
Rd. is in the far right lane
666
00:31:38,920 --> 00:31:41,760
close to the intersection.
Going up the cross street is a
667
00:31:41,760 --> 00:31:44,680
one way Rd. but people and cars
have made it 2 lanes.
668
00:31:44,960 --> 00:31:47,600
A red minivan is approaching the
intersection coming towards the
669
00:31:47,600 --> 00:31:50,080
news crew.
The reporter is standing right
670
00:31:50,080 --> 00:31:52,680
in front of the hospital, but
the camera guy is shooting her
671
00:31:52,680 --> 00:31:54,960
from an angle so that he can
just see a bit of the
672
00:31:54,960 --> 00:31:57,480
intersection.
They're doing a live shoot.
673
00:31:58,480 --> 00:32:01,080
In a few hours, Doctor
Precipicus, the newest
674
00:32:01,080 --> 00:32:03,640
neurosurgeon to emerge in his
field, will perform a new
675
00:32:03,640 --> 00:32:07,160
technique to remove the brain
tumor and Chris Hughes, a 12
676
00:32:07,160 --> 00:32:10,320
year old boy who may not see his
13th birthday if the tumor is
677
00:32:10,320 --> 00:32:13,200
not removed.
Inside the minivan we see Ed and
678
00:32:13,200 --> 00:32:15,440
Adam with their parents.
They're in the back.
679
00:32:15,880 --> 00:32:18,280
Ed is looking out the window,
which is closed and they're all
680
00:32:18,280 --> 00:32:20,320
addressed as going to a semi
formal affair.
681
00:32:21,360 --> 00:32:22,880
Hang on kids, we're almost
there.
682
00:32:23,680 --> 00:32:25,240
The gallery is just around the
corner.
683
00:32:26,040 --> 00:32:28,360
I can't wait for us to get a
close up view of that red
684
00:32:28,360 --> 00:32:30,760
diamond.
Everyone who has seen it up
685
00:32:30,760 --> 00:32:32,880
close says it almost pulses like
a heart.
686
00:32:33,080 --> 00:32:37,200
Look.
Just then, the sky turns black.
687
00:32:37,400 --> 00:32:40,000
Everyone in the area looks
towards the sky except Natasha,
688
00:32:40,000 --> 00:32:43,200
who only sees the light turn
yellow and guns it to make the
689
00:32:43,200 --> 00:32:44,560
light.
In the middle of the
690
00:32:44,560 --> 00:32:46,120
intersection, the portal opens
up.
691
00:32:46,440 --> 00:32:48,880
You can almost see the light
from the portal in the now
692
00:32:48,880 --> 00:32:51,960
blackened skies.
Natasha fears to the right to
693
00:32:51,960 --> 00:32:53,840
avoid the photo nearly hitting
the bus.
694
00:32:54,080 --> 00:32:56,840
She then fears to the left to
avoid the bus and then comes on
695
00:32:56,840 --> 00:33:00,400
to oncoming traffic, the bus
nearly hitting Natasha.
696
00:33:00,480 --> 00:33:03,320
The boys hold the cars waiting
at the red light with the clouds
697
00:33:03,320 --> 00:33:06,360
between, people walking by his
mountain and people waiting for
698
00:33:06,360 --> 00:33:08,480
the bus.
The people in the minivan see
699
00:33:08,480 --> 00:33:11,640
Natasha a little too late as
they hit her head on.
700
00:33:19,040 --> 00:33:21,840
Quite some time later, Natasha
lays in a hospital bed.
701
00:33:22,000 --> 00:33:23,600
She is moving her head
violently.
702
00:33:24,320 --> 00:33:28,640
No lookout.
Natasha wakes up to see Doctor
703
00:33:28,640 --> 00:33:31,440
Pacificus standing above her.
Relax.
704
00:33:31,720 --> 00:33:34,120
We thought we had lost you, but
you're fine now.
705
00:33:35,040 --> 00:33:37,520
Natasha, in a hospital gown and
wrapped in bandages, has tubes
706
00:33:37,520 --> 00:33:39,840
sticking inside her body, the
leg and armour broken.
707
00:33:39,960 --> 00:33:42,280
Her head is all bandaged up.
You can still see her face.
708
00:33:42,280 --> 00:33:43,520
What?
Happened.
709
00:33:44,640 --> 00:33:48,000
Where am I?
Who were involved in a massive
710
00:33:48,000 --> 00:33:51,080
collision outside the hospital.
I'm Doctor Pacificus.
711
00:33:51,400 --> 00:33:52,600
I've been taking care of you.
No.
712
00:33:54,160 --> 00:33:57,200
You mean an accident?
All I remember is this light.
713
00:33:57,480 --> 00:34:01,680
I tried to avoid it but.
Don't worry about that right
714
00:34:01,680 --> 00:34:03,680
now, just be grateful you
survive.
715
00:34:04,200 --> 00:34:08,480
There were a lot of people.
Involved to take how many died.
716
00:34:10,159 --> 00:34:12,760
Just consider yourself one of
the chosen.
717
00:34:12,760 --> 00:34:15,440
Few.
Leaving Natasha with that,
718
00:34:15,440 --> 00:34:17,159
Doctor Pacifica exits from the
room.
719
00:34:17,199 --> 00:34:19,600
Natasha sees Ed, the little boy
from the minivan.
720
00:34:19,600 --> 00:34:22,520
He waves and walks away.
Natasha thinks she's screaming
721
00:34:22,560 --> 00:34:27,080
and goes back to bed.
Sometime later at night, inside
722
00:34:27,080 --> 00:34:29,960
the hospital, Natasha is fully
healed and finally dressed.
723
00:34:30,000 --> 00:34:32,840
She's walking down a dimly lit,
deserted hospital corridor.
724
00:34:33,600 --> 00:34:38,560
Hello, where is everybody?
She tries all the doors, all
725
00:34:38,560 --> 00:34:40,400
locked.
We hear the voice of Ed.
726
00:34:41,320 --> 00:34:43,920
This way over here.
Hello.
727
00:34:44,560 --> 00:34:47,280
Who has said that?
One door opens.
728
00:34:48,040 --> 00:34:51,440
In here.
Natasha enters to see Ed and I'm
729
00:34:51,440 --> 00:34:54,000
unfamiliar Chris standing and
waiting for Natasha to enter.
730
00:34:54,520 --> 00:34:58,040
You.
I'm so sorry I killed you.
731
00:34:59,280 --> 00:35:03,240
Please stop haunting me.
You're silly.
732
00:35:03,840 --> 00:35:06,560
I'm not haunting you.
I just wanted to see you.
733
00:35:06,800 --> 00:35:11,280
And here you are, Huh?
Chris, what's up to Natasha?
734
00:35:12,880 --> 00:35:16,360
Look, I really can't explain it
myself, so someone asked me to.
735
00:35:17,440 --> 00:35:21,040
When you wake up, come.
To the cancer ward, room 530.
736
00:35:22,360 --> 00:35:25,280
Where you got?
Yes, wait.
737
00:35:26,200 --> 00:35:28,680
Natasha wakes up to find out
she's still in her hospital
738
00:35:28,680 --> 00:35:31,000
again and lying on the couch in
Doctor Rain's office.
739
00:35:31,200 --> 00:35:33,560
She only has a small scarf below
her hairline.
740
00:35:33,880 --> 00:35:35,920
The doctor is sitting on a stool
next to her.
741
00:35:36,680 --> 00:35:39,360
What did you learn?
Nothing.
742
00:35:39,360 --> 00:35:42,200
I have to admit, once you went
under hypnosis, you didn't
743
00:35:42,200 --> 00:35:45,640
respond to any of my questions.
It's possible you're.
744
00:35:45,640 --> 00:35:48,880
Still having stress related
issues surrounding the accident.
745
00:35:49,640 --> 00:35:51,840
Since you didn't have any
problems sleeping, I think
746
00:35:51,840 --> 00:35:54,520
you'll be fine.
I'll draw up the release papers
747
00:35:54,520 --> 00:35:57,840
in the morning.
Does the hospital have a cancer
748
00:35:57,840 --> 00:36:01,320
ward?
Yeah, it's on the 5th floor.
749
00:36:02,000 --> 00:36:06,200
Why do you ask?
No reason, just curious.
750
00:36:07,360 --> 00:36:10,040
Shifting gears, we go to a
Geronium battle cruiser orbiting
751
00:36:10,040 --> 00:36:12,000
the Earth.
A smaller ship is docking with
752
00:36:12,000 --> 00:36:14,040
it.
Inside the cruiser we have 5
753
00:36:14,040 --> 00:36:15,760
geroniums.
Each one is at a post on the
754
00:36:15,760 --> 00:36:18,360
ship's bridge.
Brunon, the second in command,
755
00:36:18,400 --> 00:36:24,680
is in charge of the bridge.
Rofon has returned raise Shields
756
00:36:24,680 --> 00:36:26,000
and reengage the cloaking
device.
757
00:36:27,360 --> 00:36:29,520
Rofon enters the bridge.
Brunon, Griezon.
758
00:36:30,040 --> 00:36:35,480
Report after three cycles, I
have confirmed the location of
759
00:36:35,480 --> 00:36:39,040
the star fragments.
We've had these confirmations
760
00:36:39,040 --> 00:36:41,440
before.
I don't want to contact King
761
00:36:41,440 --> 00:36:43,640
Bring In with another false
report.
762
00:36:46,480 --> 00:36:50,920
Trust me, Captain, this gem has
never glowed brighter.
763
00:36:51,480 --> 00:36:54,600
But if you are afraid, I will
retrieve the other fragments
764
00:36:54,600 --> 00:36:57,760
myself.
How quickly you forget.
765
00:36:57,840 --> 00:37:01,240
King Bring In wants that
pleasure all to himself and
766
00:37:01,240 --> 00:37:03,040
would surely kill you right
where you.
767
00:37:03,040 --> 00:37:05,400
Stand for even speaking such
treason.
768
00:37:06,280 --> 00:37:09,360
Why does our mighty king have to
come way out here?
769
00:37:10,160 --> 00:37:14,880
Perhaps the rumors are true.
If the rumors were true and
770
00:37:14,880 --> 00:37:16,680
these fragments were so
powerful.
771
00:37:17,200 --> 00:37:19,520
Brunam grabs Rofan's hand with
the gem in it.
772
00:37:20,400 --> 00:37:24,640
Then where is your power?
And there you have it, just a
773
00:37:24,640 --> 00:37:28,360
little bit of the performance.
As I mentioned, you can see the
774
00:37:28,360 --> 00:37:31,080
entirety of the performance on
our YouTube page.
775
00:37:31,480 --> 00:37:34,640
And with that, we're going to
take a quick break and be right
776
00:37:34,640 --> 00:37:37,040
back with more.
It came from the radio.
777
00:37:38,320 --> 00:37:40,000
This is Michael Bell, the voice
of.
778
00:37:40,080 --> 00:37:44,800
Duke from GI Joe and I am here
at Cradle Com and I am with it
779
00:37:44,800 --> 00:37:49,680
came from the radio.
Now back to our show.
780
00:37:50,400 --> 00:37:52,120
You're listening to what came
from the radio.
781
00:37:52,120 --> 00:37:54,000
You know, this is Jennifer Leis
Feldman.
782
00:37:54,000 --> 00:37:56,720
Sometimes I'm Doctor Feldy, but
Doctor Feldy is very busy right
783
00:37:56,720 --> 00:37:58,600
now with a patient doing lip
injections.
784
00:37:58,600 --> 00:38:01,680
So right now I'm here with Red
Valentino.
785
00:38:01,880 --> 00:38:04,120
Long intro warning.
He's done a lot.
786
00:38:04,200 --> 00:38:07,600
So I want to give you a little
little clues to what he's done
787
00:38:07,600 --> 00:38:09,800
so you're familiar with, you
know, what we're talking about
788
00:38:09,800 --> 00:38:11,120
today.
So he's an actor, an
789
00:38:11,120 --> 00:38:13,800
entrepreneur, film producer,
movie critic, workshop
790
00:38:13,800 --> 00:38:16,600
instructor and writer.
And I'm sure more things, you
791
00:38:16,600 --> 00:38:18,040
know, we're not just the work we
do.
792
00:38:18,040 --> 00:38:20,560
We are other things as well as
the best selling author, there
793
00:38:20,560 --> 00:38:24,240
are 21 novels.
Wren writes in multiple genres,
794
00:38:24,240 --> 00:38:27,960
primarily romance, thriller,
young adult horror and To date
795
00:38:27,960 --> 00:38:31,480
he's written more than 70 stage
plays that have been performed
796
00:38:31,480 --> 00:38:34,000
in 12 countries in three
languages.
797
00:38:34,000 --> 00:38:36,720
I barely speak English and I
forgot how to speak Spanish, so
798
00:38:36,720 --> 00:38:39,400
that's really impressive. 8 of
his original screenplays and
799
00:38:39,400 --> 00:38:43,000
seven of his stage plays have
been adapted for the screen.
800
00:38:43,080 --> 00:38:46,320
Wren is the CEO and owner of
Blue Dasher Production, and as a
801
00:38:46,320 --> 00:38:50,320
film officer, Wren has helped
bring more than 80 of the
802
00:38:50,400 --> 00:38:53,760
dependent movies to the screen,
including A Beast in the Manor,
803
00:38:54,080 --> 00:38:57,080
Dark Feast, Ever Actor, The
Farmhouse Murderers, Hollow
804
00:38:57,080 --> 00:39:01,400
Lake, I Feel Fine, Shredded, A
Soldier's Descent and More.
805
00:39:01,480 --> 00:39:05,080
As an actor, Wren has worked on
40 films.
806
00:39:05,080 --> 00:39:09,360
His credits include Omniverse,
Desert Friends, 2-4, Nights in
807
00:39:09,360 --> 00:39:12,840
Fear Forest, Friday the 13th,
Blood Loss, Gobble Foot.
808
00:39:12,880 --> 00:39:14,440
I got to see that one.
I'm in a movie.
809
00:39:14,440 --> 00:39:16,640
Omniville Turkey day, I don't
know if that's related.
810
00:39:16,880 --> 00:39:20,080
The last sleepover night of the
Strangers, Politics, The stage,
811
00:39:20,080 --> 00:39:22,920
shadows of the night, snow
falling on pumpkins, 2 truths
812
00:39:22,920 --> 00:39:27,160
and a lie, Venus die trap and
many more currently almost done.
813
00:39:27,240 --> 00:39:29,480
Well, actually, I cut it off.
So there's there's like two more
814
00:39:29,480 --> 00:39:30,880
pages, but we're going to have
to stop.
815
00:39:31,160 --> 00:39:35,960
Currently, Red plays fashionista
Velvet Vein on the popular web
816
00:39:35,960 --> 00:39:39,640
series Horror Hound Bites
Forever Entertainment.
817
00:39:39,640 --> 00:39:43,440
And Next up he'll be playing
newscaster Raiden Eisner and the
818
00:39:43,440 --> 00:39:47,960
slasher film Midnight Maniac
with horror icon Co star Felicia
819
00:39:47,960 --> 00:39:51,320
Rose, known for a sleepaway Cam,
best known for that and many
820
00:39:51,320 --> 00:39:54,320
other things.
And he's the best selling author
821
00:39:54,320 --> 00:39:56,680
of 21 novels.
I cut it off.
822
00:39:56,680 --> 00:39:59,840
There's way more.
So welcome, right, Valentino?
823
00:40:00,440 --> 00:40:02,480
My first question.
You're welcome.
824
00:40:02,960 --> 00:40:04,520
First question, Get right into
it.
825
00:40:04,520 --> 00:40:08,240
Why did you do all this work?
What's this massive stack of
826
00:40:08,240 --> 00:40:11,400
accomplishments all about?
Yeah, that's an excellent
827
00:40:11,400 --> 00:40:12,960
question.
Excellent question.
828
00:40:13,040 --> 00:40:15,960
It's, I'm sure it's a form of
insanity, but I'll answer it a
829
00:40:15,960 --> 00:40:18,040
little bit more in a literary
way.
830
00:40:18,040 --> 00:40:20,000
But it's really about
storytelling.
831
00:40:20,120 --> 00:40:23,760
It's really just about like
recognizing at a really young
832
00:40:23,760 --> 00:40:27,360
age that I loved stories and
reading and, and just the
833
00:40:27,360 --> 00:40:31,080
concept of a beginning in the
middle and an end of a story,
834
00:40:31,200 --> 00:40:32,680
maybe not necessarily in that
order.
835
00:40:33,160 --> 00:40:36,520
And just finding that within of
like that was my thing was just
836
00:40:36,520 --> 00:40:40,080
to be able to tell stories in
different ways, you know, with
837
00:40:40,080 --> 00:40:43,760
my face and body and voice as an
actor, with, you know, a script,
838
00:40:43,760 --> 00:40:46,240
as a writer, with novels, as a,
as a fiction writer.
839
00:40:46,240 --> 00:40:50,000
So just sort of really embracing
the life at a really young age.
840
00:40:50,000 --> 00:40:54,560
I had amazing teachers and
really wonderful librarians that
841
00:40:54,560 --> 00:40:58,560
put really important books in my
hand that transformed me and LED
842
00:40:58,560 --> 00:41:01,320
me onto that path, if you will.
I was really lucky.
843
00:41:01,320 --> 00:41:04,160
I, I published my first short
story when I was 15.
844
00:41:04,160 --> 00:41:07,320
I was, I was in high school and
just kind of went from there.
845
00:41:07,320 --> 00:41:09,760
And then all the other things
kind of think sometimes when
846
00:41:09,760 --> 00:41:13,920
we're open to the universe of it
sending things our way that the
847
00:41:13,920 --> 00:41:16,640
universe knows that we need
before we even do.
848
00:41:16,640 --> 00:41:19,440
Sometimes it just kind of opened
up those, those floodgates for
849
00:41:19,440 --> 00:41:22,720
me and, and allowing stuff to
come my way in terms of people,
850
00:41:22,720 --> 00:41:25,960
in terms of collaborations and
other artists and so forth.
851
00:41:25,960 --> 00:41:28,880
And just allowing that to happen
and thrive and flourish.
852
00:41:28,880 --> 00:41:31,440
And I think the driving force
because you would ask the
853
00:41:31,440 --> 00:41:33,600
question about like why, you
know, somebody asked me a
854
00:41:33,600 --> 00:41:38,120
question when I was when I was
in grad school as a studying my
855
00:41:38,120 --> 00:41:40,320
MFA and writing.
And somebody said, do you write
856
00:41:40,320 --> 00:41:42,920
for yourself or do you write for
your younger self?
857
00:41:43,480 --> 00:41:46,080
And it was such a like, it seems
like such a simple question, but
858
00:41:46,080 --> 00:41:48,600
it had never been asked before.
And I thought started to think I
859
00:41:48,600 --> 00:41:51,840
really looked to write the
stories that I needed and wanted
860
00:41:51,840 --> 00:41:54,320
when I was a younger person
trying to navigate the world.
861
00:41:54,400 --> 00:41:57,440
And so that kind of started to
fuel a little bit more of like a
862
00:41:57,640 --> 00:42:01,640
specific purpose of why.
Yeah, Speaking of the universe
863
00:42:01,640 --> 00:42:04,840
giving you what you need or
want, which I entertained that
864
00:42:04,840 --> 00:42:06,840
idea.
Another idea, I was just talking
865
00:42:06,840 --> 00:42:09,400
about this yesterday.
I've noticed I'm 41.
866
00:42:09,440 --> 00:42:14,560
There's a lot of people that saw
things in me and told me I was
867
00:42:14,560 --> 00:42:18,640
certain things or certain
characters like 5 years, 20
868
00:42:18,640 --> 00:42:21,520
years before I actually did it,
you know, say, oh, you're this,
869
00:42:21,520 --> 00:42:23,000
you're that.
I'm not going to get into it.
870
00:42:23,240 --> 00:42:26,640
You know it because it'll sound
conceited, but it's like, you
871
00:42:26,640 --> 00:42:29,120
know, that ended up happening.
And, you know, a lot of the
872
00:42:29,120 --> 00:42:31,400
times people tell you who you
are and they're totally wrong.
873
00:42:31,400 --> 00:42:34,120
And so you shouldn't really give
too much credence, You know,
874
00:42:34,120 --> 00:42:38,000
never get too high on your your
compliments and never get too
875
00:42:38,000 --> 00:42:40,840
low on your critiques.
It's it's a dance every single
876
00:42:40,840 --> 00:42:42,320
day.
But yeah, sometimes people will
877
00:42:42,320 --> 00:42:45,440
see things in you that you have
no idea you have this in you.
878
00:42:45,560 --> 00:42:47,720
And it's like, maybe you should
think about that.
879
00:42:47,720 --> 00:42:50,120
Maybe you should go down that
path that you never even
880
00:42:50,120 --> 00:42:52,160
consider.
Or maybe maybe God speaks
881
00:42:52,200 --> 00:42:53,960
through people.
I don't know, Maybe maybe
882
00:42:53,960 --> 00:42:57,080
there's like entities or gods or
speaking through other people to
883
00:42:57,080 --> 00:42:58,640
give you the info.
Yeah, absolutely.
884
00:42:58,640 --> 00:43:00,080
Yeah.
I think sometimes we're just the
885
00:43:00,080 --> 00:43:03,360
satellite and we have to be open
to those messages and then like
886
00:43:03,360 --> 00:43:05,800
sort of decipher them and like,
but the but you talked about
887
00:43:05,800 --> 00:43:09,600
timing is so important because
sometimes it's yeah, you take it
888
00:43:09,600 --> 00:43:12,720
in, but it's not, you know, and
sometimes you do, sometimes you
889
00:43:12,720 --> 00:43:14,040
don't that it's the right, right
time.
890
00:43:14,160 --> 00:43:16,280
But my problem is always like,
when is the right time?
891
00:43:16,720 --> 00:43:20,240
Like like recognizing that that
for myself, I'm like, oh, now's
892
00:43:20,240 --> 00:43:22,920
the time to Start learning
Italian or whatever it is that
893
00:43:22,920 --> 00:43:26,520
somebody right suggested.
I love that what you said about
894
00:43:26,520 --> 00:43:30,880
other people seeing things in
ourselves that we might not be
895
00:43:30,880 --> 00:43:33,280
seeing yet.
I really like that because that
896
00:43:33,280 --> 00:43:36,520
has certainly happened in my
life and and my creative journey
897
00:43:36,520 --> 00:43:38,480
for sure.
I mean, Speaking of you playing
898
00:43:38,720 --> 00:43:40,680
fashionista velvet vein, next
question.
899
00:43:40,680 --> 00:43:43,160
Maybe there's people that saw
you as a fashionista.
900
00:43:43,160 --> 00:43:45,920
Maybe you never saw yourself
like it and then a director saw
901
00:43:46,040 --> 00:43:49,040
you as in cast you it.
So you play fashionista Velvet
902
00:43:49,040 --> 00:43:51,760
Vein on the popular web series
Hard Sound Bites.
903
00:43:52,040 --> 00:43:54,280
How do you create your
character?
904
00:43:54,280 --> 00:43:56,720
Is there any people that you use
as reference or when you're
905
00:43:56,720 --> 00:43:59,960
speaking, are you ever thinking
of another actor, someone you
906
00:43:59,960 --> 00:44:01,800
know when you're delivering the
lines?
907
00:44:01,920 --> 00:44:03,520
Yeah, that those are great
questions.
908
00:44:03,520 --> 00:44:06,280
And I haven't got to talk about
how Horror hound bites quite
909
00:44:06,280 --> 00:44:09,800
yet, so I'm excited about that.
But Mandy Camino, I think it's
910
00:44:09,800 --> 00:44:12,600
how you say her last name.
She writes every episode of that
911
00:44:12,600 --> 00:44:16,040
show and she writes it's the
most delicious dialogue for me.
912
00:44:16,040 --> 00:44:19,440
Like we, we talked about the
character when the when we first
913
00:44:19,440 --> 00:44:21,120
started, they first started
producing the show.
914
00:44:21,280 --> 00:44:23,520
Her husband, Anthony, I think
it's the producer and director
915
00:44:23,520 --> 00:44:25,320
and they're together.
They're forever entertainment.
916
00:44:25,400 --> 00:44:28,040
So it's a husband and wife team,
which is really exciting to work
917
00:44:28,040 --> 00:44:31,520
with and they can put together
such an amazing cast, like a lot
918
00:44:31,520 --> 00:44:34,400
of our sort of voice actors.
And so we brought a lot of those
919
00:44:34,400 --> 00:44:38,920
sort of like fun nuances that we
had already in our in our
920
00:44:38,920 --> 00:44:42,240
vocabulary, in our delivery.
I just kind of heightened it up
921
00:44:42,240 --> 00:44:44,480
on camera in a really fun.
It's very funny.
922
00:44:44,480 --> 00:44:47,320
It's a very funny show.
But to answer your question, I I
923
00:44:47,360 --> 00:44:50,080
honestly, I went back to Joan
Rivers and fashion please and
924
00:44:50,080 --> 00:44:54,760
just how she was so biting and
so unfiltered in a really fun
925
00:44:54,760 --> 00:44:57,720
way and like sort of all
knowing, even though she herself
926
00:44:57,720 --> 00:45:01,360
wasn't like a super fashionista.
So and I'm playing a fashionista
927
00:45:01,360 --> 00:45:04,440
in the afterlife.
And so I feel like it's, it's
928
00:45:04,440 --> 00:45:07,240
such a fun spin and that
supernatural way of like, what
929
00:45:07,240 --> 00:45:10,920
was my career like before I was
when I was living my character
930
00:45:10,920 --> 00:45:14,080
versus now like perception.
You know, I have like every
931
00:45:14,080 --> 00:45:17,640
episode, I tell you, I get the
like the most fun things to say.
932
00:45:17,640 --> 00:45:20,320
And it's all because of Mandy,
who writes such great script,
933
00:45:20,360 --> 00:45:24,720
script, dialogue for all of us.
But I just really appreciate it
934
00:45:24,720 --> 00:45:27,760
so, so much and so much fun.
It's such a fun character
935
00:45:27,760 --> 00:45:29,160
because it's very larger than
life.
936
00:45:29,160 --> 00:45:30,880
It's very over the top.
It's very campy.
937
00:45:31,320 --> 00:45:34,320
It's all those things that that
and I have not done a lot of
938
00:45:34,440 --> 00:45:37,240
comedy in my life, which I love
comedy, right?
939
00:45:37,240 --> 00:45:38,520
And so I.
Usually do like.
940
00:45:38,520 --> 00:45:41,400
Classic Shakespeare like British
comedy.
941
00:45:41,600 --> 00:45:43,360
British comedy, but not American
comedy.
942
00:45:43,480 --> 00:45:48,720
So having that sort of like, you
know, really fun kind of
943
00:45:48,800 --> 00:45:51,840
autonomy to just run with it.
And Anthony and Mandy have been
944
00:45:51,840 --> 00:45:55,320
so great about just like letting
me stay in my lane and doing my
945
00:45:55,320 --> 00:45:57,800
thing and just giving them as
much as I can.
946
00:45:57,880 --> 00:46:01,480
Well, your character is in the
afterlife and there's conspiracy
947
00:46:01,480 --> 00:46:04,720
theory is that, you know, Joan
Rivers ran her mouth so much and
948
00:46:04,720 --> 00:46:06,440
then that's the reason why she
died.
949
00:46:06,440 --> 00:46:09,040
There's some people that think
that she was killed because she
950
00:46:09,040 --> 00:46:11,960
said certain things.
I'm not going to get into.
951
00:46:13,040 --> 00:46:16,720
It not a political show, but
there's just there's a character
952
00:46:16,720 --> 00:46:18,680
that people throw around the
name Big Mike.
953
00:46:18,720 --> 00:46:21,200
I'm not saying whether I
believe, but yeah, they're
954
00:46:21,200 --> 00:46:23,920
saying that Joan Rivers was
calling out, you know, some
955
00:46:23,920 --> 00:46:25,880
president's wife without some
stuff.
956
00:46:25,880 --> 00:46:28,560
Maybe that's why she's not here.
Do I know I'm not here?
957
00:46:28,560 --> 00:46:31,440
Yeah.
I, I, I was a big fan of hers.
958
00:46:31,600 --> 00:46:33,400
I still am.
But I never found like a
959
00:46:33,400 --> 00:46:36,240
connection in terms of like
performance or creativity.
960
00:46:36,240 --> 00:46:40,640
And so, like when I was sort of
searching for like the the core
961
00:46:40,640 --> 00:46:43,600
of velvet vein, I was like, this
is like a male version Joan
962
00:46:43,600 --> 00:46:45,840
Rivers.
And so I I that's what I went
963
00:46:45,840 --> 00:46:49,200
back to her and looked at her
her most mostly her stand up.
964
00:46:49,200 --> 00:46:53,080
So she had a really specific
delivery of how she hit the
965
00:46:53,080 --> 00:46:56,000
punchline.
And and so I definitely mirror
966
00:46:56,080 --> 00:46:58,360
was influenced greatly by that,
but who wouldn't be?
967
00:46:58,360 --> 00:47:00,240
I mean one of the greatest
comics that ever lived.
968
00:47:00,240 --> 00:47:03,200
Switching gears now, this is one
of my theories.
969
00:47:03,200 --> 00:47:06,400
I have a lot of theories and a
lot of rules in my life, so I've
970
00:47:06,400 --> 00:47:08,480
noticed this.
It's not a hard and fast rule,
971
00:47:08,480 --> 00:47:12,520
but there's not a truth to it.
I found like managing life and
972
00:47:12,520 --> 00:47:15,200
managing a film set requires
varied skill sets.
973
00:47:15,200 --> 00:47:18,080
You might have to know like how
to turn off the water, how to
974
00:47:18,400 --> 00:47:22,680
undo fire alarms, and also how
to put up a Christmas tree and
975
00:47:22,680 --> 00:47:24,440
wrap gifts that are behind me.
Those are fake gifts.
976
00:47:24,560 --> 00:47:26,360
But whatever.
You have to have varied skill
977
00:47:26,360 --> 00:47:29,680
sets and abilities and usually
stability.
978
00:47:29,960 --> 00:47:32,600
You got to be able to put out
fires metaphorically.
979
00:47:32,600 --> 00:47:34,840
And also sometimes the fires are
real.
980
00:47:34,840 --> 00:47:38,040
I have, you know, marks on my
carpet from real, real fires and
981
00:47:38,040 --> 00:47:40,160
photo shoots.
My theory is basically like if
982
00:47:40,160 --> 00:47:44,440
one person can manage their life
well, there's, there's a chance
983
00:47:44,440 --> 00:47:48,000
that they can also manage a film
production well, a chance.
984
00:47:48,320 --> 00:47:52,560
And if they can smoothly produce
multiple films, you know, I've
985
00:47:52,560 --> 00:47:55,600
observed many directors produce
multiple films, I've noticed
986
00:47:55,600 --> 00:47:59,720
that they also have that
capability to possibly manage
987
00:47:59,720 --> 00:48:02,400
their their real life because
you also you have to manage
988
00:48:02,400 --> 00:48:06,320
productive relationships on a
film set and in real life to be
989
00:48:06,320 --> 00:48:08,760
successful.
So any thoughts on that?
990
00:48:08,800 --> 00:48:11,400
Yeah, I think there's definitely
a correlation between the
991
00:48:11,400 --> 00:48:14,520
balance of life, work, life,
whatever we want to call that
992
00:48:14,520 --> 00:48:17,760
balance that we're navigating
constantly, especially as
993
00:48:17,760 --> 00:48:20,640
creative people where sometimes
the world around us is not so
994
00:48:20,640 --> 00:48:24,640
conducive to a creative life or
creativity kind of mindset.
995
00:48:24,640 --> 00:48:27,280
So I think managing all those
things, I think it was sort of
996
00:48:27,360 --> 00:48:30,000
air traffic controlling, plate
spinning, whatever metaphor you
997
00:48:30,000 --> 00:48:32,960
want to use in terms of having
multiple things happening the
998
00:48:32,960 --> 00:48:35,120
same time.
I think what I've gleaned the
999
00:48:35,120 --> 00:48:38,000
most from film production of
being a film producer is
1000
00:48:38,000 --> 00:48:42,480
anticipation is not to be idle,
is that is that you've got to be
1001
00:48:42,480 --> 00:48:45,440
thinking ahead that long term,
short term is obviously very
1002
00:48:45,440 --> 00:48:46,840
important.
Getting through the day right.
1003
00:48:46,840 --> 00:48:49,360
You, you have your shot list,
you have your storyboarding of
1004
00:48:49,360 --> 00:48:52,400
all your things, call times, all
that stuff, all that stuff sort
1005
00:48:52,400 --> 00:48:55,200
of happening.
And it's but what I love the
1006
00:48:55,200 --> 00:48:58,920
most about film work, which
really lends itself to my
1007
00:48:58,920 --> 00:49:01,720
background in theatre as well as
the collaborativeness that has
1008
00:49:01,720 --> 00:49:04,240
to happen.
Not one person can get a film
1009
00:49:04,240 --> 00:49:07,360
made right.
And so I feel like recognizing
1010
00:49:07,560 --> 00:49:10,960
how important each person is,
whether it's a production
1011
00:49:10,960 --> 00:49:13,840
assistant or whether it's an
executive producer, that that's
1012
00:49:13,840 --> 00:49:16,920
that person needs to be there in
order for that film to be
1013
00:49:16,920 --> 00:49:19,840
completed.
And whatever role they're
1014
00:49:19,840 --> 00:49:24,120
playing is significant in the
very in its own way and just
1015
00:49:24,120 --> 00:49:25,920
recognizing that.
But I really think about
1016
00:49:25,920 --> 00:49:28,960
troubleshooting ahead of time.
That anticipation I was talking
1017
00:49:28,960 --> 00:49:31,840
about is all about seeing
potential problems and having
1018
00:49:31,840 --> 00:49:36,400
that plan BCDEF everybody
letters you want in place so
1019
00:49:36,400 --> 00:49:39,440
that when you have to put those
contingency contingency plans
1020
00:49:39,440 --> 00:49:43,160
into action, you've got them
rolled up your sleeve, you know,
1021
00:49:43,680 --> 00:49:46,840
and to pull that out and, and
put it into action very quickly.
1022
00:49:47,080 --> 00:49:51,040
I think a good producer really
understands the director's
1023
00:49:51,040 --> 00:49:53,600
vision.
But really, again, film starts
1024
00:49:53,600 --> 00:49:55,840
with the script.
And as somebody who writes
1025
00:49:55,840 --> 00:49:59,760
scripts and as an actor, I I
feel like what I bring to that
1026
00:49:59,760 --> 00:50:03,480
process and what I learn every
time is about the processes of
1027
00:50:03,480 --> 00:50:05,400
all the artistic people that are
on the set.
1028
00:50:05,400 --> 00:50:07,320
Because I've been a director,
because I've been a writer,
1029
00:50:07,320 --> 00:50:09,760
because I've been an actor, I
can understand what the actors
1030
00:50:09,760 --> 00:50:13,800
creative process that they need
a minute to warm up, flip into
1031
00:50:13,800 --> 00:50:16,080
character, find that emotional
core that they need.
1032
00:50:16,080 --> 00:50:17,360
Well, even if it's comedy,
right?
1033
00:50:17,360 --> 00:50:21,000
Comedy is not easy to do, right?
And so there has to be an
1034
00:50:21,000 --> 00:50:22,680
element of truth in it for it to
land.
1035
00:50:22,680 --> 00:50:26,280
And so I feel like just knowing
that those those boundaries and
1036
00:50:26,280 --> 00:50:28,600
having that respect for
everyone's process is so
1037
00:50:28,600 --> 00:50:30,720
essential.
It's something I continue to
1038
00:50:30,720 --> 00:50:32,480
learn.
And then it informs me and my
1039
00:50:32,480 --> 00:50:36,520
processes and all those things
too by watching others and
1040
00:50:36,520 --> 00:50:39,000
learning and just being an
observer, really, right?
1041
00:50:39,080 --> 00:50:40,560
We're all really lifelong
learners.
1042
00:50:40,560 --> 00:50:42,240
What do you think about it in
some capacity?
1043
00:50:42,760 --> 00:50:47,440
Yeah to learn, but I often
reference along came Polly with
1044
00:50:47,440 --> 00:50:51,120
Ben Stiller he he's a risk
assessment analyst and I often
1045
00:50:51,200 --> 00:50:55,760
told myself that and I've even
been someone rudely because this
1046
00:50:55,760 --> 00:50:58,080
is someone who was disorganized
goes are you an attorney?
1047
00:50:58,240 --> 00:51:00,440
I mean the guys everything was
still falling apart on his
1048
00:51:00,440 --> 00:51:01,600
comedy thing.
It wasn't thinking.
1049
00:51:02,200 --> 00:51:04,760
I always think of you boop up.
What could go wrong?
1050
00:51:04,880 --> 00:51:08,400
What could mess up, You know, I,
I'm not the director on one film
1051
00:51:08,400 --> 00:51:11,800
set recently, but I checked the
weather and I saw like 36 hours
1052
00:51:11,800 --> 00:51:13,960
ahead of time so that we're
going to, I have a major
1053
00:51:13,960 --> 00:51:16,560
snowstorm.
And we did, I mean, the AD
1054
00:51:16,600 --> 00:51:19,160
couldn't even make it to set.
So I texted the director.
1055
00:51:19,160 --> 00:51:21,280
It's not my job.
I'm the makeup artist on this
1056
00:51:21,280 --> 00:51:23,040
one.
And I said, hey, you might want
1057
00:51:23,040 --> 00:51:25,760
to e-mail everybody and tell
everyone that there's snow.
1058
00:51:25,760 --> 00:51:28,200
So they leave like an hour
earlier because otherwise I'm
1059
00:51:28,200 --> 00:51:29,840
going to be the only one that
throws the snowstorm.
1060
00:51:29,840 --> 00:51:31,800
I'm taking precautions.
I'm going to be there on time.
1061
00:51:31,800 --> 00:51:33,600
Everyone's going to be late.
We're going to have snow day.
1062
00:51:33,600 --> 00:51:35,960
So it's like you as a director,
you got to be watching the
1063
00:51:35,960 --> 00:51:38,720
weather and telling everyone,
you know, how to get their car
1064
00:51:38,720 --> 00:51:39,200
out.
And it's.
1065
00:51:39,200 --> 00:51:41,240
Yeah.
Yeah, they had to change.
1066
00:51:41,240 --> 00:51:43,400
You got to change that shot list
really quick because if you're
1067
00:51:43,920 --> 00:51:46,960
interior scenes and your movies
in the middle of the summer.
1068
00:51:47,360 --> 00:51:51,000
Yes.
And also maybe if, you know, if
1069
00:51:51,440 --> 00:51:53,600
someone has a crappy car and you
know they're not going to make
1070
00:51:53,600 --> 00:51:56,240
it to set, OK, get a new makeup
art, get a new AD because you
1071
00:51:56,240 --> 00:51:58,280
know, they're not coming and
think ahead like that.
1072
00:51:58,280 --> 00:51:59,800
You got to be a psychic.
Yeah, anyway.
1073
00:51:59,800 --> 00:52:01,320
I know it's true.
It's true, yeah.
1074
00:52:01,680 --> 00:52:05,000
All right, let's see Sacrifices.
OK, let's switch totally.
1075
00:52:05,160 --> 00:52:09,080
Do you think Hollywood is dead,
or is Hollywood still the place
1076
00:52:09,080 --> 00:52:12,640
to be in your eyes when it comes
to film production and acting?
1077
00:52:13,520 --> 00:52:16,560
There's a renaissance.
I'm very optimistic, I think,
1078
00:52:16,800 --> 00:52:20,800
yes, I do think that element
knew it and know it are dead and
1079
00:52:20,800 --> 00:52:23,520
buried.
I'll just be truthfully honest.
1080
00:52:23,520 --> 00:52:26,080
I think the way that films get
made, the way that films get
1081
00:52:26,080 --> 00:52:29,360
distributed.
Same for television has changed.
1082
00:52:29,360 --> 00:52:31,200
I mean, just, you know, people
are not going to the movie
1083
00:52:31,200 --> 00:52:33,240
theatre as much as they used to.
I mean, there's just there's
1084
00:52:33,240 --> 00:52:35,720
numbers that show that, you
know, studies and so forth.
1085
00:52:36,200 --> 00:52:40,800
I think that there last year we
had an incredible year of film
1086
00:52:40,880 --> 00:52:44,200
Hamnet, I mean weapons, you
know, you, you name it, there
1087
00:52:44,200 --> 00:52:47,640
was some extraordinary films,
maybe not so much in terms of
1088
00:52:48,440 --> 00:52:52,160
originality necessarily, but
certainly in the, in the way of
1089
00:52:52,160 --> 00:52:54,880
delivery and, and, and the way
things stories were being
1090
00:52:54,880 --> 00:52:57,880
presented.
We were talking about movies a
1091
00:52:57,880 --> 00:53:01,640
lot, a lot last a lot more last
year than we had in quite some
1092
00:53:01,640 --> 00:53:03,400
time.
And I look at the independent
1093
00:53:03,400 --> 00:53:05,680
film makers, right?
I look at like Sofia Coppola
1094
00:53:05,680 --> 00:53:07,680
with the last show or Gia
Coppola, I'm sorry, with the
1095
00:53:07,680 --> 00:53:10,600
last showgirl, but Pamela
Anderson's a great example of
1096
00:53:10,600 --> 00:53:14,480
that of like those those very
small budgeted when I say a
1097
00:53:14,480 --> 00:53:17,280
small budget of like $1,000,000,
which is a lot of money for an
1098
00:53:17,280 --> 00:53:20,440
independent filmmaker, right?
But in terms of Hollywood
1099
00:53:20,440 --> 00:53:23,280
standards, small budget and
just, you know, having that
1100
00:53:23,280 --> 00:53:26,880
autonomy to tell those brave
stories about real people going
1101
00:53:26,880 --> 00:53:29,440
through extraordinary situations
and changing them forever.
1102
00:53:29,440 --> 00:53:31,880
And that's I feel like the
audience is starting to look
1103
00:53:31,880 --> 00:53:35,480
more for depth and versions of
themselves because the world is
1104
00:53:35,480 --> 00:53:38,080
changing so much and they're
trying to make sense of it.
1105
00:53:38,320 --> 00:53:40,360
So I think more and more people
are going to look to movies.
1106
00:53:40,360 --> 00:53:43,360
And I think that there are some
really exciting, clever film
1107
00:53:43,360 --> 00:53:45,080
makers.
Chloe Jiao, of course, is a
1108
00:53:45,080 --> 00:53:48,240
great example of that, that have
their finger on that pulse of
1109
00:53:48,240 --> 00:53:50,840
those changes that are happening
and they're going to bring that
1110
00:53:50,840 --> 00:53:53,080
renaissance into it.
I think it's going to be on the
1111
00:53:53,080 --> 00:53:55,760
backs of the independent film
makers that really make it a
1112
00:53:55,760 --> 00:53:58,280
difference in the change in the
next, you know, three to five
1113
00:53:58,280 --> 00:54:00,440
years.
But yeah, change is coming in a
1114
00:54:00,440 --> 00:54:03,640
really great, beautiful way.
You know, I think AI is a
1115
00:54:03,640 --> 00:54:07,040
consideration for everyone on
the story writers.
1116
00:54:07,320 --> 00:54:10,760
Everybody is thinking about that
and how that's that is impacting
1117
00:54:10,760 --> 00:54:12,760
and how it can embed.
I think that's something that
1118
00:54:12,760 --> 00:54:15,240
definitely will have to get
navigated or thought about
1119
00:54:15,240 --> 00:54:17,320
during that that renaissance for
sure.
1120
00:54:17,320 --> 00:54:20,160
But yeah, I think I think
really, you know, looking at
1121
00:54:20,160 --> 00:54:22,640
some of the films that are that
are heading our way very soon
1122
00:54:22,640 --> 00:54:24,800
are just very, very exciting.
And the film makers that are
1123
00:54:24,800 --> 00:54:27,120
making them.
We're getting a lot more global
1124
00:54:27,120 --> 00:54:29,920
cinema like it was just an
accident is a is an
1125
00:54:29,920 --> 00:54:34,360
extraordinarily fantastic film
by an Iranian director that was
1126
00:54:34,360 --> 00:54:36,520
made in collaboration with
France.
1127
00:54:37,240 --> 00:54:39,960
If anybody hasn't seen that's
just a very brave important
1128
00:54:39,960 --> 00:54:42,520
film.
But I believe that the global
1129
00:54:42,520 --> 00:54:45,760
cinema, international cinema is
going to start to tell stories
1130
00:54:45,800 --> 00:54:48,360
more mainstream more and get
more mainstream attention
1131
00:54:48,400 --> 00:54:51,960
because they can take a little
bit more chances sometimes in
1132
00:54:51,960 --> 00:54:55,240
the sort of the more formulaic
that we have to do sometimes in
1133
00:54:55,240 --> 00:54:57,400
the American Film.
So that was a long answer.
1134
00:54:59,120 --> 00:55:01,520
I wish this was a longer format
because I was just thinking,
1135
00:55:01,520 --> 00:55:03,120
God, I have three more questions
to ask you.
1136
00:55:03,120 --> 00:55:05,080
We're not going to get to, so I
hope you can come back on.
1137
00:55:05,080 --> 00:55:06,320
I can ask.
You more questions.
1138
00:55:06,320 --> 00:55:07,080
Thank you.
Yeah.
1139
00:55:07,280 --> 00:55:10,960
And I mean, you know, I just I
get updates on like marketing
1140
00:55:10,960 --> 00:55:14,000
and Hollywood and and and tech.
So one of the updates I got was
1141
00:55:14,000 --> 00:55:16,680
that Unilever that I think they
invested, I want to say it was
1142
00:55:16,680 --> 00:55:19,000
like 30 million.
It was a number really high in
1143
00:55:19,280 --> 00:55:22,640
UGC, the user generated content,
you know, the influencers for
1144
00:55:22,680 --> 00:55:26,080
people that don't know this.
And so instead of the TV
1145
00:55:26,080 --> 00:55:28,720
marketing, these big production
companies where you have, you
1146
00:55:28,720 --> 00:55:31,360
know, all these crazy cameras
and huge budgets to make the
1147
00:55:31,360 --> 00:55:34,280
commercial, they're really going
towards the independent creator
1148
00:55:34,280 --> 00:55:36,520
who just shoot stuff in their
living room at home.
1149
00:55:36,520 --> 00:55:39,160
And that's what they're putting
their money into right now.
1150
00:55:39,160 --> 00:55:41,480
That's so we're going to see
people that you've never seen
1151
00:55:41,480 --> 00:55:43,840
before.
You know, maybe people like me,
1152
00:55:43,840 --> 00:55:45,280
I don't know, I'm sick of
commercial stuff.
1153
00:55:45,280 --> 00:55:49,040
It's kind of soul sucking, but
you know, influencer types, you
1154
00:55:49,040 --> 00:55:51,880
like to do this stuff, I guess,
you know, make a couple $100
1155
00:55:51,880 --> 00:55:54,680
cause the rates are getting
lower and they're all over the
1156
00:55:54,680 --> 00:55:57,200
board, but they're, they're kind
of low because it's, these
1157
00:55:57,200 --> 00:55:59,520
people are becoming a dime a
dozen cranking out
1158
00:55:59,600 --> 00:56:02,200
advertisements.
But anyway, I'm gonna have you
1159
00:56:02,200 --> 00:56:05,120
one more question.
This is have to be like a, a one
1160
00:56:05,120 --> 00:56:07,680
minute answer.
Even though I'd love to have you
1161
00:56:07,680 --> 00:56:11,120
here for like 3 days straight
and give you a bunch of coffee
1162
00:56:11,120 --> 00:56:13,240
and we, we don't even sleep.
I'm just gonna interview for
1163
00:56:13,240 --> 00:56:14,640
three days straight.
How, how's that?
1164
00:56:15,960 --> 00:56:18,920
It'll be it'll be a
methamphetamine fueled
1165
00:56:18,920 --> 00:56:20,760
interview. 3 days.
I'm just kidding.
1166
00:56:21,280 --> 00:56:23,360
No, don't do math.
Don't do math anyway.
1167
00:56:23,400 --> 00:56:25,520
I'm doing a movie about that so
math is in my mind.
1168
00:56:25,520 --> 00:56:25,920
I've.
Never.
1169
00:56:25,960 --> 00:56:27,760
I've written about it, so I feel
ya.
1170
00:56:27,760 --> 00:56:29,440
I gotcha.
Don't do it, don't do it.
1171
00:56:29,680 --> 00:56:33,680
So now, if you could tell your
younger teenage self one thing,
1172
00:56:33,800 --> 00:56:35,360
what advice would you give
yourself?
1173
00:56:35,600 --> 00:56:39,160
To absolutely that you know
what's best for you better than
1174
00:56:39,160 --> 00:56:43,160
anyone would be the number one
thing to turn off that inner
1175
00:56:43,160 --> 00:56:46,360
critic that you do not suck,
that you are really good at what
1176
00:56:46,360 --> 00:56:48,160
you do.
Believe in yourself.
1177
00:56:48,160 --> 00:56:51,120
I think it's all it would all be
about like empowering anything I
1178
00:56:51,120 --> 00:56:53,800
would say to my younger self
would be about you got this, you
1179
00:56:53,800 --> 00:56:57,600
know, do this and just remember
to be very gracious to anyone
1180
00:56:57,600 --> 00:56:59,920
and everyone who's helping you
along the way.
1181
00:57:00,040 --> 00:57:04,400
I felt that I was, you know,
when I was moving into different
1182
00:57:04,400 --> 00:57:06,760
levels.
But I think he we can never in
1183
00:57:06,760 --> 00:57:10,240
this day and age, continue to
practice grace and gratitude in
1184
00:57:10,280 --> 00:57:12,680
all forms, every chance we get.
Definitely.
1185
00:57:12,680 --> 00:57:14,720
I had my friend who flew in last
night.
1186
00:57:14,800 --> 00:57:18,760
You brought him into my dad's
dental office like 9:13 PM,
1187
00:57:19,000 --> 00:57:21,560
Who's counting, you know, for
surprise dental visit.
1188
00:57:21,560 --> 00:57:23,680
Because I appreciate him as a
friend that I want to make sure,
1189
00:57:23,680 --> 00:57:26,400
Steve, they're taken care of.
That's, that's being thankful,
1190
00:57:26,400 --> 00:57:28,400
you know, that's really honoring
friends, you know?
1191
00:57:28,400 --> 00:57:30,200
You're a good friend.
You're a really good friend.
1192
00:57:31,760 --> 00:57:34,760
Many people, yeah, I know I've
gotten some good Yelp reviews on
1193
00:57:34,760 --> 00:57:36,240
that.
You know, I, I like in other
1194
00:57:36,240 --> 00:57:37,920
areas, so I can be confident in
this.
1195
00:57:37,920 --> 00:57:40,680
I just don't ask me anything
about finance or plumbing.
1196
00:57:40,680 --> 00:57:42,640
You know.
So anyway, we're at the end of
1197
00:57:42,640 --> 00:57:45,280
the interview, you want to give
your socials and website where
1198
00:57:45,280 --> 00:57:48,280
people can find you.
Yeah, I'm at redvalentino.com.
1199
00:57:48,280 --> 00:57:51,120
All my socials are at Red
Valentino, you know I please
1200
00:57:51,120 --> 00:57:53,640
reach out if I can help or
promote or support in any way.
1201
00:57:53,640 --> 00:57:57,080
I'm always happy to.
And that's Wren.
1202
00:57:57,120 --> 00:58:01,440
So that concludes our interview.
And now back to the studio with
1203
00:58:01,440 --> 00:58:05,200
Mark Torres for War.
It came from the radio.
1204
00:58:08,840 --> 00:58:13,400
You had any honor you would
listen to sci-fi dot radio the
1205
00:58:13,400 --> 00:58:23,480
sci-fi for your Wi-Fi Kaplan.
Now back to our show.
1206
00:58:23,960 --> 00:58:25,840
So that about does it for this
week and it came from the radio.
1207
00:58:25,840 --> 00:58:27,800
Join us right here any week on
this radio station.
1208
00:58:27,800 --> 00:58:31,200
If you miss any part of the
show, tough go to our newly
1209
00:58:31,200 --> 00:58:34,040
revised website
www.itcamefromradio.com.
1210
00:58:34,280 --> 00:58:35,760
The archives will be up in a
week or so.
1211
00:58:35,800 --> 00:58:40,200
Check us out on such places as
BTD dot radio, sci-fi dot radio.
1212
00:58:40,440 --> 00:58:43,800
Check us out on our places such
as Facebook, Instagram, YouTube
1213
00:58:43,800 --> 00:58:46,120
page, Twitter.
And always follow the cost
1214
00:58:46,120 --> 00:58:47,600
benefit ratio.
If the benefits out with the
1215
00:58:47,600 --> 00:58:49,000
cost, do it.
If the cost that way the
1216
00:58:49,000 --> 00:58:52,320
benefits don't do it or.
Just Google it came from the
1217
00:58:52,320 --> 00:58:55,160
radio.
And we'll see you next week.
1218
00:58:55,920 --> 00:58:59,720
You've Been listening to It Came
From the Radio with Mark Torres.
1219
00:59:00,040 --> 00:59:03,640
The views of the show's hosts
and guests did not necessarily
1220
00:59:03,640 --> 00:59:07,880
reflect that of the management,
owners or staff of the station.
1221
00:59:08,320 --> 00:59:11,680
We now return you to your
earthly scheduled broadcast.
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